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'A riveting read about a pop revolution hiding in plain sight' PETE PAPHIDES 'Highly energetic, well-informed, opinionated in all the right places and always exciting' DAVID QUANTICK 'Thoroughly researched, erudite and often laugh-out-loud funny' DARYL EASLEA In 1984, pop came out of the closet - even if not all of the artists felt that they could - and, in the process, charted the course of the rest of the decade. In 1984: The Year Pop Went Queer, writer and musician Ian Wade charts where these artists, including Queen, George Michael, David Bowie, Pet Shop Boys, Frankie Goes to Hollywood and Madonna - who all enjoyed chart success in 1984 - were during that epoch-making year. It studies the impact these groundbreaking musicians had before, during and after on the gay community and popular culture, and it demonstrates how they were able to break down barriers, raise consciousness and set in motion the first nascent ripples in a pond that are still being felt today. As a backdrop, it explores the strides made in the name of the cause and how the wider surrounding culture reacted with equal parts glee, bafflement and disgust.
A Rolling Stone-Kirkus Best Music Book of 2020 The definitive account of pop music in the mid-eighties, from Prince and Madonna to the underground hip-hop, indie rock, and club scenes Everybody knows the hits of 1984 - pop music's greatest year. From "Thriller" to "Purple Rain," "Hello" to "Against All Odds," "What's Love Got to Do with It" to "Wake Me Up Before You Go-Go," these iconic songs continue to dominate advertising, karaoke nights, and the soundtracks for film classics (Boogie Nights) and TV hits (Stranger Things). But the story of that thrilling, turbulent time, an era when Top 40 radio was both the leading edge of popular culture and a moral battleground, has never been told with the full detail it deserves - until now. Can't Slow Down is the definitive portrait of the exploding world of mid-eighties pop and the time it defined, from Cold War anxiety to the home-computer revolution. Big acts like Michael Jackson (Thriller), Prince (Purple Rain), Madonna (Like a Virgin), Bruce Springsteen (Born in the U.S.A.), and George Michael (Wham!'s Make It Big) rubbed shoulders with the stars of the fermenting scenes of hip-hop, indie rock, and club music. Rigorously researched, mapping the entire terrain of American pop, with crucial side trips to the UK and Jamaica, from the biz to the stars to the upstarts and beyond, Can't Slow Down is a vivid journey to the very moment when pop was remaking itself, and the culture at large - one hit at a time.
Pop Goes the Decade: The 2000s comprehensively examines popular culture in the 2000s, placing the culture of the decade in historical context and showing how it not only reflected but also influenced its times. Pop Goes the Decade: The 2000s starts with a timeline of major historical pop culture events of the 2000s, followed by an introduction describing what the U.S. was like at the beginning of the new millennium and how it would change throughout the decade. Next come chapters broken down by medium: television, sports, music, movies, literature, technology, media, and fashion and art. A chapter on controversies in popular culture is followed by a chapter on game-changers, featuring 20 individuals who made a major impact on the U.S. in the 2000s. Finally, a conclusion shows the impact that pop culture in the 2000s has had on the U.S. in the years since. This volume serves as a comprehensive resource for high school and college students studying popular culture in the 2000s. It provides a summary of total impact, plus specific insights into each individual topic. It also includes a wide swath of the scholarship produced on the subject to date.
In June 1969, police raided New York gay bar the Stonewall Inn. Pride charts the events of that night, the days and nights of rioting that followed, the ensuing organization of local members of the community, and the 50+ years since in which activists and ordinary people have dedicated their lives to reversing the global position. Pride documents the milestones in the fight for equality, from the victories of early activists, to the gradual acceptance of the LGBTQ+ community in politics, sports, and the media and the landmark court cases that helped to ban discrimination, permit marriage, and help in the fight for equality. This wide-reaching text covers key figures and notable moments, events, and breakthroughs a wealth of rare images and documents, as well as moving essays from key witnesses to the era. Pride is a unique and comprehensive account of the ongoing challenges facing the LGBTQ community, and a celebration of the equal rights that have been won for many as a result of the sacrifices and passion of this mass movement. Includes personal testimonies from: Travis Alabanza, Bisi Alimi, Georgina Beyer, Jonathan Blake, Deborah Brin, Maureen Duffy, David Furnish, Nan Goldin, Asifa Lahore, Paris Lees, Lewis Oakley, Reverend Troy Perry, Darryl Pinckney, Jake Shears, Judy Shepard, and Will Young.
