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This volume collects research presented at the Koç University Research Center for Anatolian Civilizations (ANAMED) 2018 international annual symposium. It brings together researchers engaged in the study of the decoration and technology of glazed pottery, ranging from the early Byzantine era to the end of the Ottoman period. Topics explored include pottery production in Constantinople, glazed ceramic production and consumption in medieval Thebes, pottery imports in Algiers during the Turkish Regency, considerations of trading routes and their influences, the relationships between Italy and the Byzantine and Ottoman world through pottery, and more.
Kuran, Aptullah; Architecture; Ottoman; Turkey.
Two abundantly illustrated volumes offer a vibrant discussion of how the divine is and has been represented in art and architecture the world over. Beginning with the ancient worlds of Mesopotamia, Egypt, Greece, and Rome and moving forward through time, Art and Architecture of the World's Religions explores the major faiths from countries and continents around the globe, helping readers better understand the creations their beliefs have inspired. After tracing the history and development of a religion, the book provides a general overview of its principal beliefs and key practices. It then offers specific examples of how works of art/architecture reflect that religion's values. The focus of each chapter is on the temples, churches, and religious buildings, statues, paintings, and other works of art and architecture created by believers. Each representative work of art or architecture is examined in terms of its history, materials, symbols, colors, and patterns, as its significance is explained to the reader. With extensive illustrations, these volumes are the definitive reference work on art and architecture of the world's religions.
Featuring numerous illustrations, this book explores the many lessons to be learned from Pleistocene megafauna, including the role of humans in their extinction, their disappearance at the start of the Sixth Extinction, and what they might teach us about contemporary conservation crises. Long after the extinction of dinosaurs, when humans were still in the Stone Age, woolly rhinos, mammoths, mastodons, sabertooth cats, giant ground sloths, and many other spectacular large animals that are no longer with us roamed the Earth. These animals are regarded as “Pleistocene megafauna,” named for the geological era in which they lived—also known as the Ice Age. In Vanished Giants: The Lost World of the Ice Age, paleontologist Anthony J. Stuart explores the lives and environments of these animals, moving between six continents and several key islands. Stuart examines the animals themselves via what we’ve learned from fossil remains, and he describes the landscapes, climates, vegetation, ecological interactions, and other aspects of the animals’ existence. Illustrated throughout, Vanished Giants also offers a picture of the world as it was tens of thousands of years ago when these giants still existed. Unlike the case of the dinosaurs, there was no asteroid strike to blame for the end of their world. Instead, it appears that the giants of the Ice Age were driven to extinction by climate change, human activities—especially hunting—or both. Drawing on the latest evidence provided by radiocarbon dating, Stuart discusses these possibilities. The extinction of Ice Age megafauna can be seen as the beginning of the so-called Sixth Extinction, which is happening right now. This has important implications for understanding the likely fate of present-day animals in the face of contemporary climate change and vastly increasing human populations.
The so-called “Bone Wars” of the 1880s, which pitted Edward Drinker Cope against Othniel Charles Marsh in a frenzy of fossil collection and discovery, may have marked the introduction of dinosaurs to the American public, but the second Jurassic dinosaur rush, which took place around the turn of the twentieth century, brought the prehistoric beasts back to life. These later expeditions—which involved new competitors hailing from leading natural history museums in New York, Chicago, and Pittsburgh—yielded specimens that would be reconstructed into the colossal skeletons that thrill visitors today in museum halls across the country. Reconsidering the fossil speculation, the museum displays, and the media frenzy that ushered dinosaurs into the American public consciousness, Paul Brinkman takes us back to the birth of dinomania, the modern obsession with all things Jurassic. Featuring engaging and colorful personalities and motivations both altruistic and ignoble, The Second Jurassic Dinosaur Rush shows that these later expeditions were just as foundational—if not more so—to the establishment of paleontology and the budding collections of museums than the more famous Cope and Marsh treks. With adventure, intrigue, and rivalry, this is science at its most swashbuckling.
"A major, on-the-ground look at antiquities looting in Italy. More looting of ancient art takes place in Italy than in any other country. Ironically, Italy trades on the fact to demonstrate its cultural superiority over other countries. And, more than any other country, Italy takes pains to prevent looting by instituting laws, cultural policies, export taxes, and a famously effective art-crime squad that has been the inspiration of novels, movies, and tv shows. In fact, Italy is widely regarded as having invented the discipline of art policing. In 2006 the then-president of Italy declared his country to be "the world's greatest cultural power." Why do Italians believe this? Why is the patria, or "homeland," so frequently invoked in modern disputes about ancient art, particularly when it comes to matters of repatriation, export, and museum loans? Fiona Greenland's Ruling Culture addresses these questions by tracing the emergence of antiquities as a key source of power in Italy from 1815 to the present. Along the way, it investigates the activities and interactions of three main sets of actors: state officials (including Art Squad agents), archaeologists, and illicit excavators and collectors"--
A story of change in the Inca capital told through its artefacts, architecture, and historical documents Through objects, buildings, and colonial texts, this book tells the story of how Cuzco, the capital of the Inca Empire, was transformed into a Spanish colonial city. When Spaniards invaded and conquered Peru in the 16th century, they installed in Cuzco not only a government of their own but also a distinctly European architectural style. Layered atop the characteristic stone walls, plazas, and trapezoidal portals of the former Inca town were columns, arcades, and even a cathedral. This fascinating book charts the history of Cuzco through its architecture, revealing traces of colonial encounters still visible in the modern city. A remarkable collection of primary sources reconstructs this narrative: writings by secretaries to colonial administrators, histories conveyed to Spanish translators by native Andeans, and legal documents and reports. Cuzco's infrastructure reveals how the city, wracked by devastating siege and insurrection, was reborn as an ethnically and stylistically diverse community.