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HEALING WITH COLOR ZONE THERAPY introduces a unique form of holistic self-treatment that has evolved from the merging of two powerful therapies: Zone Therapy and Color Therapy. By using the energy sources that nature has made available to all of us, we can influence our daily lives and improve our emotional, spiritual, and physical health. The safe, step-by-step techniques of Color Zone Therapy are followed by an A-to-Z list of charts for more than 100 common ailments. Simple three-step, ten-minute treatments are presented for each ailment, along with specific advice for that particular problem.
1917 Contents: Relieving Pain by Pressure; That Aching Head; Curing Goitre with a Probe; Finger Squeezing for Eye Troubles; Making the Deaf Hear; Painless Child Birth; Zone Therapy for Women; Relaxing Nervous Tension; Curing Lumbago with a Comb;.
1955 the author gives corrections for splay foot, back ache, asthma, loss of voice, wry neck, toothache, anemia, writers cramp, tic-doloureux (neuritis, neuralgia) sneezing, sprains, prostate, kidneys, hiccough, hayfever, headache, gall bladder, ear ache.
This Is A New Release Of The Original 1919 Edition.
A deft reinterpretation of the most zealously interpreted picture in the Western canon as a therapeutic artifact. Albrecht Dürer's famous portrayal of creative effort in paralysis, the unsurpassed masterpiece of copperplate engraving titled Melencolia I, has stood for centuries as a pictorial summa of knowledge about the melancholic temperament, a dense allegory of the limits of earthbound arts and sciences and the impossibility of attaining perfection. Dubbed the “image of images” for being the most zealously interpreted picture in the Western canon, Melencolia I also presides over the origins of modern iconology, art history's own science of meaning. Yet we are left with a clutter of mutually contradictory theories, a historiographic ruin that confirms the mood of its object. In Perfection's Therapy, Mitchell Merback reopens the case file and argues for a hidden intentionality in Melencolia's opacity, its structural “chaos,” and its resistance to allegorical closure. That intentionality, he argues, points toward a fascinating possibility never before considered: that Dürer's masterpiece is not only an arresting diagnosis of melancholic distress, but an innovative instrument for its undoing. Merback deftly resituates Dürer's image within the long history of the therapeutic artifact. Placing Dürer's therapeutic project in dialogue with that of humanism's founder, Francesco Petrarch, Merback also unearths Dürer's ambition to act as a physician of the soul. Celebrated as the "Apelles of the black line" in his own day, and ever since as Germany's first Renaissance painter-theorist, the Dürer we encounter here is also the first modern Christian artist, addressing himself to the distress of souls, including his own. Melencolia thus emerges as a key reference point in a venture of spiritual-ethical therapy, a work designed to exercise the mind, restore the body's equilibrium, and help in getting on with the undertaking of perfection.
The author explains the relationship between the reflex points on the feet and the internal organs, and shows how reflexology can be used in the diagnosis and treatment of illness.
1959 14 lessons for various conditions. Also reflex technique and hook work by Elizabeth Ann Riley.