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Neither one of them saw the truck. Neither one of them felt the pain. Death came like a thief in the night.
On March 12, 2009 a helicopter carrying offshore workers to an oil production platform in the North Atlantic off the coast of Newfoundland crashed into the ocean. Seventeen of the people on board the helicopter perished that day. Just one survived. Thanks to an inquiry into the cause of the crash, which included testimony from the lone survivor, much has been learned about helicopter safety in the years since. However, little has been said about the 17 others who lost their lives that day. The families are now custodians of their legacies. In 18 Souls: The Loss & Legacy of Cougar Flight 491, families and friends speak candidly -- in some cases for the first time -- about what was really lost and what could have been had fate been kind that day. This book goes beyond the question of offshore safety and reveals the depths of raw emotion still resonating in the hearts and minds of those left behind. In doing so 18 Souls pays tribute and honours the memory of the passengers and crew of Cougar Flight 491.
Spirituality writer Emilie Griffin takes us on a beautiful exploration of our later years. Filled with rich story, spiritual exercises and wisdom from those who have gone before us about topics like relocation, vocational changes, losing parents and changing relationships with children. The journey of our later years is a wondrous voyage, though turbulent at points. But it is, as Griffin reminds us, the journey we have been preparing for all along.
Department 18: Government agents specializing in the paranormal and associated psychic phenomena, including hauntings, poltergeist activity, demonic possession and other unexplained occurrences. All files highly classified. They have existed since before man walked the earth. They are the Breathers, a species of vampirelike creatures that feed on human souls. They have evolved over the centuries and now are split into two warring factions. Both are a threat to mankind. As the battle lines are drawn, Robert Carter and Department 18 are caught in the middle. They are all that stand between the two sides and their unsuspecting prey. Us.
“Fierce and refreshing.”— Carlos Lozada, Washington Post Named a notable book of the year by the New York Times Book Review and the Washington Post, and one of the best books of the year by Spectator and Publishers Weekly, The Souls of Yellow Folk is the powerful debut from one of the most acclaimed essayists of his generation. Wesley Yang writes about race and sex without the polite lies that bore us all.
For readers of Roberto Bolaño's Savage Detectives and Muriel Spark's Loitering with Intent, this "sublime" and "delightfully unhinged" metaphysical mystery disguised as a picaresque romp follows one poet's spectacular fall from grace to ask a vital question: Is everyone a plagiarist? (Nicolette Polek, author of Imaginary Museums). A scandal has shaken the literary world. As the unnamed narrator of Dead Souls discovers at a cultural festival in central London, the offender is Solomon Wiese, a poet accused of plagiarism. Later that same evening, at a bar near Waterloo Bridge, our narrator encounters the poet in person, and listens to the story of Wiese's rise and fall, a story that takes the entire night—and the remainder of the novel—to tell. Wiese reveals his unconventional views on poetry, childhood encounters with "nothingness," a conspiracy involving the manipulation of documents in the public domain, an identity crisis, a retreat to the country, a meeting with an ex-serviceman with an unexpected offer, the death of an old poet, a love affair with a woman carrying a signpost, an entanglement with a secretive poetry cult, and plans for a triumphant return to the capital, through the theft of poems, illegal war profits, and faked social media accounts—plans in which our narrator discovers he is obscurely implicated. Dead Souls is a metaphysical mystery brilliantly encased in a picaresque romp, a novel that asks a vital question for anyone who makes or engages with art: Is everyone a plagiarist?
