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Titles: * No. 1, Novette * No. 2, Moto Perpetuo * No. 3, Wild Chase * No. 4, Improvisation * No. 5, Elfin Dance * No. 6, Valse Triste * No. 7, Burlesque * No. 8, Bluette * No. 9, Tr�_umerei * No. 10, March Wind * No. 11, Impromptu * No. 12, Polonaise No. 10, "March Wind" and No. 12, "Polonaise" are Federation Festivals 2016-2020 selections.
This book represents a selection of papers presented by academics and researchers at the 12th Conference on British and American Studies. They are grouped in two main theme clusters, corresponding to the two chapters of the book: Languages in Contact and Languages in Use and Multidisciplinarity and Multiculturalism in Literary Studies. In the first section, language is described, in turn, as subject to influence by other language systems, as an object of learning and acquisition, and as an instrument enabling users to bridge between cultures, disciplinary domains, and people. The second part of the volume is mainly concerned with such notions as hybridity, tolerance, identity, subversion and deconstruction, as reflected in classical and contemporary Anglo-American literary texts.
"The Hinson" has been indispensable for performers, teachers, and students. Now updated and expanded, it's better than ever, with 120 more composers, expertly guiding pianists to solo literature and answering the vital questions: What's available? How difficult is it? What are its special features? How does one reach the publisher? The "new Hinson" includes solo compositions of nearly 2,000 composers, with biographical sketches of major composers. Every entry offers description, publisher, number of pages, performance time, style and characteristics, and level of difficulty. Extensively revised, this new edition is destined to become a trusted guide for years to come.