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100 Hip-Hop Facts (1973-2000) book by DailyRapfacts and Israel Odumakin, published by DailyRapFacts LLC. This is the first book of the 100 Hip-Hop Facts series, a hardcover book that includes 100 of the most significant facts and stories in Rap/Hip-Hop history from 1973-2000. Foreword is written by Rahiem of Grandmaster Flash and the Furious Five. Illustrations by Israel Odumakin.
The Official & Essential Hip-Hop Dictionary. eBook version. Rap Dictionary: An A-Z guide to Rap/Hip-Hop (eBook) slang and terms. This is the first edition of Rap Dictionary, a book which includes slang, terms, numbers, phrases, ad-libs, idioms, expressions, currencies & symbols, weed measurements AND more. Featuring the most used slangs in Hip-Hop & Rap music, the physical copy of Rap Dictionary makes a wonderful gift for a hip-hop head.
How to Write Raps: A Short Guide to Writing Raps by DailyRapFacts is a short, quick, and very helpful guide to help you begin your Rap/Hip-Hop career. The book will teach you How to Write a Rap Song and it provides plenty of writing tips including how to write on a beat, blocking writers block, rhyme schemes, & more. It even includes an annotated rap song example. The physical copy of How to Write Raps guide is included in each RHYMEBOOK journal.
A RHYMEBOOK is a high quality 3/4 lined/ruled & 1/4 plain/blank guided notebooks for songwriting, writing rhymes, raps, bars, lyrics, poetry, ideas, and more. We designed our Signature RHYMEBOOK for Rappers, Musicians, Artists, Songwriters & More. Lined/Ruled & blank notebook for writing rhymes, bars, lyrics, poetry, ideas, and more. Every RHYMEBOOK includes a 'How to Write Raps' booklet guide in the inner envelope pocket. This notebook was designed to be an artists companion. Truly the best creative journal notebook for writing songs.
Based on a true story, this gripping account of hip hop's early years follows Sherri Sher, who, growing up in the South Bronx during the 1970s and caring for her eleven siblings, forms an all-girl rap group and discovers that it is hard to earn respect in a male-dominated world. Original.
Rap Scores is a Rap/Hip-Hop Gradebook to grade your favorite rappers, songs, and albums. Grade your favorite rappers, songs, and albums by bars, beats, creativity, originality, flow, features and more. Rap Report Card: A Rap/Hip-Hop Gradebook by DailyRapFacts features three (3) sections; RAPPERS/RAP GROUPS, SONGS, AND ALBUMS with 20 back to back spreadsheets each (10 sheets) to grade your favorite rappers or rap groups, songs, and albums based on your opinion. Grade each section with a number from 1-10 (1 being the lowest, 10 being the highest).
This Companion covers the hip-hop elements, methods of studying hip-hop, and case studies from Nerdcore to Turkish-German and Japanese hip-hop.
Long anticipated, Recalculating is Charles Bernstein’s first full-length collection of new poems in seven years. As a result of this lengthy time under construction, the scope, scale, and stylistic variation of the poems far surpasses Bernstein’s previous work. Together, the poems of Recalculating take readers on a journey through the history and poetics of the decades since the end of the Cold War as seen through the lens of social and personal turbulence and tragedy. The collection’s title, the now–familiar GPS expression, suggests a change in direction due to a mistaken or unexpected turn. For Bernstein, formal invention is a necessary swerve in the midst of difficulty. As in all his work since the 1970s, he makes palpable the idea that radically new structures, appropriated forms, an aversion to received ideas and conventions, political engagement, and syntactic novelty will open the doors of perception to exuberance and resonance, from giddiness to pleasure to grief. But at the same time he cautions, with typical deflationary ardor, “The pen is tinier than the sword.” In these poems, Bernstein makes good on his claim that “the poetry is not in speaking to the dead but listening to the dead.” In doing so, Recalculating incorporates translations and adaptations of Baudelaire, Cole Porter, Mandelstam, and Paul Celan, as well as several tributes to writers crucial to Bernstein’s work and a set of epigrammatic verse essays that combine poetics with wry observation, caustic satire, and aesthetic slapstick. Formally stunning and emotionally charged, Recalculating makes the familiar strange—and in a startling way, makes the strange familiar. Into these poems, brimming with sonic and rhythmic intensity, philosophical wit, and multiple personae, life events intrude, breaking down any easy distinction between artifice and the real. With works that range from elegy to comedy, conceptual to metrical, expressionist to ambient, uproarious to procedural, aphoristic to lyric, Bernstein has created a journey through the dark striated by bolts of imaginative invention and pure delight.
James Charlton has produced a ringing indictment of disability oppression, which, he says, is rooted in degradation, dependency, and powerlessness and is experienced in some form by five hundred million persons throughout the world who have physical, sensory, cognitive, or developmental disabilities. Nothing About Us Without Us is the first book in the literature on disability to provide a theoretical overview of disability oppression that shows its similarities to, and differences from, racism, sexism, and colonialism. Charlton's analysis is illuminated by interviews he conducted over a ten-year period with disability rights activists throughout the Third World, Europe, and the United States. Charlton finds an antidote for dependency and powerlessness in the resistance to disability oppression that is emerging worldwide. His interviews contain striking stories of self-reliance and empowerment evoking the new consciousness of disability rights activists. As a latecomer among the world's liberation movements, the disability rights movement will gain visibility and momentum from Charlton's elucidation of its history and its political philosophy of self-determination, which is captured in the title of his book. Nothing About Us Without Us expresses the conviction of people with disabilities that they know what is best for them. Charlton's combination of personal involvement and theoretical awareness assures greater understanding of the disability rights movement.