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Zorami is the first novel ever written by a Mizo writer in English (The Mizos are a tribal community in North East India). The novel brings together different strands like the transformation of Mizo identity and culture through 'Christianisation' and the clash between Mizo culture and that sought to be imposed by a domineering subcontinent. Such strands are woven together with the inner 'rites of passage' of the protagonist, Zorami, a Mizo woman subjected to rape and displacement during a time of violent political upheaval and her journey towards personal healing and discovery of a new identity via a spiritual encounter. The author, Malsawmi Jacob, takes the reader through Zorami's traversal of her zones of darkness and shades of grey to a final explosion of the 'colours of acceptance and love'.
Boats on Land is a unique way of looking at India’s northeast and its people against a larger historical canvas—the early days of the British Raj, the World Wars, conversions to Christianity, and the missionaries. This is a world in which the everyday is infused with folklore and a deep belief in the supernatural. Here, a girl dreams of being a firebird. An artist watches souls turn into trees. A man shape-shifts into a tiger. Another is bewitched by water fairies. Political struggles and social unrest interweave with fireside tales and age-old superstitions. Boats on Land quietly captures our fragile and awkward place in the world.
"Revenge is a dish best served cold." Who would understand this better than the ancestors of the Nyishi tribe of Arunachal Pradesh who lived in a vicious circle of revenge. A slave falls in love with the favourite wife of his old master. A pair of hornbills courts each other and seeks a nesting place on a tree deep inside the canopies of a tropical forest. A shaman who has been bested in love by a village bumpkin let loses a bloodbath out of spite for his rival in love. A young man taking advantage of the development process with the coming of the Hariangs (non-tribals) wants to embrace modern life after availing good educational opportunities. Their lives get intertwined in the version of the story narrated by one of them; where the quotidian and bizarre, natural and supernatural are blended together in this surreal and cautionary tale of love, longing and existential angst under a changed circumstance of the tribe's history.
Life is sweet growing up in Aizawl, with his family and friends, and all the narrator wants is a peaceful life. But the independence movement in Mizoram means that regardless of what he wants, he is drawn inexorably into a world where everyone has to choose where they stand ... Set in the initial stages of the two-decade-long struggle for Mizoram's independence and against the backdrop of the 1966 bombing of Aizawl, this stunning debut novel is an universal story of how individual dreams and lives are shattered when larger conflicts arise.
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Every May something extraordinary happens in the new cemetery of the sleepy little town – a laburnum tree, with buttery yellow blossoms, flowers over the spot where Lentina is buried. A brave hunter, Imchanok, totters when the ghost of his prey haunts him, till he offers it is a tuft of his hair as a prayer for forgiveness. Pokenmong, the servant boy, by dint of his wit, sells an airfield to unsuspecting villagers. A letter found on a dead insurgent blurs the boundaries between him and an innocent villager, both struggling to make ends meet. A woman’s terrible secret comes full circle, changing her daughter’s and granddaughter’s lives as well as her own. An illiterate village woman’s simple question rattles an army officer and forces him to set her husband free. A young girl loses her lover in his fight for the motherland, leaving her a frightful legacy. And a caterpillar finds wings. From the mythical to the modern, Laburnum for My Head is a collection of short stories that embrace a gamut of emotions. Heart-rending, witty and riddled with irony, the stories depict a deep understanding of the human condition.
Main description: Much of the story about the Soviet Union's victory over Nazi Germany has yet to be told. In Motherland in Danger, Karel Berkhoff addresses one of the most neglected questions facing historians of the Second World War: how did the Soviet leadership sell the campaign against the Germans to the people on the home front? For Stalin, the obstacles were manifold. Repelling the German invasion would require a mobilization so large that it would test the limits of the Soviet state. Could the USSR marshal the manpower necessary to face the threat? How could the authorities overcome inadequate infrastructure and supplies? Might Stalin's regime fail to survive a sustained conflict with the Germans? Motherland in Danger takes us inside the Stalinist state to witness, from up close, its propaganda machine. Using sources in many languages, including memoirs and documents of the Soviet censor, Berkhoff explores how the Soviet media reflected-and distorted-every aspect of the war, from the successes and blunders on the front lines to the institution of forced labor on farm fields and factory floors. He also details the media's handling of Nazi atrocities and the Holocaust, as well as its stinting treatment of the Allies, particularly the United States, the UK, and Poland. Berkhoff demonstrates not only that propaganda was critical to the Soviet war effort but also that it has colored perceptions of the war to the present day, both inside and outside of Russia.