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Boxes of family photographs may invite conflicting feelings of joy and guilt--how to assemble all of those pictures in a meaningful way for the entire family to enjoy? Julian's new book will inspire the scrapbook enthusiast regardless of skill level to try something different: a simple scrapbook.
Though they never led the league in double plays turned, and though at times they actively disliked one another, Joe Tinker, Johnny Evers, and Frank Chance of the Chicago Cubs have for decades been called one of the greatest, most colorful and most memorable double-play combinations of all time. But their places in the Hall of Fame have been disputed by some who believe their reputation rests with a piece of Franklin P. Adams doggerel. This triple biography of Tinker, Evers, and Chance covers each man's career and life before and after baseball, giving special attention to their relationship on and off the field. The author also considers the trio's induction into the Hall of Fame in 1946 and examines the arguments made on both sides of the debate.
Many cartoonists have successfully caused brief splashes of excitement throughout history but simply don't have what it takes to command the world's attention for half a century. That is, unless you're comic genius Mort Walker, beloved creator of the cartoon strips Hi and Lois and Beetle Bailey. Mort Walker's Private Scrapbook provides a comprehensive look at the life and work of this suave cartoonist for his legions of fans and aficionados of the comic world alike. In this extensive work painstakingly compiled by Walker over the course of two years, he collects his earliest artwork, reveals who his characters are based on, follows the development of his creations, and relates a fascinating perspective about the evolution of the cartooning world. This full-color scrapbook is a unique glimpse into the window of cartooning that only award-winning veteran artist Mort Walker could provide. This book will be essential for comic strip historians, collectors, and faithful fans.
This is an anthology of 19 papers that were presented at the Twelfth Cooperstown Symposium on Baseball and American Culture, held June 7-9, 2000 and co-sponsored by the State University of New York at Oneonta and the National Baseball Hall of Fame and Museum. Capped by Roger Kahn's essay on the rise and fall of great baseball prose, this Symposium plumbed such topics as baseball in the classroom, the national pastime and American Christianity, corporate encroachment, and the difficult course pursued by a Negro League team owner who also happened to be white and female. These essays, divided into sections titled "Baseball and Culture," "Baseball as History," "The Business of Baseball" and "Race, Gender and Ethnicity in the National Pastime," cut through the quick and easy judgments of the media and offer instead the longer, more informed view of scholars and researchers.
Was there really professional basketball before the NBA? Indeed there was. It was a rugged game but one that continued to evolve swiftly from its invention in 1891. The original Celtics were at the vanguard of this creation and development. The team began as a local group of young Irishmen from the Hell's Kitchen area of New York City in 1914. Through shrewd acquisitions of top players, they were transformed into the most powerful basketball team of their time. In the period from 1919 to 1928 the Celtics won over seven hundred games with fewer than sixty losses. This book chronicles the team, the players, the league seasons and the early era of professional basketball.
Award-Winning Scrapbook Pages, 800+ page ideas & useful tips. Shows 75 winning designs from Creating Keepsakes' Scrapbook Hall of Fame contests.
Craft Communities addresses the social groups, old and new, which have developed around craft production and consumption, exploring the social and cultural impact of contemporary practices of making. Addressing a wide range of crafting practice, from yarnbombs to Shetlands shawls, brassware to paper crafting, in a variety of regional and national contexts, the contributors consider how craft practices operate collectively in the home, communities, businesses, workshops, schools, social enterprises, and online. It further identifies how social media has emerged as a key driver of the 'Third Wave' of craft. From Etsy to Instagram, Twitter to Pinterest, online communities of the handmade are changing the way people buy and sell, make and meet.