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White supremacy-busting facts that ran in the black publication the Pittsburgh Courier, written by the renowned African American author and journalist. First published in 1934 and revised in 1962, this book gathers journalist and historian Joel Augustus Rogers’ columns from the syndicated newspaper feature titled Your History. Patterned after the look of Ripley’s popular Believe It or Not the multiple vignettes in each episode recount short items from Rogers’s research. The feature began in the Pittsburgh Courier in November 1934 and ran through the 1960s. “I have been intrigued by this book, and by its author, since I first encountered it as a student in an undergraduate survey course in African-American history at Yale . . . Sometimes, [Rogers] was astonishingly accurate; at other times, he seems to have been tripping a bit, shall we say.” —Henry Louis Gates, Jr., The Root “Rogers made great contribution to publishing and distributing little know African history facts through books and pamphlets such as 100 Amazing Facts About the Negro with Complete Proof and The Five Negro Presidents . . . The common thread in Roger’s research was his unending aim to counter white supremacist propaganda that prevailed in segregated communities across the United States against people of African descent.” —Black History Heroes
Over 100 pages of little known facts about the Moors and their impact on civilizations the world over. Collaboration between Canaanland and the Moorish Califa to continue to Great Work of Master Teacher J.A. Rogers.
The classic, definitive title on the great Black figures in world history, beginning in antiquity and reaching into the modern age. World’s Great Men of Color is the comprehensive guide to the most noteworthy Black personalities in world history and their significance. J.A. Rogers spent the majority of his lifetime pioneering the field of Black studies with his exhaustive research on the major names in Black history whose contributions or even very existence have been glossed over. Well-written and informative, World’s Great Men of Color is an enlightening and important historical work.
This work is organized as follows— Of What Race Are the Ethiopians? General History of Ethiopia Other Highlights of Ethiopian History The Story of Italian Aggression Against Ethiopia Slavery in Ethiopia Geography, Economic Conditions, Etc. The Ethiopian Man The Ethiopian Woman The Sex Lure of Ethiopia Britain’s Bond to Ethiopia What the Ethiopians Might Expect Under Italian Rule Haile Selassie I How Do the Ethiopians Feel Towards the Aframericans? Haile Selassie and Mussolini Contrasted What Are Ethiopia’s Chances of Victory Ethiopia’s Chief Need
Willie Lynch, a British slave owner from the West Indies, stepped onto the shores of colonial Virginia in 1712, bearing secrets that would shape the fate of generations to come. Within this manuscript, allegedly transcribed from Lynch’s speech to American slaveholders on the banks of the James River, lies a blueprint for subjugation. Lynch’s genius lay not in brute force but in psychological warfare. He understood that to break a people, one must first break their spirit. His methods—pitiless and cunning—sowed seeds of distrust, pitting slave against slave, exploiting vulnerabilities, and perpetuating a cycle of suffering. This document sheds light on the brutal realities of slavery and the ways in which its legacy continues to shape contemporary society
"And I thought I knew this crazy-brave black boy who bolted out of a Harlem ghetto into a white prep school and bobbed and weaved his way across the treacherous divide between black and white America. But Dennis Watlington's life story is even more astonishing than I knew. He emerges a no-jive black integrationist who is proud of the slave ancestry that makes him a solid American foreperson." -Gail Sheehy, bestselling author of Passages and Understanding Men's Passages Chasing America is a rollercoaster ride through promise and poverty, affirmative action and addiction, and a powerful story that captures a life and an era that is seminally American. Born in Harlem in 1952, Dennis developed a heroin habit at the age of 14, kicked it, and received a scholarship to the Hotchkiss School where he was elected president of his class. He went on to NYU, became involved in film and theater (he had a small role in The Deerhunter and gave Bruce Willis his start in a play called Bullpen), got addicted to crack, kicked that, and became an Emmy winning television writer. Chasing America shows us the best and worst that America offers to a Black man--from the Jim Crow South to boarding school life in New England to backstage at the Fillmore East to a holding cell in Bellevue Hospital. Part Ellison, part Exley, Chasing America is an amazing story.
An eye-opening account of the great black personalities of world history. In this first volume: outstanding blacks of Asia and Africa, and historical figures before Christ -- including Akhenaton, Aesop, Hannibal, Cleopatra, Zenobia, Askia the Great, the Mahdi, Samuel Adjai Crowther, and many more. World's Great Men of Color is a comprehensive account of the great Black personalities in world history. J. A. Rogers was one of the first Black scholars to devote most of his life to researching the lives of hundreds of men and women of color. This first volume is a convenient reference; equipped with a comprehensive introduction, it treats all aspects of recorded Black history. J. A. Rogers's book is vital reading for everyone who wants a fuller and broader understanding of the great personalities who have shaped our world. The companion volume covers the great Blacks of Europe, South and Central America, the West Indies, and the United States, including Marcus Garvey, Robert Browning, Dom Pedro, Alexandre Dumas, Joachim Murat, Aleksander Sergeevich Pushkin, Alessandro de' Medici, St. Benedict the Moor, and many others.
Winner • NAACP Image Award for Outstanding Literary Work (Fiction) Winner • Anne Izard Storytellers’ Choice Award Holiday Gift Guide Selection • Indiewire, San Francisco Chronicle, and Minneapolis Star-Tribune These nearly 150 African American folktales animate our past and reclaim a lost cultural legacy to redefine American literature. Drawing from the great folklorists of the past while expanding African American lore with dozens of tales rarely seen before, The Annotated African American Folktales revolutionizes the canon like no other volume. Following in the tradition of such classics as Arthur Huff Fauset’s “Negro Folk Tales from the South” (1927), Zora Neale Hurston’s Mules and Men (1935), and Virginia Hamilton’s The People Could Fly (1985), acclaimed scholars Henry Louis Gates Jr. and Maria Tatar assemble a groundbreaking collection of folktales, myths, and legends that revitalizes a vibrant African American past to produce the most comprehensive and ambitious collection of African American folktales ever published in American literary history. Arguing for the value of these deceptively simple stories as part of a sophisticated, complex, and heterogeneous cultural heritage, Gates and Tatar show how these remarkable stories deserve a place alongside the classic works of African American literature, and American literature more broadly. Opening with two introductory essays and twenty seminal African tales as historical background, Gates and Tatar present nearly 150 African American stories, among them familiar Brer Rabbit classics, but also stories like “The Talking Skull” and “Witches Who Ride,” as well as out-of-print tales from the 1890s’ Southern Workman. Beginning with the figure of Anansi, the African trickster, master of improvisation—a spider who plots and weaves in scandalous ways—The Annotated African American Folktales then goes on to draw Caribbean and Creole tales into the orbit of the folkloric canon. It retrieves stories not seen since the Harlem Renaissance and brings back archival tales of “Negro folklore” that Booker T. Washington proclaimed had emanated from a “grapevine” that existed even before the American Revolution, stories brought over by slaves who had survived the Middle Passage. Furthermore, Gates and Tatar’s volume not only defines a new canon but reveals how these folktales were hijacked and misappropriated in previous incarnations, egregiously by Joel Chandler Harris, a Southern newspaperman, as well as by Walt Disney, who cannibalized and capitalized on Harris’s volumes by creating cartoon characters drawn from this African American lore. Presenting these tales with illuminating annotations and hundreds of revelatory illustrations, The Annotated African American Folktales reminds us that stories not only move, entertain, and instruct but, more fundamentally, inspire and keep hope alive. The Annotated African American Folktales includes: Introductory essays, nearly 150 African American stories, and 20 seminal African tales as historical background The familiar Brer Rabbit classics, as well as news-making vernacular tales from the 1890s’ Southern Workman An entire section of Caribbean and Latin American folktales that finally become incorporated into the canon Approximately 200 full-color, museum-quality images