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Kayode hasn't had a job in seven years. Can't we juss name it? - Ur depressed. He needs to get help - Therapy won't undo the spell, Kayode. His marriage is suffering - I need ya help ta stage an intervention. His mother knows what to do. The Lord told me and I went to Pastor Matanmi. Can Kayode be cured? Juju exists, spirits battle and the witches and wizards of Lagos chant loudly in East London.
Declaration Upon publication, I hereby pledge to donate 10% of the earnings from each book to a charity supporting education access for underprivileged students. In essence, with every purchase, you'll be making a positive difference to someone's opportunity to receive education. Please do not hesitate to send me a message on LinkedIn (Bianca Khor) if you have any recommendations on a suitable charity organisation to support. About the Book Who says writing a personal statement must be stressful? Everyone definitely has a story to tell - whether it is about how they first developed an interest in science, what has continued to fuel their excitement for this subject, or what inspired them to read a STEM degree. I, essentially, would like to help you convey that passion in your personal statement. In this book, you'll be introduced to various tips and tricks which can help you stand out as an applicant within 4,000 characters. The whole idea is to show you how simple (and fun!) the writing process can be. What This Book Covers How to Write a Winning UCAS Personal Statement for STEM Subjects offers an easy step-by-step guide to help you persuade the admissions tutors that you are a perfect match for the university's STEM-related course. By the end of this book, you should hopefully have developed an idea on how to: Make an unforgettable entrance to your personal statement Structure your personal statement in a clear and coherent manner Make your content stand out further End your personal statement on a high note But wait, there's more! Each chapter of this book is loaded with examples of personal statements written by successful students as part of their application to top Russell Group universities, such as the University of Oxford, Imperial College London, University College London, and the University of Edinburgh. Meanwhile, to not provide any more spoilers - if you enjoy reading comics, you're in for a good treat! About the Author Bianca Khor holds a Bachelor of Science (Honours) in Biochemistry from Imperial College London. Prior to entering university, she grew up in Kuala Lumpur, Malaysia and completed her A Levels in Kolej Tuanku Ja'afar, where she was awarded the Overall Academic Excellence Book Prize within her cohort. She is now a writer and is passionate about travelling, stories, and finding ways to give back to the community.
(Book). As a keyboard musician, composer, arranger, music director, and record producer, Don Randi has thrilled music lovers for years, even if they weren't aware of it... until now. He played keyboards on over a thousand popular recordings and was a member of the remarkable "Wrecking Crew" of studio musicians during the explosive pop music era of the 1960s and early 1970s. Nancy Sinatra, the Beach Boys, the Jackson 5, Elvis Presley, Sammy Davis Jr., Neil Diamond, and Linda Ronstadt are among the many music greats Randi has worked with and writes about in You've Heard These Hands . For many years, only music industry insiders, close friends, and jazz fans who visit Randi's nightclub, the Baked Potato, have heard him tell some of the amazing, heartfelt, and hilarious personal stories in this collection. Now everyone can discover the in-studio, behind-the-scenes, and on-tour tales from the man whose hands we've heard playing on our favorite hit tunes. You've Heard These Hands will capture the attention and emotion of its readers, who won't be able to resist sharing Randi's stories with their friends.
Relates how a crippled young shepherd comes to accompany the three Kings on their way to pay hommage to the newborn Jesus.
The Black Horn: The Story of Classical French Hornist Robert Lee Watt tells the story of the first African American French Hornist hired by a major symphony in the United States. Today, few African Americans hold chairs in major American symphony orchestras, and Watt is the first in many years to write about this uniquely exhilarating—and at times painful—experience. The Black Horn chronicles the upbringing of a young boy fascinated by the sound of the French horn. Watt walks readers through the many obstacles of the racial climate in the United States, both on and off stage, and his efforts to learn and eventually master an instrument little considered in the African American community. Even the author’s own father, who played trumpet, sought to dissuade the young classical musician in the making. He faced opposition from within the community—where the instrument was deemed by Watt’s father a “middle instrument suited only for thin-lipped white boys”—and from without. Watt also documented his struggles as a student at a nearly all-white major music conservatory, as well as his first job in a major symphony orchestra after the conservatory canceled his scholarship. Watt subsequently chronicles his triumphs and travails as a musician when confronting the realities of race in America and the world of classical music. This book will surely interest any classical musician and student, particularly those of color, seeking to grasp the sometimes troubled history of being the only “black horn.”