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Scotland’s Pariah is the first book to examine the remarkable life of John Pinkerton: antiquarian, poet, forger, cartographer, historian, serial adulterer, bigamist, and religious skeptic. A pugnacious and persistent man of letters who knew and was admired by literary masters such as Edward Gibbon, Horace Walpole, and William Godwin, Pinkerton’s life was full of personal and professional misadventures. Patrick O’Flaherty’s biography presents an engrossing account of Pinkerton’s life and works from his early years in Scotland to his Parisian exile, covering his major editorial, antiquarian, and geographic works. Examining Pinkerton’s involvement in the London literary scene, his conflicted relationship with the rise of Celtic nationalism, and his response to early literary romanticism, Scotland’s Pariah is a shrewd and compassionate evaluation of an astonishing literary life.
This essay had its beginning in an investigation of changing attitudes to seventeenth-century Pre-Restoration poetry during the English Romantic period. In the course of that research, Jane Campbell discovered that a relatively little-known periodical, the Retrospective Review, which was published in London from 1820 to 1828, appeared to have played an interesting part in the rehabilitation of the poets of the earlier period. This book, then, is an attempt to outline the history of this review, to place it against its literary background, and to assess its role in the critical re-evaluation of the poets of the earlier seventeenth century—an age to which the Retrospective’s contributors and their contemporaries looked with fascination as well as with an affectionate feeling of kinship.