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What is the distinctive Zoroastrian experience, and what is the common diasporic experience? The Zoroastrian Diaspora is the outcome of twenty years of research and of archival and fieldwork in eleven countries, involving approximately 250,000 miles of travel. It has also involved a survey questionnaire in eight countries, yielding over 1,840 responses.This is the first book to attempt a global comparison of Diaspora groups in six continents. Little has been written about Zoroastrian communities as far apart as China, East Africa, Europe, America, and Australia or on Parsis in Mumbai post-Independence. Each chapter is based on unused original sources ranging from nineteenth century archives to contemporary newsletters. The book also includes studies of Zoroastrians on the Internet, audio-visual resources, and the modern development of Parsinovels in English.As well as studying the Zoroastrians for their own inherent importance, this book contextualizes the Zoroastrian migrations within contemporary debates on Diaspora studies. John R. Hinnells examines what it is like to be a religious Asian in Los Angeles or London, Sydney or Hong Kong. Moreover, he explores not only how experience differs from one country to another, but also the differences between cities in the same country, for example, Chicago and Houston. The survey data is used firstly toconsider the distinguishing demographic features of the Zoroastrian communities in various countries; and secondly to analyse different patterns of assimilation between different groups: men and women and according to the level and type of education. Comparisons are also drawn between people fromrural and urban backgrounds; and between generations in religious beliefs and practices, including the preservation of secular culture.
This is the first ever comprehensive English-language survey of Zoroastrianism, one of the oldest living religions Evenly divided into five thematic sections beginning with an introduction to Zoroaster/Zarathustra and concluding with the intersections of Zoroastrianism and other religions Reflects the global nature of Zoroastrian studies with contributions from 34 international authorities from 10 countries Presents Zoroastrianism as a cluster of dynamic historical and contextualized phenomena, reflecting the current trend to move away from textual essentialism in the study of religion
Religion, Language and Power shows that the language of ‘religion’ is far from neutral, and that the packaging and naming of what English speakers call ‘religious’ groups or identities is imbued with the play of power. Religious Studies has all too often served to amplify voices from other centers of power, whether scripturalist or otherwise normative and dominant. This book’s de-centering of English classifications goes beyond the remit of most postcolonial studies in that it explores the classifications used in a range of languages — including Arabic, Sanskrit, Chinese, Greek and English — to achieve a comparative survey of the roles of language and power in the making of ‘religion’ . In contextualizing these uses of language, the ten contributors explore how labels are either imposed or emerge interactively through discursive struggles between dominant and marginal groups. In dealing with the interplay of religion, language and power, there is no other book with the breadth of this volume.
The 9/11 al-Qaeda attacks on the U.S. in 2001 shocked the world, not only because of their viciousness but also because of the disillusionment that "holy wars" are a phenomenon of the past. "Holy wars," rather, are a reality in today's world too, threatening global peace like never before. In this volume Christoffer Grundmann pleads for the cultivation of religious literacy and interreglious dialogue. First, he attempts to regain an adequate understanding of religion by showing the incompatibility of abstract concepts of religion with religions actually lived. So Grundmann suggests perceiving religion as the lived relationship toward an Ultimate. Given that interreligious dialogue is communication about diverse ways of relating to the Ultimate, the religiously embedded, primarily Jewish philosophy of encounter and dialogical thinking--with its personalistic nature--comes into focus here as uniquely suited for such communication. Even though interreligious encounter implies risk, Christians cannot but engage in it fearlessly, says Grundmann, because they trust that the risen Christ will reveal himself anew as the one he really is, wherever and whenever Christians take part in dialogue with people of other faiths.
What is the meaning of life? No question could be so simply stated and yet so difficult to answer. Though over the ages countless souls have long yearned for an answer, while others, both ignorant and wise, have proudly proclaimed to have solved this most perplexing of human riddles. Abandoning all assumptions, Horizon Infinity is a meandering glimpse into one man's own journey for answers, examining as he does traditional claimants to meaning and purpose, while seeking out a sense of significance and purpose in line with scientific sensibilities and understanding. Acknowledging the epidemics of anxiety, depression, and existential crisis, which seem to increasingly plague individuals, as well as the effect that these have on humanity and its future, Arnold forges his own system of beliefs from the fires of old, with a view to them fostering a better future for all. Horizon Infinity is both inspirational and insightful, and sure to be influential in any reader's own search for significance and meaning.
The Colonial Public and the Parsi Stage is the first comprehensive study of the Parsi theatre, colonial South and Southeast Asia’s most influential cultural phenomenon and the precursor of the Indian cinema industry. By providing extensive, unpublished information on its first actors, audiences, production methods, and plays, this book traces how the theatre—which was one of the first in the Indian subcontinent to adopt European stagecraft—transformed into a pan-Asian entertainment industry in the second half of the nineteenth century. Nicholson sheds light on the motivations that led to the development of the popular, commercial theatre movement in Asia through three areas of investigation: the vernacular public sphere, the emergence of competing visions of nationhood, and the narratological function that women served within a continually shifting socio-political order. The book will be of interest to scholars across several disciplines, including cultural history, gender studies, Victorian studies, the sociology of religion, colonialism, and theatre.
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Anahita was the most important goddess of pre-Islamic Iran. From her roots as an ancient Indo-European water deity her status was unrivalled by any other Iranian goddess throughout the course of three successive Iranian empires over a period of a thousand years. The first scholarly book on Anahita, this study reconstructs the Indo-European water goddess through a comparison of Celtic, Slavic, Armenian and Indo-Iranian myths and rituals. Anahita's constantly-evolving description and functions are then traced through the written and iconographic records of Iranian societies from the Achaemenid period onwards, including but not limited to the Zoroastrian texts and the inscriptions and artistic representations of the great pre-Islamic Iranian empires. The study concludes by tracing survival of the goddess in Islamic Iran, as seen in new Persian literature and popular rituals. Manya Saadi-nejad demonstrates the close relationship between Iranian mythology and that of other Indo-European peoples, and the significant cultural continuities from Iran's pre-Islamic period into the Islamic present.
Myths and legends are deeply rooted in the world's literature, language, and history. But what does the phrase "Achilles heel" refer to, and what did Oedipus or Beowulf actually do? Gather round for enthralling stories of gods, danger, heroes, and great cosmic events. With over 1000 illustrations, Myths and Legends explores epic global stories, bringing to life the greatest creation myths of all time, such as that of Brahma and Vishnu, and the Inca god Viracocha. It brings you monstrous creatures and terrifying people including the witch Baba Yaga, as well as epic adventures such as King Arthur's search for the Holy Grail and Jason's capture of the Golden Fleece. It tells how the Masai first got their cattle, or how the Greeks discovered fire and shares legends that explain death, including the story of the Maori god Tane. Originally passed down from one generation to the next, these sagas from all over the world are part of our heritage and touch our hearts. Myths and Legends provides context and meaning to each one, and is a treasure trove for everyone interested in their cultural legacy.