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2Folly: Waking from the dream before life, before you can remember such things and falling head first into battle for Queen and family she struggles to keep her family alive. While at the same time, find an enemy in which she must defeat-an enemy that is both raging a war, and hidden in shadows.
An acclaimed master of suspense creates a heroine you will never forget in this superbly chilling novel of a woman who begins a desperate undertaking that may transform her life--or end it. WHAT HAPPENS IF YOUR WORST FEARS AREN’T ALL IN YOUR MIND? Rae Newborn is a woman on the edge: on the edge of sanity, on the edge of tragedy, and now on the edge of the world. She has moved to an island at the far reaches of the continent to restore the house of an equally haunted figure, her mysterious great-uncle; but as her life begins to rebuild itself along with the house, his story starts to wrap around hers. Powerful forces are stirring, but Rae cannot see where her reality leaves off and his fate begins. Fifty-two years old, Rae must battle the feelings that have long tormented her--panic, melancholy, and a skin-crawling sense of watchers behind the trees. Before she came here, she believed that most of the things she feared existed only in her mind. And who can say, as disturbing incidents multiply, if any of the watchers on Folly Island might be real? Is Rae paranoid, as her family and the police believe, or is the threat real? Is the island alive with promise--or with dangers? With Folly, award-winning author LAURIE R. KING once again powerfully redefines psychological suspense on a sophisticated and harrowing new level, and proves why legions of readers and reviewers have named her a master of the genre.
The Folly of the Cross is the fourth book in Richard Viladesau's series examining the aesthetics and theology of the cross through Christian history. Previous volumes have brought the story up through the Baroque era. This new book examines the reception of the message of the cross from the European Enlightenment to the turn of the twentieth century. The opening chapters set the stage in the transition from the Baroque to the Classical eras, describing the changing intellectual and cultural paradigms of the time. Viladesau examines the theology of the cross in the eighteenth and nineteenth centuries, and the aesthetic mediation of the cross in music and the visual arts. He shows how in the post-Enlightenment era the aesthetic treatment of the cross widely replaced the dogmatic treatment, and how this thought was translated into popular spirituality, piety, and devotion. The Folly of the Cross shows how classical theology responded to the critiques of modern science, history, Biblical scholarship, and philosophy, and how both classical and modern theology served as the occasions for new forms of representation of Christ's passion in the arts and music.
Chris Landrum is about to have it all-an extended vacation, a second home at the beach, and early retirement in his fifties. There's only one glitch: murder is part of the package on the small South Carolina barrier island of Folly Beach, where eccentric residents live bohemian lifestyles in the shadow of historic Charleston. Soon after settling in Folly Beach, Chris is befriended by an unlikely cadre of quirky locals: a real estate agent who looks like an out-of-season Santa with an attitude; a waitress who shares rumors and effuses charm; a professor; a lovely, intelligent, and unattached reporter; and a president-quoting, tag-along companion. He is fascinated by the company of his newfound friends, the novelty of the strange island that they call home, and the contrast of it all with stately Charleston. But when Chris finds the body of a prominent developer and lands in the middle of the Folly Beach spotlight, he immediately becomes a threat to the killer-and his vacation paradise might be the scene of his own untimely death. Vacations aren't nearly as much fun when one of your new acquaintances is trying to kill you, and catching a murderer is not the normal way to spend an extended holiday. But on Folly Beach, what's normal?
Reprint of the original, first published in 1881.
First published in Paris in 1511, this book is full of humorous, occasionally pessimistic and sometimes cynical diatribes against mankind. The author's principal targets: the Roman Catholic Church, his fellow countrymen, the Dutch, and women.
If this were a novel, the tales of astounding wealth, sexual perversion, murder, munificence, rape, insanity, brutality, slavery, religious mania, selfishness, snobbery, charity, suicide, generosity, theft, madness, wickedness, failure and eccentricity which unfold in these pages would be too concentrated to allow for the willing suspension of disbelief. All these sins and virtues, and more, are displayed by the characters in this book, some exhibiting several of them simultaneously. Folly builders were not as we are. They never built what we now call follies. They built for beauty, utility, improvement; it is only we, struggling after them with our imperfect understanding, who dismiss their prodigious constructions as follies. Follies can be found around the world, but England is their spiritual home. Having written the definitive books on follies in Great Britain, Benelux and the USA, Headley & Meulenkamp have turned their attention to the folly builders themselves, people so blinded by fashion or driven by some nameless ideology that they expended great fortunes on making their point in brick, stone and flint. Most follies are simply misunderstood buildings, and this book studies the motives, characters, decisions and delusions of their builders. If there was madness in their building, fortunately there was no method in it.