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I AM going to tell you a story that was told to me when I was a little one, and which I like better and better the oftener I think of it. For it is with stories as with some men and women, the older they grow, the pleasanter they grow, and that is delightful! Of course you have been into the country? Well, then, you must have seen a regularly poor old cottage. Moss and weeds spring up amid the thatch of the roof, a stork's nest decorates the chimney (the stork can never be dispensed with), the walls are aslant, the windows low (in fact, only one of them can be shut), the baking-oven projects forward, and an elder-bush leans over the gate, where you will see a tiny pond with a duck and ducklings in it, close under a knotted old willow-tree. Yes, and then there is a watch-dog that barks at every passer-by. Just such a poor little cottage as this was the one in my story, and in it dwelt a husband and wife. Few as their possessions were, one of them they could do without, and that was a horse, that used to graze in the ditch beside the highroad. The good-man rode on it to town, he lent it to his neighbors, and received slight services from them in return, but still it would be more profitable to sell the horse, or else exchange it for something they could make of more frequent use. But which should they do? sell, or exchange? "Why, you will find out what is best, good-man," said the wife. "Isn't this market-day? Come, ride off to the town—get money, or what you can for the horse—whatever you do is sure to be right. Make haste for the market!"
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From Lovecraft to Borges to Gaiman, a century of intrepid literary experimentation has created a corpus of dark and strange stories that transcend all known genre boundaries. Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature. Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here...but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled. The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon. The Weird is the winner of the 2012 World Fantasy Award for Best Anthology At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
This book introduces readers to the entertaining world of writing funny stories and is a perfect resource for meeting Common Core State Standards in writing. Key features of the genre are explained and readers are guided through the process of writing their own story. Top tips are given covering planning, writing dialogue, developing characters, adding narrative plot twists, using descriptive language and more! Engaging photographs, eye-catching illustrations, and a wealth of ideas bring the genre to life. A funny story running throughout the book draws readers in, offers concrete examples of how the tips can be put into practice and will inspire readers to get writing their own funny stories.
"Describes the history of comic books, featuring little known facts and bizarre inside information"--Provided by publisher.
Snappsy the alligator is having a normal day when a pesky narrator steps in to spice up the story. Is Snappsy reading a book ... or is he making CRAFTY plans? Is Snappsy on his way to the grocery store ... or is he PROWLING the forest for defenseless birds and fuzzy bunnies? Is Snappsy innocently shopping for a party ... or is he OBSESSED with snack foods that start with the letter P? What's the truth? Snappsy the Alligator (Did Not Ask to Be in This Book) is an irreverent look at storytelling, friendship, and creative differences, perfect for fans of Mo Willems.
Established in 1911, The Rotarian is the official magazine of Rotary International and is circulated worldwide. Each issue contains feature articles, columns, and departments about, or of interest to, Rotarians. Seventeen Nobel Prize winners and 19 Pulitzer Prize winners – from Mahatma Ghandi to Kurt Vonnegut Jr. – have written for the magazine.
THE NEW AMERICAN COMMENTARY is for the minister or Bible student who wants to understand and expound the Scriptures. Notable features include:* commentary based on THE NEW INTERNATIONAL VERSION;* the NIV text printed in the body of the commentary; * sound scholarly methodology that reflects capable research in the original languages; * interpretation that emphasizes the theological unity of each book and of Scripture as a whole; * readable and applicable exposition.