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The four-volume set LNCS 8117-8120 constitutes the refereed proceedings of the 14th IFIP TC13 International Conference on Human-Computer Interaction, INTERACT 2013, held in Cape Town, South Africa, in September 2013. The 57 papers included in the first volume are organized in topical sections on 3D navigation, 3D technologies - 3D object manipulation, augmented reality, cognitive workload, cognitive workload and decision support, creating effective 3D displays, cross-cultural, intercultural and social issues, data entry mechanisms and devices, design and evaluation, design and evaluation of prototypes, design to support creativity, designing for inclusiveness, designing with and for people with special needs, display manipulations, and diversity / ICT in social development.
“A much-needed study of the aesthetics and cultural mores of the Third Reich . . . rich in detail and documentation.” (Kirkus Reviews) Culture was integral to the smooth running of the Third Reich. In the years preceding WWII, a wide variety of artistic forms were used to instill a Nazi ideology in the German people and to manipulate the public perception of Hitler’s enemies. During the war, the arts were closely tied to the propaganda machine that promoted the cause of Germany’s military campaigns. Michael H. Kater’s engaging and deeply researched account of artistic culture within Nazi Germany considers how the German arts-and-letters scene was transformed when the Nazis came to power. With a broad purview that ranges widely across music, literature, film, theater, the press, and visual arts, Kater details the struggle between creative autonomy and political control as he looks at what became of German artists and their work both during and subsequent to Nazi rule. “Absorbing, chilling study of German artistic life under Hitler” —The Sunday Times “There is no greater authority on the culture of the Nazi period than Michael Kater, and his latest, most ambitious work gives a comprehensive overview of a dismally complex history, astonishing in its breadth of knowledge and acute in its critical perceptions.” —Alex Ross, music critic at The New Yorker and author of The Rest is Noise Listed on Choice's Outstanding Academic Titles List for 2019 Winner of the Jewish Literary Award in Scholarship
This book takes up the stimuli of new international historiography, albeit focusing mainly on the two regimes that undoubtedly provided the model for Fascist movements in Europe, namely the Italian and the German. Starting with a historiographical assessment of the international situation, vis-à-vis studies on Fascism and National Socialism, and then concentrate on certain aspects that are essential to any study of the two dictatorships, namely the complex relationships with their respective societies, the figures of the two dictators and the role of violence. This volume reaches beyond the time-frame encompassing Fascism and National Socialism experiences, directing the attention also toward the period subsequent to their demise. This is done in two ways. On the one hand, examining the uncomfortable architectural legacy left by dictatorships to the democratic societies that came after the war. On the other hand, the book addresses an issue that is very much alive both in the strictly historiographical and political science debate, that is to say, to what extent can the label of Fascism be used to identify political phenomena of these current times, such as movements and parties of the so-called populist and souverainist right.
Provides guidelines for United States Democrats to connect moral values to important policies, using practical tactics to guide political discourse away from extreme positions.
Dramatically recreates a sequence of ten decisions made by six major leaders between May 1940 and December 1941 that reshaped human destiny, from Churchill's war cabinet's choice to continue fighting after the German blitzkrieg defeat of France and Hitler's attack on the Soviet Union to Hitler's declaration of war on the U.S. and his subsequent decision to eliminate Jewish citizens.