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The musicians own everything. The company owns nothing... The Factory non-contract set out the manifesto for one of the most influential record labels. Manchester, 1976: Anthony Wilson, Granada TV presenter, is at an early Sex Pistols gig. Inspired by this moment, he and his friends set up Factory Records. They go on to conquer the world.
Part fiction, part reality, the story of Tony Wilson who founded the record label, Factory Records. It is a tale of music, sex, drugs, larger-than-life characters and the birth of one of the most famous clubs in the world, The Hac ̧ienda.
Steve Coogan was born and raised in Manchester in the 1960s, the fourth of six children. From an early age he entertained his family with impressions and was often told he should 'be on the telly'. Failing to get into any of the London-based drama schools, he accepted a place at Manchester Polytechnic School of Theatre and before graduating had been given his first break as a voice artist on the satirical puppet show Spitting Image. The late eighties and early nineties saw Coogan developing characters he could perform on the comedy circuit, from Ernest Moss to Paul Calf, and in 1992 he won a Perrier award with John Thomson. It was around the same time, while working with Armando Iannucci and Patrick Marber on On The Hour and The Day Today, that Alan Partridge emerged, almost fully formed. Coogan, once a tabloid fixture, is now a respected film actor, writer and producer. He runs his own production company, Baby Cow, has a raft of films to his name (from 24 Hour Party People to Alpha Papa, the critically-acclaimed Partridge film), six Baftas and seven Comedy Awards. He has found huge success in recent years with both The Trip and Philomena, the latter bringing him two Oscar nominations, for producing and co-writing. In Easily Distracted he lifts the lid on the real Steve Coogan, writing with distinctive humour and an unexpected candour about a noisy childhood surrounded by foster kids, his attention-seeking teenage years and his emergence as a household name with the birth of Alan Partridge.
THE TIMES & UNCUT MUSIC BOOK OF THE YEARCritically-acclaimed and bestselling author Paul Morley's long-awaited biography of Factory Records co-founder and Manchester icon Tony Wilson.A BOOK OF THE YEARSUNDAY TIMES, NEW STATESMAN, MOJO, LOUDER THAN WAR'Compelling . . . befitting its extraordinary subject.'BRIAN ENO'Bracing and often surprisingly tender . . . the perfect monument.'SUNDAY TIMES'Via Morley's magical prose Tony Wilson comes back to life . . . inspiring.'RICHARD RUSSELLTony Wilson was a man who became synonymous with his beloved city. As the co-founder of the legendary Factory Records and the Haçienda, he appointed himself a custodian of Manchester's legacy of innovation and change, becoming a cultural pioneer for the North. To Paul Morley, he was this and much more: bullshitting hustler, flashy showman, inventive broadcaster, self-deprecating chancer, publicity seeker, loyal friend. It was Morley to whom Wilson left a daunting final request: to write this book.From Manchester with Love is the biography of a man who changed the world around him through sheerforce of personality. In the cultural theatre of Manchester, Tony Wilson broke in and took centre stage.'An immersive experience . . . very moving indeed.'MIRANDA SAWYER, OBSERVER'Not just a "biog" but the story of a city's history and culture and a unique and disappearing figure.'STUART MACONIE, NEW STATESMAN'Morley's biography is as illuminating on Wilson's strange ability to hold others in his orbit, even after his death, as it is on the story of his life.'THE SPECTATOR'The man/myth Wilson died aged 57 in 2006, but here he burns on fantastically bright.'UNCUT
This is the first book-length study of the most prolific and most critically acclaimed director working in British cinema today. Michael Winterbottom has also established himself, and his company, Revolution Films, as a dynamic force in world cinema. No other British director can claim such an impressive body of work in such a variety of genres, from road movie to literary adaptation, from musical to sex film, to stories of contemporary political significance. The authors of this book use a range of critical approaches to analyse the filmmaker’s eclectic interests in cinema and the world at large. With this in mind, the realist elements of such films as Welcome to Sarajevo are examined in the light of a long history of cinema’s dealings with realism, as far back as post-war Italian neo-realist filmmaking; whereas Jude and The claim are approached as both literary adaptations (a continuing strand in British cinema history) and examples of other reworked genres (the road movie, the western). This lively study of his work, written in a wholly accessible style, will engage all those who have followed his career as well as those with a wide-ranging interest in British cinema.
From Revolution to Revelation offers a new paradigm for Cultural Studies. Tara Brabazon explores our understanding of our own past and the collective past we share with others through popular culture. She investigates Generation X, the ’post-youth’ generation born between 1961 and 1981, and the popular cultural literacies that are the basis of this imagining community. She looks at the ways in which popular culture offers a vehicle for memory, providing the building blocks of identity - the politics and passion of life captured in an unforgettable song, an amazing nightclub, or an unexpected goal in extra time. For a fan, the joy and exhilaration is enough, but it is the task of cultural studies to understand why particular cultural forms survive the passage of time and space. Brabazon argues, with Lawrence Grossberg, that Cultural Studies is ’the Generation X of the academic world’. She tracks its journey away from Marxism and subcultural theory and looks at its future. In particular she explores the possibilities of popular memory studies in reclaiming and repairing the discipline of Cultural Studies - making it as relevant and as revelatory as in its revolutionary past.
In the mid-1980s the Happy Mondays emerged as the prime mischief makers on the Madchester scene. Chief protagonist was Shaun Ryder, a man whose lyrical street swagger in songs like Kinky Afro, 24 Hour Party People and Performance, would come to define a generation. Here collected and edited for the first time, in trade and special editions, are his unforgettable lyrics.
Factory Records has become the stuff of legend. The histories of the label have been told from many perspectives, from visual catalogues and memoirs to exhibitions. Yet no in-depth history has ever been told from the perspectives of the women who were integral to Factory's cultural significance. The untold history of Factory Records is one of women's work at nearly every turn: recording music, playing live gigs, running the label behind the scenes, managing and promoting bands, designing record sleeves, making films and music videos, pioneering sound technology, DJing, and running one of the most chaotic clubs on the planet, The Haçienda. Told entirely in their voices and featuring contributions from Gillian Gilbert, Gina Birch, Cath Carroll, Penny Henry and over fifty more interviewees, I THOUGHT I HEARD YOU SPEAK is an oral history that reveals the true cultural reach of the label and its staying power in the twenty-first century.
From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.
Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian.