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(Waltons Irish Music Books). 110 of Ireland's most beautiful and haunting melodies, including laments, airs from old Gaelic songs and Carolan tunes. Suitable for all melody instruments, but does not include guitar chords. Songs include: Carrickfergus * Death and the Sinner * Eleanor Plunkett * Brian Boru's March * Blind Mary * Black-Eyed Susan * Easter Snow * Do You Remember That Night? * Killarney * Oft in the Stilly Night * The Poor Irish Boy * Wild Geese * The Dawning of the Day * I'm Sitting by the Stile Mary * Port Gordon * Captain Sudley * Molly St. George * Nora Crionna * Sally Gardens * Planxty Hewlett * The Lambs on the Green Hills * The Young Man's Dream * The Banks of teh Suir * The Castle of Dromore * The Bells of Shandon * The Foggy Dew * Carolan's Concerto * and many more.
Waltons of Ireland presents 110 of Ireland's most beautiful and haunting melodies including laments, airs from old Gaelic songs, and O'Carolan compositions. Suitable for all melody instruments, including fiddle/ violin, recorder, flute, tinwhistle in D and others. Waltons Mfg. and UK product #WM1311.
The cream of Irish traditional music, specially chosen for individual instruments or selected by type (slow airs, polkas & slides, Carolan tunes etc.). The series also includes two core collections of essential session tunes. Companion Double CDs available for all books. Accurate versions Make the written music come alive with this superb learning tool, featuring all 110 of Ireland's Best Tin Whistle Tunes, Volume 1. The tunes are individually tracked for instant access. wm1325
(Fake Book). 100 essential standards, in larger-than-usual fake book notation with lyrics and simplified harmonies and melodies. Includes: Between the Devil and the Deep Blue Sea * C-Jam Blues * Caravan * The Girl from Ipanema * Have You Met Miss Jones? * I Get Along Without You Very Well * I'll Take Romance * It Don't Mean a Thing (If It Ain't Got That Swing) * The Lady Is a Tramp * Nancy * The Nearness of You * A Nightingale Sang in Berkeley Square * One Note Samba * Quiet Nights of Quiet Stars * So Nice (Summer Samba) * The Way You Look Tonight * and more.
(Fake Book). Perfect for players new to "faking," the latest title in our popular "beginner" series of fake books features all songs in the key of C with large notation and simplified harmonies and melodies. This collection gathers more than 150 of the most beloved hymns of all time, and includes multiple verses. Songs: Abide with Me * All Glory, Laud and Honor * All Hail the Power of Jesus' Name * Amazing Grace * Battle Hymn of the Republic * Be Thou My Vision * Blessed Assurance * The Church's One Foundation * Come, Thou Fount of Every Blessing * Count Your Blessings * Faith of Our Fathers * God of Our Fathers * Higher Ground * How Firm a Foundation * I Love to Tell the Story * I Surrender All * In the Garden * Jesus Paid It All * Just as I Am * A Mighty Fortress Is Our God * Nearer, My God, to Thee * The Old Rugged Cross * Onward, Christian Soldiers * Rock of Ages * Sweet Hour of Prayer * This Is My Father's World * We Gather Together * and more!
A low whistle is a tinwhistle or pennywhistle with a six-finger note below B-flat. Focusing on the low D whistle but applicable to all low whistles, this book and CD set offers everything one needs to know about how to play the low whistle, including ornamentation, history, and fantastic tunes. This book can be used by people that have never played the whistle before. The tutor section covers the basics and moves on to explain Irish decorations in detail. Even if you already play the standard-size tin whistle, you will find many parts of this book useful in terms of technique. The tunes section contains many unusual pieces which have been researched and collected from many sources. These highlight the characteristic sound of the low whistle and range in difficulty from easy to show off! The enclosed free tutor CD contains 79 tracks, covering approximately the first half of the book.
