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A new edition of Lauren Beukes's Arthur C Clarke Award-winning novel set in a world where murderers and other criminals acquire magical animals that are mystically bonded to them. Zinzi has a Sloth on her back, a dirty 419 scam habit, and a talent for finding lost things. When a little old lady turns up dead and the cops confiscate her last paycheck, Zinzi's forced to take on her least favorite kind of job -- missing persons. Being hired by reclusive music producer Odi Huron to find a teenybop pop star should be her ticket out of Zoo City, the festering slum where the criminal underclass and their animal companions live in the shadow of hell's undertow. Instead, it catapults Zinzi deeper into the maw of a city twisted by crime and magic, where she'll be forced to confront the dark secrets of former lives -- including her own.
A cumulative rhyme featuring rebuses, in which a parrot, a tiger, a lion, a peacock, and other inhabitants of a city zoo wake up and startle each other.
WHERE NO ONE ELSE DARE VENTURE… Zinzi has a Sloth on her back, a dirty online 419 scam habit – and a talent for finding lost things. But when her latest client, a little old lady, turns up dead and the cops confiscate her lastpaycheck, she’s forced to take on her least favourite kind of job: missing persons An astonishing second novel from the author of the highly-acclaimed Moxyland. FILE UNDER: Modern Fantasy [Black Magic Noir / Pale Crocodile / Spirit Guardians / Lost Stars]
Can you spell a kangaroo? Yes, at Alphabet City Zoo! Spell a picture, not a word--That's the craziest thing I've heard! Find the letters in the art, It's easy once you make a start. All the letters can be found, Back-to-front or upside-down. Spell each creature, find its name, That's the alphabetical game. This storyline is simple and empowering, in the form of a question and answer format. Readers spell their way through the animal pictures, made from the letters that spell each image. Colors are bold and bright, and the animals are great fun.
"Zinzi has a talent for finding lost things. To save herself, she has to find the hardest thing of all - the truth. Zinzi has a Sloth on her back, a dirty 419 scam habit and a talent for finding lost things. But when a client turns up dead and the cops confiscate her last paycheck, she's forced to take on her least favourite kind of job - missing persons. Being hired by famously reclusive music producer Odi Huron to find a teenybop pop star should be her ticket out of Zoo City, the festering slum where the criminal underclass, marked by their animals, live in the shadow of the undertow. Instead, it catapults Zinzi deeper into the underbelly of a city twisted by crime and magic, where she'll be forced to confront the dark secrets of former lives - including her own. Set in a wildly re-imagined Johannesburg, it swirls refugees, crime, the music industry, African magic and the nature of sin together into a heady brew"--Bookseller's website.
Why does crime feature at the center of so many postcolonial novels set in major cities? This book interrogates the connections that can be found between narratives of crime, cities, and colonialism to bring to light the ramifications of this literary preoccupation, as well as possibilities for cultural, aesthetic, and political catharsis. Examining late-twentieth- and twenty-first-century novels set in London, Belfast, Mumbai, Sydney, Johannesburg, Nairobi, and urban areas in the Palestinian West Bank, Criminal Cities considers the marks left by neocolonialism and imperialism on the structures, institutions, and cartographies of twenty-first-century cities. Molly Slavin suggests that literary depictions of urban crime can offer unique capabilities for literary characters, as well as readers, to process and negotiate that lingering colonial violence, while also providing avenues for justice and forms of reparations.
This book presents interdisciplinary research to examine the ongoing debates around nonhuman animals in urban spaces. It explores how we can better appreciate and accommodate animals in the city, while also exploring the ecological, health, ethical, and cultural implications of the same. The book addresses seven interrelated themes such as blurred boundaries between the human and the nonhuman, the right of nonhuman species to the city, interactions between the human and nonhuman animals, the fabric of urban space, human and nonhuman complex systems, and collective welfare that forms the basis of a transspecies urban theory. It explains how a holistic understanding of the city requires that these blurred boundaries are acknowledged and critically examined. Chapters analytically consider the need to bring interspecies relationships to the fore to tackle questions of legitimacy and who has the "right" to the city. These also consider important intersections between the economic, political, social, and cultural aspects of the urban experience. The research contained in this book focuses on the development of an urban theory that would eradicate the divide between humans and other species in cities, and it depicts nonhuman animals as social actors that have voices within urban spaces. With global insights on human–animal relationships in a contemporary context, this book will be useful reading for scholars and students of urban studies, animal sciences, animal law, animals and public policy, anthropology, and environmental studies who are interested in the study of animals in cities.
Countless New Yorkers, as well as visitors from all parts of the world, have experienced an oasis just a few feet off Fifth Avenue in the heart of Manhattan. Since the 1860s, Central Park has been the home of three different zoos: the menagerie, the zoo of 1934, and what is today known as the Central Park Zoo. The Central Park Zoo begins with the menagerie of the 1860s, an impromptu public zoo begun when citizens and circuses started donating animals to the city. It continues in 1934, when Robert Moses-perhaps the most influential man in the city's planning history-built a newer zoo, remembered to this day for its lions, tigers, elephants, and gorillas. It ends with the brand new zoo and exhibits built in 1988 under the supervision of the Wildlife Conservation Society. With stunning, rarely seen images, The Central Park Zoo not only is a treat for the eyes but also comes alive with the barking of sea lions, the soft fur of snow monkeys, the sweet smell of peanut butter, and the taste of "ice cakes"-treats for the zoo residents, of course.