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Excerpt from International Exhibition, Fairmount Park, Philadelphia, 1876: Acts of Congress, Rules and Regulation, Description of the Buildings Section 6. That the Commission shall report to Congress, at the first session after its appointment, a suitable date for opening and for closing the exhibition; a schedule of appropriate ceremonies for opening or dedicating the same; a plan or plans of the buildings 3 a complete plan for the reception and classification of arti cles intended for exhibition; the requisite custom-house regulations for the introduc tion into this country of the articles from foreign countries intended for exhibition. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Designing the Centennial is an in-depth, behind-the-scenes look at the planning of America's first important world's fair -- the 1876 United States Centennial Exhibition in Philadelphia. The conflicts between the players -- scientists and engineers, planners and politicians, organizers and their audience -- demonstrate wider cultural clashes between a traditional view of things as object lessons and our more current understanding of things as commodities. Bruno Giberti uses the official reports of the U.S. Centennial Commission and photographs of the Centennial Photographic Company, as well as the ephemera of the exhibition and literary accounts in books, magazines, and newspapers to examine the concept of world's fairs, contrasting the 1876 event with other nineteenth- and early twentieth-century exhibitions and related institutions. The author goes beyond previous works on world's fairs by investigating the design process and by considering the nature of display -- what people were looking at and how they were looking.