Download Free Zombie Illinois Book in PDF and EPUB Free Download. You can read online Zombie Illinois and write the review.

The sequel to the bestselling Zombie, Ohio, this explosive supernatural thriller from Scott Kenemore tells the story of three Chicagoans who have been thrown together by a bizarre, interconnected series of events during the first twenty-four hours of a zombie outbreak in the Midwest's largest city. A partnership is crafted between a pastor from Chicago's rough South Side, an intrepid newspaper reporter, and a young female musician, all of whom are fighting for survival as they struggle to protect themselves and their communities in a city overrun with the walking dead. Between the barricaded neighborhoods and violent zombie hunters, the trio encounters many mysterious occurrences that leave them shaken and disturbed. When the mayor of Chicago is eaten by zombies on live television, and a group of shady aldermen attempt to seize power in the vacuum, these unlikely friends realize that they have stumbled upon a conspiracy to overthrow the city . . . and that they alone may be qualified to combine their talents to stop it. Zombie, Illinois will delight devoted zombie fans and put readers in mind of some of the best recent works of supernatural horror. You will be left shocked, horrified, and craving brains! This novel will grab you from the first page and not let go until the riveting finale.
A delicious slice of undead Americana. Funny, tragic, and nicely weird--it's Monty Python meets "Night of the Living Dead." Definitely take a bite out of this one!--Jonathan Maberry, "New York Times"-bestselling author of "Rot & Ruin" and "Patient Zero."
Add a gurgling moan with the sound of dragging feet and a smell of decay and what do you get? Better not find out. The zombie has roamed with dead-eyed menace from its beginnings in obscure folklore and superstition to global status today, the star of films such as 28 Days Later, World War Z, and the outrageously successful comic book, TV series, and video game—The Walking Dead. In this brain-gripping history, Roger Luckhurst traces the permutations of the zombie through our culture and imaginations, examining the undead’s ability to remain defiantly alive. Luckhurst follows a trail that leads from the nineteenth-century Caribbean, through American pulp fiction of the 1920s, to the middle of the twentieth century, when zombies swarmed comic books and movie screens. From there he follows the zombie around the world, tracing the vectors of its infectious global spread from France to Australia, Brazil to Japan. Stitching together materials from anthropology, folklore, travel writings, colonial histories, popular literature and cinema, medical history, and cultural theory, Zombies is the definitive short introduction to these restless pulp monsters.
The alarm and anxiety unleashed by the Great Recession found fascinating expression across popular culture. Harried survivors negotiated societal collapse in The Walking Dead. Middle-class whites crossed the literal and metaphorical Mexican border on Breaking Bad or coped with a lack of freedom among the marginalized on Orange Is the New Black. Camilla Fojas uses representations of people of color, the incarcerated, and trans/queers--vulnerable populations all--to work through the contradictions created by the economic crisis and its freefalling aftermath. Television, film, advertising, and media coverage of the crisis created a distinct kind of story about capitalism and the violence that supports it. Fojas shows how these pop culture moments reshaped social dynamics and people's economic sensibilities and connects the ways pop culture reflected economic devastation. She also examines how these artifacts illuminated parts of society usually kept off-screen or on the margins even as they defaulted to stories of white protagonists.
Zombies have become an increasingly popular object of research in academic studies and, of course, in popular media. Over the past decade, they have been employed to explain mathematical equations, vortex phenomena in astrophysics, the need for improved laws, issues within higher education, and even the structure of human societies. Despite the surge of interest in the zombie as a critical metaphor, no coherent theoretical framework for studying the zombie actually exists. Addressing this current gap in the literature, Theorising the Contemporary Zombie defines zombiism as a means of theorising and examining various issues of society in any given era by immersing those social issues within the destabilising context of apocalyptic crisis; and applying this definition, the volume considers issues including gender, sexuality, family, literature, health, popular culture and extinction.
In recent years, zombies have become perhaps the most talked about monsters in popular culture worldwide. In these pages, readers will learn the legendary origins of the living dead, including the development of zombie tales in Haitian folklore and how those tales made it back to the United States—where Hollywood quickly took over. From there, the text traces out the various manifestations of zombies in film, including such classics as White Zombie, Night of the Living Dead, and the contemporary hit TV series The Walking Dead. A filmography supplements the text with a thorough list of the big screen’s zombie offerings!
