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Our primary goal for the Sierra Leone Icon series is to increase awareness about people who helped shape the history of Sierra Leone and around the world. We have done our best to balance facts, the emotions and the illustrations to deliver a book that will inspire a wide range of young adults about Sierra Leone.
Our primary goal for the Sierra Leone Icon series is to increase awareness about people who helped shape the history of Sierra Leone and around the world. We have done our best to balance facts, the emotions and the illustrations to deliver a book that will inspire a wide range of young adults about Sierra Leone.
The global icon is an omnipresent but poorly understood element of mass culture. This book asks why audiences around the world have embraced particular iconic figures, how perceptions of these figures have changed, and what this tells us about transnational relations since the Cold War era. Prestholdt addresses these questions by examining one type of icon: the anti-establishment figure. As symbols that represent sentiments, ideals, or something else recognizable to a wide audience, icons of dissent have been integrated into diverse political and consumer cultures, and global audiences have reinterpreted them over time. To illustrate these points the book examines four of the most evocative and controversial figures of the past fifty years: Che Guevara, Bob Marley, Tupac Shakur, and Osama bin Laden. Each has embodied a convergence of dissent, cultural politics, and consumerism, yet popular perceptions of each reveal the dissonance between shared, global references and locally contingent interpretations. By examining four very different figures, Icons of Dissent offers new insights into global symbolic idioms, the mutability of common references, and the commodification of political sentiment in the contemporary world.
This new, thoroughly updated third edition of Bradt's Sierra Leone remains the only English-language guide dedicated to this unique West African destination, one of only three countries where the über-elusive pygmy hippo can be found and where coastal mountains and sheltered beaches are the stuff of daydreams and postcards. With Bradt's Sierra Leone you can explore the infamous diamond mines and rainforest-covered mountains; go in search of pygmy hippos or relax on the country's beaches and islands. Offering significantly more coverage than any other guide, it is an ideal companion for tourists, volunteers and international workers alike, and also covers newly declared eco-tourist sites as well as the trans-boundary 'peace park' of Gola Forest National Park, shared with neighbouring Liberia. This new edition also covers Freetown's new beach music festival, as well as details of everything from where to visit rescued chimpanzees to touring the traditional wooden-board homes of the Krio people, descendants of repatriated slaves from the Americas and Europe. Sierra Leone continues to be one of the best beach destinations in West Africa, and also one of the region's best trekking destinations, given the varied topography and the presence of Mount Bintumani, West Africa's highest peak. The country has seen a heartening recovery since emerging from civil war a decade ago and the Bradt guide is the first to take stock of the country's post-Ebola travel situation. Sierra Leone is proudly back on the tourism map for the adventurous, beach-loving, jungle-exploring, mountain-scaling and curious of heart traveller.
This volume assesses the growing role of popular icons in the construction of a culture that appears to incorporate a critical attitude towards the capitalist experience while, in fact, legitimizing the neoliberal character of the modern world.
The Sande Society of the Mende people of Sierra Leone is a secret female regulatory society that both guards and transmits the ideals of feminine beauty so fundamental to the aesthetic criteria in Mende culture. In this eloquent and moving book, Sylvia Ardyn Boone describes the Society, its rituals and organization, and the mask worn by its members. Her book is an evocative account of Mende life and philosophy as well as a unique contribution to the study of African art, one based on African conceptions about the person and the human body. This is a beautiful and beautifully written book. ... Boone writes in ways that reveal her evident devotion to Mende culture.--John Picton, African Affairs A major contribution to our ethnographic understanding of Mende culture, and to understanding the way concepts of women's bodies encode cultural messages about gender relations.--E. Frances White, Women's Review of Books A respectful approach to [the mysteries of the Sande], by an art historian who has tiptoed where anthropologists feared to tread. Radiance from the Waters deserves to be read. ... It provides something more interesting than esoteric knowledge: an extended meditation on notions of beauty and decorum and the way in which these can be translated simultaneously into art and ... advancement for women.--John Ryle, London Review of Books The first text to illuminate the power of the feminine aesthetic in West African art.--Ms.
A haunting, beautiful first novel by the bestselling author of A Long Way Gone. Named one of the Christian Science Monitor's best fiction books of the year. When Ishmael Beah's A Long Way Gone was published in 2007, it soared to the top of bestseller lists, becoming an instant classic: a harrowing account of Sierra Leone's civil war and the fate of child soldiers that "everyone in the world should read" (The Washington Post). Now Beah, whom Dave Eggers has called "arguably the most read African writer in contemporary literature," has returned with his first novel, an affecting, tender parable about postwar life in Sierra Leone. At the center of Radiance of Tomorrow are Benjamin and Bockarie, two longtime friends who return to their hometown, Imperi, after the civil war. The village is in ruins, the ground covered in bones. As more villagers begin to come back, Benjamin and Bockarie try to forge a new community by taking up their former posts as teachers, but they're beset by obstacles: a scarcity of food; a rash of murders, thievery, rape, and retaliation; and the depredations of a foreign mining company intent on sullying the town's water supply and blocking its paths with electric wires. As Benjamin and Bockarie search for a way to restore order, they're forced to reckon with the uncertainty of their past and future alike. With the gentle lyricism of a dream and the moral clarity of a fable, Radiance of Tomorrow is a powerful novel about preserving what means the most to us, even in uncertain times.
From the stratospheric success of Jeff Bezos to the secret genius of Satoshi Nakamoto, 21st Century Business Icons uncovers the fascinating success stories behind some of the world's most innovative business leaders. Behind every success is the unique story of an individual who has transformed their ambition into reality. They have overcome their competition through innovation, determination and confidence. This book uncovers the stories behind these figures - while they may be divisive, controversial or polarizing - each of them offers fascinating insights into business and society. Stretching from California to Tokyo and covering sectors such as tech, retail, banking and social media, this book uncovers the secrets behind success on a global scale. Discover how Whitney Wolfe Herd reinvented the dating industry and how Jimmy Donaldson built a YouTube business empire. 21st Century Business Icons is a fascinating exploration of the entrepreneurs, influencers and pioneers who have redefined the 21st century.
This unprecedented exhibition of viscerally potent art focuses on how Sierra Leonean Artists have documented the atrocities of war and how these representations of violence spur conscious action.
How is the slave trade remembered in West Africa? In a work that challenges recurring claims that Africans felt (and still feel) no sense of moral responsibility concerning the sale of slaves, Rosalind Shaw traces memories of the slave trade in Temne-speaking communities in Sierra Leone. While the slave-trading past is rarely remembered in explicit verbal accounts, it is often made vividly present in such forms as rogue spirits, ritual specialists' visions, and the imagery of divination techniques. Drawing on extensive fieldwork and archival research, Shaw argues that memories of the slave trade have shaped (and been reshaped by) experiences of colonialism, postcolonialism, and the country's ten-year rebel war. Thus money and commodities, for instance, are often linked to an invisible city of witches whose affluence was built on the theft of human lives. These ritual and visionary memories make hitherto invisible realities manifest, forming a prism through which past and present mutually configure each other.