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Stevick's classic work remains the only text of its kind aimed at fostering the linguistic competence necessary to understand its poems in Middle English. The wide range of lyric poems in the book are normalized to a Chaucerian dialect. The introduction has been revised to take into account the scholarship and criticism published since the first edition appeared in 1964. It gives the background for the poetry, explains how and why the texts are normalized, and reviews significant critical scholarly studies of the works. Included is a section on morphology and grammar that introduces students to the language of the lyrics, and a section on the evolving meter of Middle English. "A fine piece of work. . . . Learned, wide-ranging, and judicious." -- John B. Friedman, author of The Monstrous Races in Medieval Art and Thought "An impressive collection. Stevick's decision to normalize the texts makes it highly accessible." -- Ralph Hanna III, University of California, Riverside
Contains over 180 poems, songs, and carols of medieval England in Middle English with extensive linguistic and critical notes.
An anthology of 245 Middle English lyrics that includes modernized punctuation, capitalization, and obsolete letters, making the text easier to read and understand.
Through its contextualizing introduction, notes, and gloss, this classroom-friendly edition of Middle English lyric poetry makes the wide variety of Marian poems available to students of all levels. The poems selected for this volume provide a sampling of the rich tradition of Marian devotion as expressed in Middle English. They range widely in form, tone, and aesthetic quality in how they relate the iconic moments from Mary's life-the Annunciation, Nativity, and her experience of Christ's passion, for instance-as well as in their variety of praises for the Queen of Heaven. Taken together, the poems express the full range of a people's effort to voice anxieties and joys through Mary. This collection will spark an excellent discussion on English spirituality, Marian devotion, and Middle English lyrical poetry.
This is a new edition and selection of the corpus of anonymous medieval English lyrics, drawing on love lyrics, devotional and moral lyrics and miscellaneous secular lyrics. All the texts are presented in their original forms (rather than translated into modern English, as has previously been the case with Penguin publication of these works), freshly edited from the original and normalized to accord with late 14th century London dialect.
This book provides a boldly original account of Middle English literature from the Norman Conquest to the beginning of the sixteenth century. It argues that these centuries are, in fundamental ways, the momentous period in our literary history, for they are the long moment in which the category of literature itself emerged as English writing began to insist, for the first time, that it floated free of any social reality or function. This book also charts the complex mechanisms by which English writing acquired this power in a series of linked close readings of both canonical and more obscure texts. It encloses those readings in five compelling accounts of much broader cultural areas, describing, in particular, the productive relationship of Middle English writing to medieval technology, insurgency, statecraft and cultural place, concluding with an in depth account of the particular arguments, emphases and techniques English writers used to claim a wholly new jurisdiction for their work. Both this history and its readings are everywhere informed by the most exciting developments in recent Middle English scholarship as well as literary and cultural theory. It serves as an introduction to all these areas as well as a contribution, in its own right, to each of them.
The future of English linguistics as envisaged by the editors of Topics in English Linguistics lies in empirical studies which integrate work in English linguistics into general and theoretical linguistics on the one hand, and comparative linguistics on the other. The TiEL series features volumes that present interesting new data and analyses, and above all fresh approaches that contribute to the overall aim of the series, which is to further outstanding research in English linguistics.
Royer examines the changing ritual of execution across five centuries and discovers a shift both in practice and in the message that was sent to the population at large. She argues that what began as a show of retribution and revenge became a ceremonial portrayal of redemption as the political, religious and cultural landscape of England evolved.
The Middle English Book analyzes 202 literary manuscripts from late medieval England (1350-1500) and argues that most readers looked to scribes in their immediate vicinity to acquire copies of literature. It examines various forms of writing practiced by scribes throughout the late medieval English countryside and shows that the production of documents underscored the wide availability of literary copying. As a result, when a reader acquired a manuscript,they were most often tapping into local networks of document production.