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" ... provides updated county and town listings within the same overall state-by-state organization ... information on records and holdings for every county in the United States, as well as excellent maps from renowned mapmaker William Dollarhide ... The availability of census records such as federal, state, and territorial census reports is covered in detail ... Vital records are also discussed, including when and where they were kept and how"--Publisher decription.
Offers a guide to census indexes, including federal, state, county, and town records, available in print and online; arranged by year, geographically, and by topic.
Between late 1863 and mid-1864, an armed band of Confederate deserters battled Confederate cavalry in the Piney Woods region of Jones County, Mississippi. Calling themselves the Knight Company after their captain, Newton Knight, they set up headquarters in the swamps of the Leaf River, where, legend has it, they declared the Free State of Jones. The story of the Jones County rebellion is well known among Mississippians, and debate over whether the county actually seceded from the state during the war has smoldered for more than a century. Adding further controversy to the legend is the story of Newt Knight's interracial romance with his wartime accomplice, Rachel, a slave. From their relationship there developed a mixed-race community that endured long after the Civil War had ended, and the ambiguous racial identity of their descendants confounded the rules of segregated Mississippi well into the twentieth century. Victoria Bynum traces the origins and legacy of the Jones County uprising from the American Revolution to the modern civil rights movement. In bridging the gap between the legendary and the real Free State of Jones, she shows how the legend--what was told, what was embellished, and what was left out--reveals a great deal about the South's transition from slavery to segregation; the racial, gender, and class politics of the period; and the contingent nature of history and memory.
Covering the same ground as the major motion picture The Free State of Jones, starring Matthew McConaughey, this is the extraordinary true story of the anti-slavery Southern farmer who brought together poor whites, army deserters and runaway slaves to fight the Confederacy in deepest Mississippi. "Moving and powerful." -- The Washington Post. In 1863, after surviving the devastating Battle of Corinth, Newton Knight, a poor farmer from Mississippi, deserted the Confederate Army and began a guerrilla battle against it. A pro-Union sympathizer in the deep South who refused to fight a rich man’s war for slavery and cotton, for two years he and other residents of Jones County engaged in an insurrection that would have repercussions far beyond the scope of the Civil War. In this dramatic account of an almost forgotten chapter of American history, Sally Jenkins and John Stauffer upend the traditional myth of the Confederacy as a heroic and unified Lost Cause, revealing the fractures within the South.
Between late 1863 and mid-1864, an armed band of Confederate deserters battled Confederate cavalry in the Piney Woods region of Jones County, Mississippi. Calling themselves the Knight Company after their captain, Newton Knight, they set up headquarters in the swamps of the Leaf River, where they declared their loyalty to the U.S. government. The story of the Jones County rebellion is well known among Mississippians, and debate over whether the county actually seceded from the state during the war has smoldered for more than a century. Adding further controversy to the legend is the story of Newt Knight's interracial romance with his wartime accomplice, Rachel, a slave. From their relationship there developed a mixed-race community that endured long after the Civil War had ended, and the ambiguous racial identity of their descendants confounded the rules of segregated Mississippi well into the twentieth century. Victoria Bynum traces the origins and legacy of the Jones County uprising from the American Revolution to the modern civil rights movement. In bridging the gap between the legendary and the real Free State of Jones, she shows how the legend--what was told, what was embellished, and what was left out--reveals a great deal about the South's transition from slavery to segregation; the racial, gender, and class politics of the period; and the contingent nature of history and memory. In a new afterword, Bynum updates readers on recent scholarship, current issues of race and Southern heritage, and the coming movie that make this Civil War story essential reading. The Free State of Jones film, starring Matthew McConaughey, Gugu Mbatha-Raw, and Keri Russell, will be released in May 2016.
Rambles of a Runaway from Southern Slavery tells of an extraordinary life in and out of slavery in the United States and Canada. Born Elijah Turner in the Virginia Tidewater, circa 1810, the author eventually procured freedom papers from a man he resembled and took the man’s name, Henry Goings. His life story takes us on an epic journey, traveling from his Virginia birthplace through the cotton kingdom of the Lower South, and upon his escape from slavery, through Tennessee and Kentucky, then on to the Great Lakes region of the North and to Canada. His Rambles show that slaves were found not only in fields but also on the nation’s roads and rivers, perpetually in motion in massive coffles or as solitary runaways. A freedom narrative as well as a slave narrative, this compact yet detailed book illustrates many important developments in antebellum America, such as the large-scale forced migration of enslaved people from long-established slave societies in the eastern United States to new settlements on the cotton frontier, the political-economic processes that framed that migration, and the accompanying human anguish. Goings’s life and reflections serve as important primary documents of African American life and of American national expansion, the Civil War, and Reconstruction. This edition features an informative and insightful introduction by Calvin Schermerhorn.
