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More than 140 unique teapots from traditional styles to eclectic, contemporary designs, are showcased.
Utopic Impulses: Contemporary Ceramics Practice brings together ten essays and twenty artist projects to explore ceramics as a socially responsible practice. By framing particular ceramics practices as "utopic impulses," this anthology envisions new and stimulating conceptions of how studio ceramics contribute to the social and political fabric of their time.The ten essays by artists and theorists well-known in the field, including Paul Mathieu (2007 Saidye Bronfman Award winner) andLeopold Foulem, "make a case" for the importance and value of studio ceramics in the public sphere. The artist projects in Utopic Impulses reflect influences and contexts arising from both local and global concerns. Drawing from a full spectrum of examples, the projects include functional wares, design for industry, conceptual, community-based projects and large-scale installations by artists such as Greg Payce, Jeannie Mah, Sin-Ying Ho, Thérèse Chabot, Jamelie Hassan, Anne Ramsden, Diane Sullivan and Les Manning.Each artist project consists of generous visual documentation supported by an artist statement. While the majority of contributors are Canadian, several are from Australia, Ireland and the UK. Bringing together innovative and forward-thinking examples of theory, history and studio practice, this volume will appeal to students, practitioners and educators in the fields of contemporary visual arts, ceramics and craft culture in general.
Artists are increasingly interested in producing work that is not only beautifully designed and produced, but is also environmentally friendly and socially responsible. In Sustainable Ceramics, pioneer Robert Harrison draws on more than four decades of making, and a wealth of experience shared by other artists to present practical possibilities for ceramic artists. This book covers all the factors to consider when going 'green', from fuels and alternative firing technology to energy-saving methods, sustainable ways to collect and use clay itself, and ways to deal with or recycle waste materials and save water. He suggests simple and achievable methods by which to reduce the carbon footprint of ceramic art, and draws on interviews and examples throughout by practitioners who reclaim, reuse and recycle in their studio or work. Sustainable Ceramics is an essential resource for any ceramicist, studio or school looking for ideas on how to reduce the impact of their practice on the environment.
Illustrated with 200 stunning photographs and encompassing objects from furniture and ceramics to jewelry and metal, this definitive work from Jo Lauria and Steve Fenton showcases some of the greatest pieces of American crafts of the last two centuries. Potter Craft
Metal-Reinforced Ceramics covers the principle of metal-fiber-reinforced ceramics, a well-known topic in the field of reinforced concrete. Much of the work that has been done has remained unpublished, hidden in industrial company archives due to the commercial sensitivity associated with the respective technologies that prevailed at the time, which no longer applies today. This book will discuss advanced technologies that have largely been undocumented before in a broad range of industrial application areas, with updates on alumina, silicon carbide, boron carbide, tungsten carbide, fused silica, and carbon-based ceramics which are hard, heat resistant, wear resistant, and chemically durable. - Provides detailed information on fundamental principles, advanced processing technologies and industrial applications - Features comprehensive industrial knowledge not usually in the public domain from the author's experience spanning more than three decades - Features armor ceramics, bioceramics, aerospace, mining and architectural ceramic applications
The first comprehensive study of the most important ceramic innovation of the 19th century Colorful, wildly imaginative, and technically innovative, majolica was functional and aesthetic ceramic ware. Its subject matter reflects a range of 19th-century preoccupations, from botany and zoology to popular humor and the macabre. Majolica Mania examines the medium’s considerable impact, from wares used in domestic settings to monumental pieces at the World’s Fairs. Essays by international experts address the extensive output of the originators and manufacturers in England—including Minton, Wedgwood, and George Jones—and the migration of English craftsmen to the U.S. New research including information on important American makers in New York, Baltimore, and Philadelphia is also featured. Fully illustrated, the book is enlivened by new photography of pieces from major museums and private collections in the U.S. and Great Britain.