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The story of Fray Marcos and the Seven Cities of Cíbola was a favorite of Adolph Bandelier (1840–1914). Bandelier’s combination of methodological sophistication and control of the archival data makes the Marcos de Niza paper important, not only as a landmark in Southwestern ethnohistory, but as a work of scholarship in its own rights, with insights on Cabeza de Vaca, Marcos, and early Southwestern exploration that are still valid today.
A muster meant that men in the local shires were called together to identify those able to serve in the King's army. The muster records thereby created represent a valuable source of information about the local military resources and also gives the names of those involved. The documents which form the subject of this edition, the Herefordshire muster books for 1539 and 1542, came into existence during two military and diplomatic crises. Neither lasted long. The first was during Thomas Cromwell's term of office, the second after his fall. The first crisis was precipitated by the rapprochement between France and the Emperor Charles V signalled by the Treaty of Toledo on 12 January 1539; these powers then withdrew their ambassadors from London and made demonstrations of apparent warlike intent. Henry VIII's Council, then dominated by Thomas Cromwell, called for musters throughout the country. The commissions of array represent an attempt to discover the country's military resources
Schöffer's Cantiones tell a fascinating story of South-North, Catholic-Protestant co-operation. The Cantiones quinque vocum selectissimæ (Strasbourg: Peter Schöffer the Younger, 1539) are a collection of 28 Latin five-voice motets by composers including Gombert, Willaert, and Jacquet of Mantua. This was Schöffer's first book of Latin motets as well as his last ever musical publication; he was granted an imperial privilege to print it by King Ferdinand I. The pieces had been sent to Schöffer by Hermann Matthias Werrecore, the choirmaster of the Duomo of Milan. However, this was at a time when no liturgical Latin choral singing took place in Strasbourg, following one of the harshest reformations - musically-speaking - across Europe. This book comprises a critical study of the anthology in terms of the circumstances of its assemblage and printing, its confessional significance, and the music itself. It considers the nature of the connection between Schöffer and Werrecore, and why a Protestant publisher based in Protestant Germany would try to sell Latin music that was endorsed by a Catholic monarch and emphatically had no chance of being performed in church in its place of publication. In addition, the monograph includes considerations of the motets themselves, brief biographical details of the composers - including the lesser-known ones (e.g. Ferrariensis, Sarton, Billon) - and a full list of all concordant sources. It will be of interest to performers and scholars alike, combining elements of historical research, musical criticism and - via the transcriptions hosted online - performance.
The entire course of modern Western history has been shaped by the rise and fall of the great European empires. The Burdens of Empire examines different aspects of this long history, focusing on how political theorists, jurists, historians and others sought to explain what an empire is and to justify its very existence.