One of America's great novelists, William Faulkner was a writer deeply rooted in the American South. In works such as The Sound and the Fury, As I Lay Dying, Light in August, and Absalom, Absalom! Faulkner drew powerfully on Southern themes, attitudes, and atmosphere to create his own world and place--the mythical Yoknapatawpha County--peopled with quintessential Southerners such as the Compsons, Sartorises, Snopes, and McCaslins. Indeed, to a degree perhaps unmatched by any other major twentieth-century novelist, Faulkner remained at home and explored his own region--the history and culture and people of the South. Now, in William Faulkner and Southern History, one of America's most acclaimed historians of the South, Joel Williamson, weaves together a perceptive biography of Faulkner himself, an astute analysis of his works, and a revealing history of Faulkner's ancestors in Mississippi--a family history that becomes, in Williamson's skilled hands, a vivid portrait of Southern culture itself. Williamson provides an insightful look at Faulkner's ancestors, a group sketch so brilliant that the family comes alive almost as vividly as in Faulkner's own fiction. Indeed, his ancestors often outstrip his characters in their colorful and bizarre nature. Williamson has made several discoveries: the Falkners (William was the first to spell it "Faulkner") were not planter, slaveholding "aristocrats"; Confederate Colonel Falkner was not an unalloyed hero, and he probably sired, protected, and educated a mulatto daughter who married into America's mulatto elite; Faulkner's maternal grandfather Charlie Butler stole the town's money and disappeared in the winter of 1887-1888, never to return. Equally important, Williamson uses these stories to underscore themes of race, class, economics, politics, religion, sex and violence, idealism and Romanticism--"the rainbow of elements in human culture"--that reappear in Faulkner's work. He also shows that, while Faulkner's ancestors were no ordinary people, and while he sometimes flashed a curious pride in them, Faulkner came to embrace a pervasive sense of shame concerning both his family and his culture. This he wove into his writing, especially about sex, race, class, and violence, psychic and otherwise. William Faulkner and Southern History represents an unprecedented publishing event--an eminent historian writing on a major literary figure. By revealing the deep history behind the art of the South's most celebrated writer, Williamson evokes new insights and deeper understanding, providing anyone familiar with Faulkner's great novels with a host of connections between his work, his life, and his ancestry.
Listen to podcast on “Slaving Zones, Contemporary Slavery and Citizenship: Reflections from the Brazilian Case”. In Slaving Zones: Cultural Identities, Ideologies, and Institutions in the Evolution of Global Slavery, fourteen authors—including both world-leading and emerging historians of slavery—engage with the ‘Slaving Zones’ theory. This theory has recently taken the field of Mediterranean slavery studies by storm, and the challenge posed by the editors was to see if the ‘Slaving Zones’ theory could be applied in the wider context of long-term global history. The results of this experiment are promising. In the Introduction, Jeff Fynn-Paul points out over a dozen ways in which the contributors have added to the concept of ‘Slaving Zones’, helping to make it one of the more dynamic theories of global slavery since the advent of Orlando Patterson’s Slavery and Social Death.
This is a genealogical history of the McKneely families of South Carolina, Georgia and Louisiana. There are two branches to this Scotch-Irish family with this unique spelling. One that migrated from South Carolina to Georgia and then on to Texas and other parts of the expanding United States of America. Then there is the branch that left South Carolina in the late 1700s and early 1800s with other families and settled in what at the time was West Florida. This area then was taken into the United States of America with the purchase of Florida from Spain and then became a part of Louisiana. The Louisiana branch resided in the Parishes called the Florida Parishes and stayed close to the area until after the First World War when the family began to migrate into other parts of the United States. You will find in this book two parts. One part covers the McKneely family that migrated to the Florida Parishes of Louisiana and the Second part that covers the McKneely family that first migrated to Georgia and then to Oklahoma and Texas. There is speculation but no proof that the two lines come from the common immigrant ancestor James McNealy with various spellings of McNealy. Look at the information and decide for yourself whether or not two lines could adopt a common spelling change, come from South Carolina and have common names and not be related to the common ancestor attached to the Louisiana McKneely clan. I have attempted to include as much detail as possible about each person. Personal stories are the spice of a genealogical work. I have included as many as possible and included them without edit. I am not a politically correct family historian. There may be some factually correct material that you may not like or that someone might tell you is not correct. Please read this account with the times and culture in mind as that is what makes the story a good one. Do not try to impress yourself on the story but put yourself into the times and places.