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The great cowboy phenomenon of the American West began with the Spanish exploration and settlement of New Mexico more than 400 years ago. Enduring Cowboys explores the advent of the vaquero in sixteenth-century New Mexico and continues through the years to the authentic working cowboy of today. Essays by some of the state's most knowledgeable writers examine many issues confronting the contemporary cowboy, including environmentalism, technology, and economics and the threats they pose to the historically entrenched cowboy lifestyle. Also explored is the romanticization of the cowboy in popular culture. New Mexico cowboys come from a variety of ethnic backgrounds--Native American, Anglo, and African American as well as Hispanic. And some New Mexico 'cowboys' are women. Included in addition to the essays are biographical vignettes accompanied by portraits of individual working cowboys and cowgirls, along with numerous color and historical photographs. The contributors include John Sinclair, J. Michael Miller, Steve Terrell, Joel Bernstein, Steve Larese, Conroy Chino, Cathy Nelson, Jane O'Cain, Kathryn Marmon, and the editor.
Even before he was shot and killed in 1881, Billy the Kid’s charisma and murderous career were generating stories that belied his brief life—and that only multiplied, growing to legendary proportions after his death at age twenty-one. In Thunder in the West, Richard W. Etulain takes the true measure of Billy, the man and the legend, and presents the clearest picture yet of his life and his ever-shifting place and presence in the cultural landscape of the Old West. Billy the Kid—born Henry McCarty in 1859, and also known as William H. Bonney—emerges from these pages in all his complexity, at once a gentleman and gregarious companion, and a thief and violent murderer. Tapping new depths of research, Etulain traces Billy’s short life from his mysterious origins in the East through his wanderings in New Mexico, Arizona, and Texas. As we move from his peripatetic early years through the wild West to his fatal involvement in the Lincoln County Wars, we see the impressionable boy give way to the conflicted young man and, finally, to the opportunistic and often amoral outlaw who was out for himself, for revenge, and for whatever he could steal along the way. Against this deftly drawn portrait, Etulain considers the stories and myths spawned by Billy’s life and death. Beginning with the dime novels featuring Billy the Kid, even during his lifetime, and ranging across the myriad newspaper accounts, novels, and movies that alternately celebrated his outlaw life and condemned his exploits, Etulain offers a uniquely informed view of the changing interpretations that have shaped and reshaped the reputation of this enduring icon of the Old West. In his portrayal, Billy the Kid lives on, not as a cut-throat desperado or a young charmer but as both—hero and villain, myth and man, fully realized in this twenty-first-century interpretation.
In 1890, the U.S. government declared the frontier settled, and the "Wild West" was history. In the territory of New Mexico, however, crime still knew no limit and the gun was the final answer to all problems. Aiming to help New Mexico achieve statehood, its leaders decided they needed a mounted police force like those that had tamed Texas and Arizona. This book describes the birth of the New Mexico Mounted Police in 1905 and tells the stories of the members of the original Mounties, starting with their first captain, John F. Fullerton. Information drawn from personal interviews with ranger family members (many of whom provided photographs), Fullerton's personal papers and official Mounted Police records brings a wealth of detail to this story from New Mexico's rich history. Fred Lambert, the last surviving member of the territorial rangers, provides a foreword.
New Mexico is a land of mountains, mesas, and valleys, of exotic desert beauty, of wild rivers and pristine wilderness. World-renowned photographer DAVID MUENCH captures this enchanting land full of history and deep cultural roots, the magical quality of light in the forty-ninth state, and its heartbreakingly beautiful landscape. NEW MEXICO: PORTRAIT OF A STATE showcases the pueblos, cliff dwellings, and petroglyphs of the Ancestral Puebloans, the stalactites and stalagmites in Carlsbad Caverns, the Sangre de Cristo Mountains, and the mighty Rio Grande. In more than one hundred stunning color photos, readers will see a kaleidoscope of hot air balloons floating in a vividly blue sky, the virgin white ski slopes of Taos, the volcanic schooner of Shiprock, and the haunting ruins of the Spanish missions, among many others.
Thompson draws on service records and numerous other archival sources that few earlier scholars have seen in this comprehensive work.
Originally published as a hardback in 2003.
In The West of Billy the Kid, renowned authority Frederick Nolan has assembled a comprehensive photo gallery of the life and times of Billy the Kid. In text and in more than 250 images-many of them published here for the first time-Nolan recreates the life Billy lived and the places and people he knew. This unique assemblage is complemented by maps and a full biography that incorporates Nolan’s original research, adding fresh depth and detail to the Kid’s story and to the lives and backgrounds of those who witnessed the events of his life and death. Here are the faces of Billy’s family, friends, and enemies: John Tunstall and John Chisum, Sheriff Pat Garrett and Governor Lew Wallace, Jimmy Dolan and Bob Olinger, Alexander McSween and Paulita Maxwell, and many others. Here are Santa Fe and Silver City as Billy the Kid saw them, Lincoln, Las Vegas, and Tascosa. Recent photographs show the Kid’s haunts as they appear today.
The fourth volume in the New Mexico Federal Writers' Project Book series records authentic accounts of life in the early days of New MexicoNdetailed descriptions of village life, battles with Indians, encounters with Billy the Kid, witchcraft, marriages, festivals, and floods.