John Clellon Holmes met Jack Kerouac on a hot New York City weekend in 1948, and until the end of Kerouac’s life they were—in Holmes’s words—“Brother Souls.” Both were neophyte novelists, hungry for literary fame but just as hungry to find a new way of responding to their experiences in a postwar American society that for them had lost its direction. Late one night as they sat talking, Kerouac spontaneously created the term “Beat Generation” to describe this new attitude they felt stirring around them. Brother-Souls: John Clellon Holmes, Jack Kerouac, and the Beat Generation is the remarkable chronicle of this cornerstone friendship and the life of John Clellon Holmes. From 1948 to 1951, when Kerouac’s wanderings took him back to New York, he and Holmes met almost daily. Struggling to find a form for the novel he intended to write, Kerouac climbed the stairs to the apartment in midtown Manhattan where Holmes lived with his wife to read the pages of Holmes’s manuscript for the novel Go as they left the typewriter. With the pages of Holmes’s final chapter still in his mind, he was at last able to crack his own writing dilemma. In a burst of creation in April 1951, he drew all the materials he had been gathering into the scroll manuscript of On the Road. Biographer Ann Charters was close to John Clellon Holmes for more than a decade. At his death in 1988 she was one of a handful of scholars allowed access to the voluminous archive of letters, journals, and manuscripts Holmes had been keeping for twenty-five years. In that mass of material waited an untold story. These two ambitious writers, Holmes and Kerouac, shared days and nights arguing over what writing should be, wandering from one explosive party to the next, and hanging on the new sounds of bebop. Through the pages of Holmes’s journals, often written the morning after the events they recount, Charters discovered and mined an unparalleled trove describing the seminal figures of the Beat Generation: Holmes, Kerouac, Neal Cassady, Allen Ginsberg, William Burroughs, Gregory Corso, and their friends and lovers.
#1 NEW YORK TIMES BESTSELLER • A chorus of extraordinary voices tells the epic story of the four-hundred-year journey of African Americans from 1619 to the present—edited by Ibram X. Kendi, author of How to Be an Antiracist, and Keisha N. Blain, author of Set the World on Fire. FINALIST FOR THE ANDREW CARNEGIE MEDAL • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post, Town & Country, Ms. magazine, BookPage, She Reads, BookRiot, Booklist • “A vital addition to [the] curriculum on race in America . . . a gateway to the solo works of all the voices in Kendi and Blain’s impressive choir.”—The Washington Post “From journalist Hannah P. Jones on Jamestown’s first slaves to historian Annette Gordon-Reed’s portrait of Sally Hemings to the seductive cadences of poets Jericho Brown and Patricia Smith, Four Hundred Souls weaves a tapestry of unspeakable suffering and unexpected transcendence.”—O: The Oprah Magazine The story begins in 1619—a year before the Mayflower—when the White Lion disgorges “some 20-and-odd Negroes” onto the shores of Virginia, inaugurating the African presence in what would become the United States. It takes us to the present, when African Americans, descendants of those on the White Lion and a thousand other routes to this country, continue a journey defined by inhuman oppression, visionary struggles, stunning achievements, and millions of ordinary lives passing through extraordinary history. Four Hundred Souls is a unique one-volume “community” history of African Americans. The editors, Ibram X. Kendi and Keisha N. Blain, have assembled ninety brilliant writers, each of whom takes on a five-year period of that four-hundred-year span. The writers explore their periods through a variety of techniques: historical essays, short stories, personal vignettes, and fiery polemics. They approach history from various perspectives: through the eyes of towering historical icons or the untold stories of ordinary people; through places, laws, and objects. While themes of resistance and struggle, of hope and reinvention, course through the book, this collection of diverse pieces from ninety different minds, reflecting ninety different perspectives, fundamentally deconstructs the idea that Africans in America are a monolith—instead it unlocks the startling range of experiences and ideas that have always existed within the community of Blackness. This is a history that illuminates our past and gives us new ways of thinking about our future, written by the most vital and essential voices of our present.
The great nineteenth century French military thinker Ardant du Picq, argued that selfless courage is rooted in a higher moral purpose, and is found among “Elite Souls.” This is a book about five such “Elite Souls,” all highly decorated young West Point graduates and recipients of the USMA’s Ninninger Medal. Elite Souls outlines the importance of building and developing moral character in military leaders, while arguing that a rigorous academic education is also essential in creating young officers capable of the kind of creative and critical thinking necessary in the complicated wars of the twenty-first century. Dr. Raymond suggests that West Point’s servant-leader model is critical in fostering the kind of intense selflessness ideally seen between junior officers, their NCOs, and soldiers. Finally, Elite Souls makes the case that inspirational commanding officers are also key. In this book, Dr. Ray Raymond argues that each of the recipients of the Ninninger Award entered West Point primarily for moral reasons and that the Academy's rigorous academic, military, and developmental methods strengthened those values. West Point produced young military leaders who were exceptionally well-educated and trained to deal with the complex challenges of war in Iraq and Afghanistan in the early twenty first century."