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A celebrity in his own day, who gave lectures dressed as Napoleon or seated on the back of an elephant, Ramón Gómez de la Serna is the most representative writer of the interwar Spanish avant-garde. This book explores Gómez de la Serna's art and his quest to break down the barriers between literature and life, addressing two elements - already present in his work - of radical relevance in today's cultural debates: the relation of humans to the material world and the reduction of all experience to a singular individuality. Bringing Gómez de la Serna to an Anglophone audience, it reveals him to be the embodiment of a new kind of art on both sides of the Atlantic.
United by an intense passion and an aesthetic vision of its own, NOPHOTO breathes fresh air into contemporary photography In 2005, Jonas Bel, Matias Costa, Inaki Domingo, Paco Gomez, Jorquera, Carlos Lujan, Juan Millas, Eduardo Nave, Tanit Plana, Eva Sala, Juan Santos, Carlos Sanva, Marta Soul and Juan Valbuena founded NOPHOTO, a collective that was unveiled at PHotoEspana with several actions that were held in a container named NOCONTAINER. Photographers originally, they are all most importantly multidisciplinary creators, experimental artists whose prime goal is not to make art but instead to make good reports. More than reflecting reality, 'NOPHOTO' reflects on reality, but without succumbing to the impossible temptation of explaining it. The only thing forbidden in 'NOPHOTO' is not to take pictures. Not taking pictures is tantamount to not having taken a good look. Not having paid attention. 63 colour
This title offers monographs on the most important Spanish, African and Latin American photographers. "The PhotoBolsillo" series is dedicated to publishing monographs on the most notable Spanish, African, and Latin American photographers of the recent past. Each small-format paperback features full-page, full-colour and black-and-white photographs representing the best of the artist's portfolio - each of which is captioned with title and year. Additionally there is a Chronology, plus lists of exhibitions and collections in which the photographer's work has been/is displayed, plus a brief appreciation of the artist by a "PhotoBolsillo" editor.
This is a study of the aesthetics and techniques of Spanish pictorial photography. Special emphasis is placed on work of the photographic impressionists, the critical stages in the evolution of photography's artistic status, and Spanish pictorialism from 1900 through the post-war period.