(Music Sales America). This book is a major collection of traditional Irish slow airs that captures the essence and beauty of Irish traditional music. Included in the 118 airs that make up this fabulous compilation, are some of the great sean-nos (old style) airs as well as tunes by Caloran and other favorite and well-known pieces. Author Tomas O'Canainn has a lifetime of experience both performing and teaching Irish music and his selection of beautiful, soaring and majestic slow airs is ideal for extending your repertoire for any melody instrument. These relatively easy pieces are also suitable for those approaching Irish slow airs for the first time. Includes access to online audio, presenting every tune in the book played by the author and an ensemble of expert traditional musicians so you can hear how the pieces should sound.
(Waltons Irish Music Books). Designed for the complete beginner, here is a comprehensive tutor from one of Ireland's best known and most innovative pipe players. With a book full of history, photos and music, Spillane makes this challenging instrument a joy to learn. Davy Spillane's instinctive feel, love and understanding of the uilleann pipes and traditional music forms places him apart as a musician. In this book he dispells the myth that they are one of the most difficult instruments to learn. He explains simple piping for the beginner and progresses step by step through the problems a beginner may experience. Songs: Garrett Barry's * The Dawning of the Day (Fainne Gael An Lae) * The Humours of Tulla * The Kid on the Mountain * The Battering Ram * The Twopenny Bit * The Sligo Maid * Paidin O' Raifeartaigh * The Kesh * The Liverpool Hornpipe * The Rights of Man * The Sally Gardens * Heather Breezes * The Stack of Barley * Coppers and Brasses * Hunting the Hare * The Copperplate * The Traveller * The Wise Maid * Drowsey Maggie * Saddle the Pony * The Green Groves of Eireann * The Honeysuckle Rose * The Rambling Pitchfork * Hardiman, The Fiddler * The Boyne Hunt * The Mountain Road * Donnybrook Fair * The Clare Jig * The Silver Sphere * Drops of Brandy * Kiss the Maid Behind the Bar * The Boys of Bluehill * The Lark in the Morning * Star of Munster * The Cup of Tea * The Harp That Once Through Tara's * Hallolling on the Ryegrass * Gander in the Pratie Hole * Harvest Home * Morrison's Jig * The Butterfly.
(Waltons Irish Music Books). Everything you need to know about the Irish fiddle, from playing your first notes and tunes to advanced solos and ornamentation. This book includes special chapters for beginners, "key points" highlighting essential aspects of fiddle technique, a comprehensive guide to traditional ornamentation and over 80 carefully chosen tunes. One of Ireland's most exciting fiddle players, Paul McNevin has had an equally influential career as a teacher. During his long association with Comhaltas Ceoltoiri Eireann, he won the All Ireland Slogadh and Plearacha competitions and received his Comhaltas teaching diplomas in 1991. Paul has toured throughout Europe with the Donal Lunny Band, Damien Quinn and Speranza, among others and has been a regular guest with Stockton's Wing and the Riverdance dancers.
In the pantheon of air power spokesmen, Giulio Douhet holds center stage. His writings, more often cited than perhaps actually read, appear as excerpts and aphorisms in the writings of numerous other air power spokesmen, advocates-and critics. Though a highly controversial figure, the very controversy that surrounds him offers to us a testimonial of the value and depth of his work, and the need for airmen today to become familiar with his thought. The progressive development of air power to the point where, today, it is more correct to refer to aerospace power has not outdated the notions of Douhet in the slightest In fact, in many ways, the kinds of technological capabilities that we enjoy as a global air power provider attest to the breadth of his vision. Douhet, together with Hugh “Boom” Trenchard of Great Britain and William “Billy” Mitchell of the United States, is justly recognized as one of the three great spokesmen of the early air power era. This reprint is offered in the spirit of continuing the dialogue that Douhet himself so perceptively began with the first edition of this book, published in 1921. Readers may well find much that they disagree with in this book, but also much that is of enduring value. The vital necessity of Douhet’s central vision-that command of the air is all important in modern warfare-has been proven throughout the history of wars in this century, from the fighting over the Somme to the air war over Kuwait and Iraq.