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Slapstick gore movies deliberately focus on the graphic comical portrayal of violence. They are a mix of slapstick and splatter comedies. In this edition of Trends of Terror, film critic Steve Hutchison reviews 131 slapstick gore movies sorted from best to worst. How many have you seen?
Slapstick gore movies deliberately focus on graphic comical portrayal of violence. They are a mix of slapstick and splatter comedies. In this edition of Trends of Terror, film critic Steve Hutchison reviews 131 slapstick gore movies sorted from best to worst. How many have you seen?
Slapstick gore movies deliberately focus on the graphic comical portrayal of violence. They are a mix of slapstick and splatter comedies. In this edition of Trends of Terror, film critic Steve Hutchison reviews 194 slapstick gore movies and ranks them. How many have you seen?
The following recommendation lists are based on 2000 horror movie reviews. Not unlike sport publications, fantasy leagues and role-playing games, the Almanac of Terror mixes and aggregates different statistics, facts, ratings and opinions. Movies are ranked. Classification methods include genres, subgenres, ambiances, and antagonists. Our different ratings are stars, story, creativity, action, quality, creepiness, and rewatchability.
In this book, film critic Steve Hutchison presents 250 of the most creative horror movies ever made. Each article contains a rating, a synopsis, and a review. The films are ranked according to the sum of eight ratings. How many have you seen?
Movie is considered to be an important art form; films entertain, educate, enlighten and inspire audiences. Film is a term that encompasses motion pictures as individual projects, as well as — in metonymy — the field in general. The origin of the name comes from the fact that photographic film (also called filmstock) has historically been the primary medium for recording and displaying motion pictures. Many other terms exist — motion pictures (or just pictures or "picture"), the silver screen, photoplays, the cinema, picture shows, flicks — and commonly movies.
Offers readers a comprehensive reference to the world of film, including more than ten thousand DVD titles, along with information on performers, ratings, running times, plots, and helpful features.
In Reelpolitik Ideologies in American Political Film, Beverly Merrill Kelley examines more than a century of political movie history, providing a thorough historical background for diametrically opposed political ideologies in order to facilitate debate and dialectical learning. Kelley explores 185 American political movies (categorized by ideological themes and presented in chronological order) in order to illustrate the history of film as well as the history of the specific political ideology. Each chapter includes a case study which provides an in-depth analysis of the single film that best illustrates the ideology at hand, including: The Candidate (populism), Wall Street (elitism), The Godfather (fascism), All the President's Men (anti-fascism), Patton (interventionism), and M*A*S*H (isolationism). Reelpolitik Ideologies in American Political Film establishes a paradigmatic analysis of political films that details the cyclical nature of ideological dialectic throughout American history and identifies the values, attitudes, and beliefs of the voters who choose not to affiliate with Republicans and Democrats, and who often determine the outcomes of elections. The text also includes an extensive ideological filmology spanning more than 100 years of American cinema. This study represents a bold investigation of the political and social values of American film, and is an essential text in the study of the relationship between culture and politics.
The Concise Dictionary of Popular Culture covers the theories, media forms, fads, celebrities and icons, genres, and terms of popular culture. From Afropop and Anime to Oprah Winfrey and the X-Files, the book provides more than just accessible definitions. Each of the more than 800 entries is cross-referenced with other entries to highlight points of connection, a thematic index allows readers to see common elements between disparate ideas, and more than 70 black and white photos bring entries to life.
This 2005 edition of the annual critical guide that focuses on independent and international films as well as the best in the mainstream contains reviews for more than 10,000 films, more than 300 photos, a comprehensive selection of cinema from more than 50 countries, and much more.