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Firpo s last work assignment takes him to Haiti, the land of voodoo, a zombie island of sorts. The trip turns deadly and Firpo manages to escape, only to be thrust into another life and death situation, one with eternal implications. One involving escape from the true Zombie Island. Firpo s last bitter sweet days are his own dark night of the soul, where he discovers, as Einstein, that God does not play dice with the universe. Indeed, nothing is unrelated. More importantly, Firpo learns the one word answer to life s final question...
Audisee® eBooks with Audio combine professional narration and sentence highlighting to engage reluctant readers! Legend says no one can escape the curse of Zombie Island—will you be the first? Every Twisted Journeys® graphic novel lets YOU control the action by choosing which path to follow. Which twists and turns will your journey take?
Since 'The Night of the Living Dead, ' screen Zombies have become increasingly bizarre, bloodthirsty, yes even cannibalistic. A complete film guide to all your favorite undead, zombie, and the living dead films. Interesting stories behind the scenes and a list of my favorite zombie films. One thing is for sure - Zombies in various forms remain very much alive, in the movies and in audiences' imagination - like yours and mine! I want to eat your brains!
Zombies are cautionary forms of humankind's most universally cherished ideal--life after death. Ragged, ill-spoken, rotting zombies (or the post-dead) seem socially awkward beside the more popular and aristocratic undead, like Count Dracula. The humble zombie remains, for the most part, unappreciated and unacknowledged--until now. The first exhaustive historical overview of zombie films, this book's lengthy entries evaluate more than 200 movies from 16 countries over a 65-year period from the early 1930s to the late 1990s. It covers everything from large studio films to backyard videography, and touches on memorable television episodes and miscellaneous shorts. An introduction traces the evolution of the genre and interprets the broader significance of the zombie in contemporary Western mythology.
Transnational Zombie Cinema, 2010 to 2020: Readings in a Mutating Tradition examines selected films produced outside the United States in the second decade of the millennial zombie renaissance. Ziegler analyzes how the films adapt the zombie myth to localized concerns as it circulates in post-Great Recession transnational zombie cinema.
The story about Hollywood monsters, vampires, zombies, werewolfs, phantoms, mummies, and ghouls of literture - and how they went Hollywood. Classic monsters are primarily the creatures of lagend, touched by the supernatural or created by the madness of men who ventures where no man should go, the good olf monsters who lurked in gloomy settings of Central European villages, ancient castles and tombs, moulding mansions and stone laboratories filled mazes of bewilding equipment and sounds of hummimgs of electricty, in dark nights and violent storms. From A to Z - Hollywood Monsters inspired by Edgar Allan Poe, Bram Stoker and Mary Shelley.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Zombie stories are peculiarly American, as the creature was born in the New World and functions as a reminder of the atrocities of colonialism and slavery. The voodoo-based zombie films of the 1930s and '40s reveal deep-seated racist attitudes and imperialist paranoia, but the contagious, cannibalistic zombie horde invasion narrative established by George A. Romero has even greater singularity. This book provides a cultural and critical analysis of the cinematic zombie tradition, starting with its origins in Haitian folklore and tracking the development of the subgenre into the twenty-first century. Closely examining such influential works as Victor Halperin's White Zombie, Jacques Tourneur's I Walked with a Zombie, Lucio Fulci's Zombi 2, Dan O'Bannon's The Return of the Living Dead, Danny Boyle's 28 Days Later, and, of course, Romero's entire "Dead" series, it establishes the place of zombies in the Gothic tradition. Instructors considering this book for use in a course may request an examination copy here.
Zombie Movies is an essential purchase for all those who love (or fear) horror cinema’s most popular and terrifying creation. This thorough and authoritative yet uproarious guide • reviews and rates nearly 300 zombie films—from Bela Lugosi’s White Zombie (1932) to George A. Romero’s Diary of the Dead (2008) • traces the evolution of the zombie over the decades, from voodoo slave to brain-eating undead to raging infected • lays out what makes a zombie a zombie, as opposed to a ghost, ghoul, vampire, mummy, pod person, rabid sicko, or Frankenstein’s monster • includes a detailed and chilling journal from the filming of Land of the Dead • lists the oddest and most gruesome things ever seen in undead cinema • covers not only mainstream American movies but also small independent productions, Spanish and Italian exploitation pictures, and bizarre offerings from Japan and Hong Kong • provides a detailed rundown of the 25 greatest zombie films ever made • features in-depth interviews with actors, directors, makeup effects wizards, and other zombie experts For serious fans and casual moviegoers alike, Zombie Movies will provide plenty of informative and entertaining brain food.