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The Shades Of Gray Series follows the adventures of Kat, a woman with no memory of her past who is called the Pandora Project by those who hunt her, and Kim, a woman leading the life of a legal assassin called a Life Closer. The world they live in is plagued by clouds that prevent the sun from shining down on the land called Dry Clouds, making all who live in Noir forced to live in endless night. Start this series for "Free" by reading #1 Shades of Gray: Noir, City Shrouded By Darkness and then read #2 Shades of Gray: From Moscow, With Love also for "Free". Kat searches for clues to her past while androids called Un-Men and human bounty hunters try to kill her, and Kim searches for who murdered her mother. The two women's paths collide, and they form a shaky partnership to unravel the mysteries that haunt their lives and they try to protect one another from those who do not wish for them to discover the truth. Everyone's soul is marked by a color. Which shade of gray will they hold to? #14 Shades of Gray: Axiom of the Assassins Guild- Steel of the Dagger : Kat and Kim are taken to the Dragon's Teeth, the city of the Assassins Guild. **Shades of Gray Series** (STARTING POINT QUADRILOGY) #1 Shades of Gray: Noir, City Shrouded By Darkness "FREE" #2 Shades of Gray: From Moscow, With Love "FREE" #3 Shades of Gray: Cerberus Versus Pandora #4 Shades of Gray: Sisters (ZOMBIE TWILIGHT QUADRILOGY) #5 Shades of Gray: Night Of The Twilight- The Chimera Strain #6 Shades of Gray: Dawn Of The Twilight- Outbreak #7 Shades of Gray: Day Of The Twilight- Patient Zero #8 Shades of Gray: Land Of The Twilight- Closing of Days (MYTHS AND DESPAIR QUADRILOGY) #9 Shades of Gray: Rise of the Gorgons #10 Shades of Gray: Woe To The Watcher #11 Shades of Gray: Woe To The One Who Has Held His Heart's Tongue #12 Shades of Gray: Woe To The One Who Thought They Could Only Hurt (ASSASSINS GUILD ORIGINS QUADRILOGY) #13 Shades of Gray: Creed of the Assassins Guild- Blade of the Dagger #14 Shades of Gray: Axiom of the Assassins Guild- Steel of the Dagger #15 Shades of Gray: Motto of the Assassins Guild- Hilt of the Dagger #16 Shades of Gray: Precept of the Assassins Guild- Edge of the Dagger
Will truth out? Set over one evening, Rathmines Road by Deirdre Kinahan is a play that rages in a tiny room. Fraught, funny and ferocious, it testifies to the pain of carrying the memory of sexual assault throughout a lifetime. A play about secret trauma and public revelation, Rathmines Road bristles with tension and interrogates catharsis to ask: when and how do we take responsibility? The play premiered at the Abbey Theatre as part of the Dublin Theatre Festival 2018, previewing at the Civic Theatre, Tallaght, in a co-production between Fishamble and the Abbey Theatre.
This book probes the efforts at manipulation individuals face daily in this information age and the tactics of persuaders from many sectors of society using various forms of Orwellian "doublespeak." The book contains the following essays: (1) "Notes toward a Definition of Doublespeak" (William Lutz); (2) "Truisms Are True: Orwell's View of Language" (Walker Gibson); (3) "Mr. Orwell, Mr. Schlesinger, and the Language" (Hugh Rank); (4) "What Do We Know?" (Charles Weingartner); (5) "The Dangers of Singlespeak" (Edward M. White); (6) "The Fallacies of Doublespeak" (Dennis Rohatyn); (7) "Doublespeak and Ethics" (George R. Bramer); (8) "Post-Orwellian Refinements of Doublethink: Will the Real Big Brother Please Stand Up?" (Donald Lazere); (9) "Worldthink" (Richard Ohmann); (10)"'Bullets Hurt, Corpses Stink': George Orwell and the Language of Warfare" (Harry Brent); (11) "Political Language: The Art of Saying Nothing" (Dan F. Hahn); (12) "Fiddle-Faddle, Flapdoodle, and Balderdash: Some Thoughts about Jargon" (Frank J. D'Angelo); (13) "How to Read an Ad: Learning to Read between the Lies" (D. G. Kehl); (14) "Subliminal Chainings: Metonymical Doublespeak in Advertising" (Don L. F. Nilsen); (15) "Doublespeak and the Polemics of Technology" (Scott Buechler); (16) "Make Money, Not Sense: Keep Academia Green" (Julia Penelope); (17) "Sensationspeak in America" (Roy F. Fox); and (18) "The Pop Grammarians--Good Intentions, Silly Ideas, and Doublespeak" (Charles Suhor). Three appendixes are attached: "The George Orwell Awards,""The Doublespeak Award," and "The Quarterly Review of Doublespeak." (MS)
In 'Writing the Nation: A Concise Introduction to American Literature 1865 to Present,' editors Amy Berke, Robert Bleil, Jordan Cofer, and Doug Davis curate a comprehensive exploration of American literary evolution from the aftermath of the Civil War to contemporary times. This anthology expertly weaves a tapestry of diverse literary styles and themes, encapsulating the dynamic shifts in American culture and identity. Through carefully selected works, the collection illustrates the rich dialogue between historical contexts and literary expression, showcasing seminal pieces that have shaped American literatures landscape. The diversity of periods and perspectives offers readers a panoramic view of the countrys literary heritage, making it a significant compilation for scholars and enthusiasts alike. The contributing authors and editors, each with robust backgrounds in American literature, bring to the table a depth of scholarly expertise and a passion for the subject matter. Their collective work reflects a broad spectrum of American life and thought, aligning with major historical and cultural movements from Realism and Modernism to Postmodernism. This anthology not only marks the evolution of American literary forms and themes but also mirrors the nations complex history and diverse narratives. 'Writing the Nation' is an essential volume for those who wish to delve into the heart of American literature. It offers readers a unique opportunity to experience the multitude of voices, styles, and themes that have shaped the countrys literary tradition. This collection represents an invaluable resource for students, scholars, and anyone interested in the development of American literature and the cultural forces that have influenced it. The anthology invites readers to engage with the vibrant dialogue among its pages, fostering a deeper understanding and appreciation of the United States' literary and cultural heritage.
The author of Spell of Catastrophe and Spell of Intrigue delivers “a winner . . . An off-the-wall kind of fantasy” in the third Dance of Gods adventure (Interzone). Trouble is converging on the imperial city of Peridol, and whatever dance the gods are planning, Maximillian the Vaguely Disreputable wants to stay out of it. No such luck, though—it’s up to Max and his friends the Great Karlini and the Creeping Sword to unseat the despotic gods, who treat the mortal realm like a giant chess board. But with the gods fighting amongst themselves, no one is going to win this battle anytime soon—until a long-forgotten player re-enters the dance . . . “I was utterly hooked . . . The nearest I can get to the general tenor is The Man from U.N.C.L.E. with magic rings instead of talking pens.” —Interzone “Like riding on a racing carousel.” —Kliatt