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You can teach yourself to play the cello. This comprehensive, authoritative guide covers basics to Bach. Including 116 selections, it explains reading music, playing-by-ear and theory. Play-along CD.
(Play Today Instructional Series). The ultimate self-teaching method designed to offer quality instruction, terrific songs, and audio with 111 demonstration tracks! This cello method can be used by students who want to teach themselves or by teachers for private or group instruction. Simply follow the tips and lessons in the book as you listen to the online audio. You'll learn: how to hold and care for the instrument; producing a sound; playing tips and techniques; reading music notation and rhythms; glossary of music terms; and more. Learn at your own pace and open the door to the world of cello music! Over 100 great songs and examples!
A Cellist's Daily Technical Regimen
The first book to address the full range of performance issues for the violoncello from the Baroque to the early Romantic period. Richly illustrated with over 300 music examples, plates and figures, this book provides playing instructions which can easily be applied by modern players to their own performance of period music.
Perhaps Dotzauer's most famous cello work is his 113 Etudes in four volumes. Masterfully prepared by him, this edition is a reprint of the authoritative G. Schirmer plate 26746 printed around 1917. This is the first volume in the series. 57pps, Extra note and staff paper in back for teacher annotations. Edition Fleury 2013. A must have for any student, teacher or cellist to have in his/her library.
This book is like no other. It won't teach you how to play the cello: there are dozens of effective methods for that. It will teach you how to practice the cello efficiently so that you can improve your cello as quickly as possible in the shortest time possible. You will be able to play harder and faster scores. --- ADVICES FOR MOTIVATION TO PLAY CELLO --------------------------------------------------------------------------------------- Dissociate working the cello and playing the cello --- Law of Least Effort --- To watch your fingers or not to watch your fingers? --- Select the scores --- How often to play the cello per week and for how long? --- Warming up and working the sound of cello --- Vary musical style --- Is it necessary to learn to read music to play cello? --- CELLO WORKING TECHNIQUES --- Imitate great cello players --- Shift the beginning of the piece at each session --- When you fail Accidentals --- Scribbling --- How to practice a difficult section in a piece ? --- Avoid degradation of a piece over time --- The work of musical nuances-----------Boost your progression: face new challenges --- How to learn by heart? --- ------------------------------------------------------------------------------------TRAINING TO PLAY IN FRONT OF AN AUDIENCE ---Marathon workout ---Discomfort zone techniques------------------------------------------------------------------------------------THE WORK OF CELLO VIRTUOSITY ---Virtuosity is mastery ---Fingerings and positions on the cello ---The metronome's work of mastery and stability ---Working on sections where the notes are very fast ---Back-nibbling technique: for the ultra-difficult ---Regularity workouts for difficult sections ---Working on a difficult section: x3 x5 x8 repetition ---Use the metronome to learn difficult and long sections that include various rhytms ---------------------------------------------------------------------------------------CELLO-SPECIFIC TIPS ---Relaxation ---Separate hand work and open strings ---Left hand right hand coordination ---Play with the bow upside down ---Reverse all the bowings ---Structure of a working session ---------------------------------------------------------------------------------------WORKSHEETS
Cello Secrets explains over 100 of the most helpful insider tricks cellists use to master the instrument. With each technique carefully explained and illustrated, the book serves as an accessible textbook for all advanced cello players, from talented teenagers to college students, to conservatory pre-professionals. This book guides advanced students through technical maintenance and performance preparation, helping them beyond what can be covered in lessons. Co-written by Brian Hodges and Jo Nardolillo, these tips grow from extensive study of the art of high-level teaching with many of today's leading pedagogues, and have been developed into strategies, tricks, and techniques that are taught in masterclasses and seminars around the country. The book provides: Insightful Information Demystifying Cello Technique Troubleshooting Practical tips and advice Experienced professionals talking from their own career Cello Secrets organizes these ideas into a single book, and will have great value for private teachers and as a textbook in cello pedagogy courses. Professionals and skilled amateurs can use the text as a guidebook in improving their own skills.
CelloMind is a two-part pedagogical method book that focuses on intonation and left-hand cello technique. The coauthors of the book are Hans Jørgen Jensen, Professor of cello at the Bienen School of Music at Northwestern University and Minna Rose Chung, Associate Professor of Cello at the Desautels Faculty of Music at the University of Manitoba. Part I: Intonation. The mystery of intonation is revealed by defining and explaining the scientific principles that govern it. To know and understand how to combine the three primary intonation systems has never before been expounded in a methodology publication--and for good reason. Playing with exquisite intonation has mostly been reserved for those who possess a strong intuitive sense; however, CelloMind breaks down this taboo using a systematic approach with a highly attuned manner. The three systems of intonation that string players most commonly use today--equal temperament, just intonation, and Pythagorean tuning--are each explored and explained in great detail. All chapters in the book include many practical samples and listening exercises that bridge the gap between the theory and its application. The chapters on intonation conclude with practical examples from the following repertoire: "Intonation Performance Practice in the Bach Solo Cello Suites" and "Intonation Performance Practice with Piano." Part II: Left-Hand Technique. The left-hand technique chapters in this section complement the study of intonation by providing a solid foundation of skills for essential cello playing. The topics and exercises have been selected to cover a wide range of technical skills that include playing with a light left-hand touch, speed, coordination, balanced vibrato, agility, finger independence, and efficient shifting. Original exercises developed for students over many years have also been incorporated into these chapters, as well as studies from Julius Klengel, Bernhard Cossmann, Louis R. Feuillard, Jean-Louis Duport, Yakov Rosenthal, and Fritz Albert Christian Rudinger.
(Instrumental Folio). If you've been taking cello lessons for a little while, you're probably eager to put those new skills to work and play some familiar songs. The First 50 Songs You Should Play on the Cello includes a wide variety of favorite songs, from pop hits and movie themes, to folk songs and classical melodies, several of which originally featured cello! Titles include: Air (Air on the G String) * All of Me * All You Need Is Love * Circle of Life * Fight Song * God Bless America * Hallelujah * Hello * I Will Always Love You * Let It Go * Roar * Satin Doll * See You Again * Shake It Off * Shallow * Stand by Me * Summertime * The Swan (Le Cygne) * This Is Me * What a Wonderful World * and more!
Contents are: Concerto in C Major, Hob. VIIb 1 (Moderato, Adagio, Allegro molto) (J. Haydn). This volume contains a few smaller pieces that could be used as warm-up exercises, but the majority of the edition is devoted to the entire Concerto in C Major, Hob. VIIb. 1, by Franz Joseph Haydn. This work is perfect for students at the intermediate/advanced level, and is a vital link to the unique teaching philosophy that is Suzuki! Volume 9 contains both the cello score and the piano accompaniment.