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The grandson of an Osage Indian, author Louis Burns wrote this primer to help persons of Osage descent trace their paternal lineage and to introduce researchers to Osage culture and the nuances of its language. The book opens with a discussion of the Osage dispersion from Missouri to Oklahoma and Kansas from about 1800 to 1870. Mr. Burns provides very helpful maps showing the concentration of the various tribal bands in each state. Next comes a summary of the richest sources of 19th-century Osage heritage, namely, Jesuit records, a great source of information concerning baptisms, marriages and interments; U.S. Government Annuity Rolls; and Osage Mission records, the best source of Osage family data. The aforementioned is followed by a list of tribal towns, as extracted from Jesuit records, and a list of Osage bands as found in the Annuity Rolls of 1878. When these sources are used in conjunction with the author's detailed listing of clans and their members, which furnishes names in both phonetic Osage and English, researchers stand a good chance of tracing their Native American heritage from about 1800 to the present. The balance of this carefully crafted volume focuses on aspects of the language, some knowledge of which is indispensable for successful research. Featured are an index to Osage names in Osage and in English, a listing of and indexes to kinship terms, a critical pronunciation key to Osage, and a conversion table for Osage Indian syllables. Mr. Burns' seminal work concludes with a bibliography of tribal literature.
Murder mystery, family memoir and spiritual journey combined, this story unearths family secrets and ultimately exposes a systematic murder plot.
In English, I’n-Lon-Schka means "playground of the eldest son." The dance, in which women are allowed only a peripheral role, celebrates traditional masculine values while helping to break down factionalism and feuding within the tribe. The participants, who now number in the hundreds, assemble each June in three Oklahoma communities-Pawhuska, Hominy, and Grayhorse-where the Dance Chairmen, the Drumkeeper (an eldest son of the tribe), and the dance organization have been preparing for the dance throughout the year. The I’n-Lon-Schka is religious in content and continues to establish conduct and ways of living for tribal members.
John Joseph Mathews (1894–1979) is one of Oklahoma’s most revered twentieth-century authors. An Osage Indian, he was also one of the first Indigenous authors to gain national renown. Yet fame did not come easily to Mathews, and his personality was full of contradictions. In this captivating biography, Michael Snyder provides the first book-length account of this fascinating figure. Known as “Jo” to all his friends, Mathews had a multifaceted identity. A novelist, naturalist, biographer, historian, and tribal preservationist, he was a true “man of letters.” Snyder draws on a wealth of sources, many of them previously untapped, to narrate Mathews’s story. Much of the writer’s family life—especially his two marriages and his relationships with his two children and two stepchildren—is explored here for the first time. Born in the town of Pawhuska in Indian Territory, Mathews attended the University of Oklahoma before venturing abroad and earning a second degree from Oxford. He served as a flight instructor during World War I, traveled across Europe and northern Africa, and bought and sold land in California. A proud Osage who devoted himself to preserving Osage culture, Mathews also served as tribal councilman and cultural historian for the Osage Nation. Like many gifted artists, Mathews was not without flaws. And perhaps in the eyes of some critics, he occupies a nebulous space in literary history. Through insightful analysis of his major works, especially his semiautobiographical novel Sundown and his meditative Talking to the Moon, Snyder revises this impression. The story he tells, of one remarkable individual, is also the story of the Osage Nation, the state of Oklahoma, and Native America in the twentieth century.
#1 NEW YORK TIMES BESTSELLER • A twisting, haunting true-life murder mystery about one of the most monstrous crimes in American history, from the author of The Wager and The Lost City of Z, “one of the preeminent adventure and true-crime writers working today."—New York Magazine • NATIONAL BOOK AWARD FINALIST • NOW A MARTIN SCORSESE PICTURE “A shocking whodunit…What more could fans of true-crime thrillers ask?”—USA Today “A masterful work of literary journalism crafted with the urgency of a mystery.” —The Boston Globe In the 1920s, the richest people per capita in the world were members of the Osage Nation in Oklahoma. After oil was discovered beneath their land, the Osage rode in chauffeured automobiles, built mansions, and sent their children to study in Europe. Then, one by one, the Osage began to be killed off. The family of an Osage woman, Mollie Burkhart, became a prime target. One of her relatives was shot. Another was poisoned. And it was just the beginning, as more and more Osage were dying under mysterious circumstances, and many of those who dared to investigate the killings were themselves murdered. As the death toll rose, the newly created FBI took up the case, and the young director, J. Edgar Hoover, turned to a former Texas Ranger named Tom White to try to unravel the mystery. White put together an undercover team, including a Native American agent who infiltrated the region, and together with the Osage began to expose one of the most chilling conspiracies in American history. Look for David Grann’s latest bestselling book, The Wager!
Since this wild frontier land was settled at the bang of a gun one April morning, Oklahoma City has grown rapidly, experiencing some of the most drastic changes of all over the past century. Many of the photographs in this new volume show construction and development as the city began to truly prosper --downtown skyscrapers and modern highways, museums such as the Cowboy Hall of Fame and the Kirkpatrick Planetarium, and major plants operated by General Motors and Dayton Tire & Rubber Company. Recent images highlight celebrations, including high school football games, outings to Bricktown and Myriad Botanical Gardens, and finally, Opening Night 2000.
Oklahoma has an excellent photographic record, largely because the twin territories developed along the same general timeline as modern photography itself. Historic Photos of Oklahoma is not an illustrated history of Oklahoma, nor is it an attempt at a visual chronology of the state. Rather, the photographs included here tell the story of this diverse group of people called Oklahomans as witnessed in their faces, the homes they cherished, and the streets they traveled. Just as viewing a succession of school photos reveals the periods of beauty and awkwardness, innocence and maturity, and hardship and joy in a child’s life, the reader of this book will see the tragedy of Indian removal, the exuberance of land runs, the shame of segregation, the anguish of the Depression, and the optimism for the future in Oklahoma. In between are glimpses of how we used to live, work, and play in the forty-sixth state of the Union.
In 1881, the Osage established their own tribal government. In 1883, the tribal council offered some of the reservation land for lease to cattle ranchers. The cattle industry grew in the early 1900's, when the federal government took over approval and oversight of leasing. Leasing continued after the reservations lands were allotted to individual Indians and in 1910, the U.S. Department of the Interior revised their regulations so that some mixed and full-blood Osages could lease their lands and the lands of their minor children without the supervision of the superintendent of the Osage (BIA) agency.