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This book investigates what it is that makes John Clare’s poetic vision so unique, and asks how we use Clare for contemporary ends. It explores much of the criticism that has appeared in response to his life and work, and asks hard questions about the modes and motivations of critics and editors. Clare is increasingly regarded as having been an environmentalist long before the word appeared; this book investigates whether this ‘green’ rush to place him as a radical proto-ecologist does any disservice to his complex positions in relation to social class, work, agriculture, poverty and women. This book attempts to unlock Clare’s own theorisations and practices of what we might now call an ‘ecological consciousness’, and works out how his ‘ecocentric’ mode might relate to that of other Romantic poets. Finally, this book asks how we might treat Clare as our contemporary while still being attentive to the peculiarities of his unique historical circumstances.
This broad and original study of the full range of John Clare's work is the first to take seriously his repeated appeals to the judgement of future readers. A series of close readings reveals Clare's sophisticated poetics: his covert quotations, his careful analysis of the history, and his fascination with literary success and posthumous fame.
The official Journal of the John Clare Society, published annually to reflect the interest in, and approaches to, the life and work of the poet John Clare.
Critics including Seamus Heaney provide a welcome reappraisal in the wake of Clare's bicentenary.
Reprint of the original, first published in 1873.
This book is a monumental work on the late Romantic Irish poet, George Darley, with a scholarly edition of his complete poetry and a new biography. The text of each poem is meticulously edited from manuscript and printed sources. For the first time, Darley is established as a translator of the First Book of Virgil’s Æneid. A newly discovered manuscript of Darley’s 70 Lenimina Laborum poems enriches the edition, while the celebrated Nepenthe is authoritatively presented with Darley’s manuscript running headnotes. The book introduces over 40 new manuscript letters by Darley, and discusses contemporary reviews of his work and a century of critical commentary. Darley’s influence on Tennyson is evaluated and his vast periodical contributions are examined. In addition, the insightful interpretation of Nepenthe by Edward Hutchinson Synge is presented. This book will be of great interest to scholars of the Romantic period, readers of contemporary periodical journalism, and students of Irish literary history.