The 1980s heralded many challenges for LGBT people around the world and Colin Clews examines these in his new book. These included the rise of the New Right in the USA, Section 28 which prohibited the promotion of homosexuality; the trial of Gay’s the Word bookshop in the UK and the continuing criminalisation of homosexuality in the majority of Australian states. Underpinning all of this was the unfolding of the AIDS crisis: a time when LGBT people realised that they were no longer simply fighting for their rights but, quite literally, fighting for their lives. But it wasn’t all doom and gloom; by the end of the eighties there had been some very real progress. Major political parties had LGBT rights in their manifestos, trades unions increasingly took up the cause and regional legislators introduced anti-discrimination laws and policies. LGBT people became more prolific in film, television, music and literature and the LGBT community grew significantly. The book also examines the dynamics behind these changes; some the result of prolonged campaigns, others stemming from the growing influence of the ‘pink pound/dollar’, others still a consequence of the growing anger at government intransigence to the AIDS crisis. Gay in the 80s examines a number of the events and issues in the UK, USA and Australia, giving a comprehensive perspective of LGBT reality during this decade The book covers the broad political context of the 1980s and takes a comparative approach to events in the three countries where Colin either lived or spent large amounts of time. Colin Clews’ debut book offers a unique perspective on a pivotal era in LGBT history. It will appeal to readers that want to learn more about the LGBT experience in the 1980s. Its publication also coincides with the 50th anniversary of the 1967 Sexual Offences Act, which partially decriminalised homosexuality, and the 30th anniversary of the ‘Don’t Die of Ignorance’ AIDS awareness campaign. A number of film and television events are planned to commemorate both anniversaries and Colin will be contributing to some of them.
Aficionados of music, dance, opera, and musical theater will relish this volume featuring over 200 articles showcasing composers, singers, musicians, dancers, and choreographers across eras and styles. Read about Hildegard of Bingen, whose Symphonia expressed both spiritual and physical desire for the Virgin Mary, and George Frideric Handel, who not only created roles for castrati but was behind the Venetian opera's preoccupations with gender ambiguity. Discover Alban Berg’s Lulu, opera’s first openly lesbian character. And don’t forget Kiss Me Kate, the hit 1948 Broadway musical: written by Cole Porter, married though openly gay; directed by John C. Wilson, Noël Coward's ex-lover; and featuring Harold Lang, who had affairs with Leonard Bernstein and Gore Vidal. No single volume has ever achieved the breadth of this scholarly yet eminently readable compendium. It includes overviews of genres as well as fascinating biographical entries on hundreds of figures such as Peter Tchaikovsky, Maurice Ravel, Sergei Diaghilev, Bessie Smith, Aaron Copland, Stephen Sondheim, Alvin Ailey, Rufus Wainwright, and Ani DiFranco.
The Routledge International Encyclopedia of Queer Culture covers gay, lesbian, bisexual, transgender and queer (GLBTQ) life and culture post-1945, with a strong international approach to the subject.The scope of the work is extremely comprehensive, with entries falling into the broad categories of Dance, Education, Film, Health, Homophobia, the Int
Following the 1960's sexual revolution, rock and pop have continued to map the societal understanding of sexuality, feminism, and gender studies. Although scholarship has well established how early rock and roll encouraged and affected issues of sex in the baby boomer generation, this book asks how subsequent pop music has maintained that tradition. The text discusses the gendered performances and biographical experiences of individual musicians, including Patti Smith, Rufus Wainwright, Etta James, and Frank Ocean, and how their invented personae contribute to musical representations of sexuality. It evaluates lyric structure and symbolic language of these artists, and overall emphasizes how pop music, while a commodity art form, reflects the diversity of human sex and gender.
LGBT Identity and Online New Media examines constructions of LGBT identity within new media. The contributors consider the effects, issues, influences, benefits and disadvantages of these new media phenomena with respect to the construction of LGBT identities. A wide range of mainstream and independent new media are analyzed, including MySpace, Facebook, YouTube, gay men’s health websites, message boards, and Craigslist ads, among others. This is a pioneering interdisciplinary collection that is essential reading for anyone interested in the intersections of gender, sexuality, and technology.