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According to author Ken Leebow the Internet should be fun, but for many it is a frustrating place that often disappoints them. This guide to the Internet offers useful tips on making the whole thing work faster and in a more satisfying manner. Using the Internet should be fun, not frustrating. With over 168 million Americans going online, millions of Web sites have sprung up on a mind-numbing amount of topics. Weeding through them all can be a time-consuming hassle. With 1001 INCREDIBLE THINGS TO DO ON THE INTERNET, beginners and experienced users alike can learn to “surf without the search” and bypass those search engines that take forever to download and too often don’t provide the right information anyway. In this complete compendium, conveniently organized from A to Z, author Ken Leebow lists the very best sites on everything from car shopping to personal credit ratings to playing games with people online. If there’s an important site on a particular subject, readers can be sure that Ken Leebow has included it here.
"It is not what you know, but who you know that counts." This old cliche is as true today as it was when it was first uttered. According to a recent survey conducted by Drake Beam Morin, Inc. (a large outplacement organization), networking fills 70 percent of professional positions. Networking for a job is the best way to tap into the unpublished job market. NETLIVING 101, Networking Life's Journey reaches beyond the job market into all aspects of life from the womb to the tomb. Hence the word networking is replaced by my newly coined word netliving . There is currently no book, as indicated by reviewing Books in Print ,that shows people how to take advantage of networking techniques used in job hunting to enhance other facets of their lives. NETLIVING 101, Networking Life's Journey fills that gap by providing all the tools and information readers need to establish networks and have more enjoyable and successful lives. One of the reasons for choosing the title NETLIVING 101, Networking Life's Journey was because, to the best of my knowledge, no college or university offers a course as part of a curriculum on the subject. In earlier, simpler times when most of the world's population lived in small villages where everyone knew their neighbor, there was no need to build networks for they were already in place. The local church or pub was usually the hub of the network. With the complexity of today's society it has become necessary to make a concerted effort to establish support networks in order to be successful and happy. In this self-help book, ideas, examples and suggestions for netliving are developed through short vignettes based on the lives of real people. Names and places will be changed to protect the innocent. NETLIVING 101, Networking Life's Journey is written using the concept known as faction. Essentially, faction refers to the inclusion of certain details which, although they may not have occurred exactly as described in point of fact, give the reader a clear image of the scene in his or her imagination. Rather than telling the reader what netliving is all about, this book demonstrates through the words and actions of the characters. Chapter One introduces the two key characters that appear throughout the book. Roberta and Richard are used alternately, from chapter to chapter, to provide different perspectives. The fabric of friendships is woven through the stages of life and applied to various life experiences from overcoming the fear of public speaking to preparing for retirement. Netliving 101, Networking Life's Journey is designed for individuals who are career oriented, sophisticated, and thoughtful. Most people are concerned about their future and are taking steps to afford themselves successful, happy and prosperous "mature years."
First stop on the Internet highway: E-mail. Contact friends, join discussion groups with your favorite interests, play in live-action chat rooms. Research the phone numbers of lost loves, locate your name in the papers, consult genealogies, gain health and medical info, the latest news, and find expert advice for your personal life, career, and hobbies. You can shop the universe with a secure credit card to reserve airline tickets, car rentals, hotel reservations, and concert tickets. Try banking and paying bills online. Listen to any radio station in the world, watch live views of almost anything, and filter the Web for your kids.
Offers a vivid description of the ongoing transformation of the web into something that is widely recognized and that will have an enormous impact on how people work and live their lives in the future. Presents concepts that will help readers understand why the web evolved as it did, what is going on right now, and what will happen next.
Includes great web sites for science, social studies, language arts, math, and more.
While the crisis that took place in photojournalism during the 1960's brought about a significant shift in the practices, discourses and institutional structures of press photography, it also affected the practices of artists, specifically with regard to work devoted to revitalizing the depiction of events. The art world attempted to revitalize the historical genre by undertaking its critical rereading, in the spirit of restoring a tradition diminished by the mass media. The problem may be expressed in these terms: How can history be depicted, bearing in mind that the media (mainly photojournalism and the electronic press) have claimed a monopoly of the genre unto themselves? At issue is the sizeable problem of mass media omnipotence as an obligatory referential universe for historiographical artistic practices. Today, it seems impossible to depict the event in any way other than by accentuating or eschewing the formal attributes, rhetorical artifices, and ideological precepts of the mass media. These approaches to addressing historical moments have been examined in this article both because they epitomize contemporary historical writing and, for the most part, they constitute critical responses to stereotyped depictions of events. Above all, they represent a paradigm shift: the mass media's prerogatives for depicting historical moments has shifted towards the field of art. Contemporary depictions of catastrophe - crimes, sensationalist news items, terrorist attacks, humanitarian disasters, genocides - (common themes in many of the artistic projects represented in the 8th edition of the Mois de la Photo a Montreal} have been especially striking in this respect. For of all contemporary events, catastrophes are the most likely to be spontaneously propelled to the top of the news - roster and the most susceptible to the various inflections of contemporary art photography.