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In Fortunes of History Donald R. Kelley offers an authoritative examination of historical writing during the “long nineteenth century”—the years from the French Revolution to those just after the First World War. He provides a comprehensive analysis of the theories and practices of British, French, German, Italian, and American schools of historical thought, their principal figures, and their distinctive methods and self-understandings. Kelley treats the modern traditions of European world and national historiography from the Enlightenment to the “new histories” of the twentieth century, attending not only to major authors and schools but also to methods, scholarship, criticisms, controversies, ideological questions, and relations to other disciplines.
This 2003 book offers a distinctive overview of the internal and external pressures responsible for the emergence of modern Japan.
This is the first study of noblewomen in 12th-century England and Normandy, and of the ways in which they exercised power. It draws on a rich mix of evidence to offer an important reconceptualization of women's role in aristocratic society, and in doing so suggests new ways of looking at lordship and the ruling elite in the high middle ages. The book considers a wide range of literary sources such as chronicles, charters, seals and governmental records to draw out a detailed picture of noblewomen in the 12th-century Anglo-Norman realm. It asserts the importance of the lifecycle in determining the power of these aristocratic women, thereby demonstrating that the influence of gender on lordship was profound, complex and varied.
This seminal new study explores how and why historians and writers from the Middle Ages to the present day have constructed different accounts of this well-loved figure. N. J Higham offers an in-depth examintaion of the first two Arthurian texts: the History of the Britons and the Welsh Annals. He argues that historians have often been more influenced by what the idea of Arthur means in their present context than by such primary sources King Arthur: Myth-making and History illuminates and discusses some central points of debate: * What role was Arthur intended to perform in the political and cultural worlds that constructed him? * How did the idea of King Arthur evolve? * What did the myth of Arthur mean to both authors and their audiences? King Arthur: Myth-making and History is fascinating reading for anyone interested in the origins and evolution of the Arthurian legend.
*Broad-based survey of trans-Atlantic black culture*Newest book in the popular Black Atlantic seriesRadical Narratives of the Black Atlantic is a multi-faceted and interdisciplinary take on trans-Atlantic black culture. Alan Rice engages fully with Paul Gilroy's paradigm of the Black Atlantic through examination of a broad array of cultural genres including music, dance, folklore and oral literature, fine art, material culture, film and literature. The aspects of black culture under discussion range from black British gravesites to sea shanties, from the novels of Toni Morrison to the paintings of the Zanzibar born black British artist Lubaina Himid and from King Kong to the travels of Frederick Douglass and Paul Robeson. The book places such figures as the African American traveller and Barbary slave narrator Robert Adams and the West Indian slave narrator Mary Prince in a Black Atlantic context that explicates them fully. A chapter on the Titanic disaster shows how diasporan Africans composed oral poems about the disaster to criticise the discriminatory practices of its owners and racial imperialism. Overall, the book argues for the crucial importance of Black Atlantic cultures in the formation of our modern world. Moreover, it argues that looking at Black culture and history through a national lens is distorting and reductive.
This a reconstruction of the waxing and waning of political fortunes among the chiefly elites at an important centre of the prehistoric world.
Nothing less than a rethinking of what we mean when we talk about "men" and "women" of the medieval period, this volume demonstrates how the idea of gender -- in the Middle Ages no less than now -- intersected in subtle and complex ways with other categories of difference. Responding to the insights of postcolonial and feminist theory, the authors show that medieval identities emerged through shifting paradigms -- that fluidity, conflict, and contingency characterized not only gender, but also sexuality, social status, and religion. This view emerges through essays that delve into a wide variety of cultures and draw on a broad range of disciplinary and theoretical approaches. Scholars in the fields of history as well as literary and religious studies consider gendered hierarchies in western Christian, Jewish, Byzantine, and Islamic areas of the medieval world.
'Marvellously entertaining as well as thought-provoking - the finest intellectual parlour-game around.' Noel Malcolm, Sunday TelegraphMore What If?, the sequel to the acclaimed What If? examines history's most fascinating what-might have-beens. More of the world's leading historians, including Geoffrey Parker, Theodore K Rabb, Cecilia Holland and Caleb Carr postulate on what might so easily have been. Concentrating on the crucial and the seemingly insignificant, What If? 2 is an entertaining and brilliantly provocative look at the way our world could easily have been.What if William hadn't conquered? What if the enigma code remained uncracked? And would this even matter if Lord Halifax had become Prime Minister rather than Churchill? This selection of alternative history is both provocative and stimulating and gives us a valuable insight into the way things could so easily have been.Praise for the What If? series
Iris Exiled is a critical history of wonder from the Bible and Homer to modern times. Dennis Quinn examines the subject in relation to various disciplines and modes of discourse- philosophy, theology, poetry, art myth, history, rhetoric, psychology, education, and modern science. Quinn shows that wonder, originally seen as the principle of philosophy and poetry and as a passion essential to the highest order of education, has been weakened by certain intellectual, cultural, and religious shifts during the past 600 years. The history is synoptic in two senses of the word: it is comprehensive but selective, and illustrative not exhaustive. Iris Exiled is presented from a single theoretical perspective, that of the original understanding of wonder as developed and set forth by such authors as Plato, Aristotle, St. Thomas Aquinas, John Ruskin, and Joseph Pieper, as well as a host of other writers of all kinds and from all eras of western history.