In the third book of his Zombie series, Scott Kenemore brings the explosive horror thriller of an undead outbreak in the city of Indianapolis. Zombie, Indiana takes place during the same timeline as the outbreaks in his books Zombie, Ohio and Zombie, Illinois, and has the same punch as the previous two. Zombie, Indiana explores the impact of an invading zombie horde on a trio of Hoosier protagonists . . . each of whom have some dark secrets to keep. When the governor's daughter mysteriously disappears on a field trip, IMPD Special Sergeant James Nolan, scholarship student Kesha Washington, and Governor Hank Burleson must all come together not only to find the governor's daughter, but also to undertake a quest to redeem the very soul of the state itself . . . all while under constant attack from the living dead. With humorous, memorable characters, tense action sequences, and brutal zombie violence, Zombie, Indiana will put readers in mind of some of the most compelling works of popular fiction. At once a mystery, a thriller, and a horror novel, Kenemore strikes again with this rollicking tour through America's heartland that is nothing but a tour de force for zombie fiction fans!
Zombies first shuffled across movie screens in 1932 in the low-budget Hollywood film White Zombie and were reimagined as undead flesh-eaters in George A. Romero’s The Night of the Living Dead almost four decades later. Today, zombies are omnipresent in global popular culture, from video games and top-rated cable shows in the United States to comic books and other visual art forms to low-budget films from Cuba and the Philippines. The zombie’s ability to embody a variety of cultural anxieties—ecological disaster, social and economic collapse, political extremism—has ensured its continued relevance and legibility, and has precipitated an unprecedented deluge of international scholarship. Zombie studies manifested across academic disciplines in the humanities but also beyond, spreading into sociology, economics, computer science, mathematics, and even epidemiology. Zombie Theory collects the best interdisciplinary zombie scholarship from around the world. Essays portray the zombie not as a singular cultural figure or myth but show how the undead represent larger issues: the belief in an afterlife, fears of contagion and technology, the effect of capitalism and commodification, racial exclusion and oppression, dehumanization. As presented here, zombies are not simple metaphors; rather, they emerge as a critical mode for theoretical work. With its diverse disciplinary and methodological approaches, Zombie Theory thinks through what the walking undead reveal about our relationships to the world and to each other. Contributors: Fred Botting, Kingston U; Samuel Byrnand, U of Canberra; Gerry Canavan, Marquette U; Jeffrey Jerome Cohen, George Washington U; Jean Comaroff, Harvard U; John Comaroff, Harvard U; Edward P. Comentale, Indiana U; Anna Mae Duane, U of Connecticut; Karen Embry, Portland Community College; Barry Keith Grant, Brock U; Edward Green, Roosevelt U; Lars Bang Larsen; Travis Linnemann, Eastern Kentucky U; Elizabeth McAlister, Wesleyan U; Shaka McGlotten, Purchase College-SUNY; David McNally, York U; Tayla Nyong’o, Yale U; Simon Orpana, U of Alberta; Steven Shaviro, Wayne State U; Ola Sigurdson, U of Gothenburg; Jon Stratton, U of South Australia; Eugene Thacker, The New School; Sherryl Vint, U of California Riverside; Priscilla Wald, Duke U; Tyler Wall, Eastern Kentucky U; Jen Webb, U of Canberra; Jeffrey Andrew Weinstock, Central Michigan U.
Not so long ago zombies rarely shuffled out of B-grade horror movies and cult comic books, but today they are everywhere. Zombies are proliferating, demonstrating an extraordinary capacity to transport fluidly from genre to genre, from the apocalyptic future to the already survived past, and in and out of fictional form. Today they can be found in just about any genre or discourse and as they move sinuously across the cultural landscape they keep morphing; taking on ever new and ever more bizarre associations. Zombies would appear to be unthinkable, the ultimate nightmare of a world devoured by the dead, and yet more and more often this horror-scape provides a form of figurative capture for the way things are. This book explores why. Zombies explores the recent transformation of zombie from cult genre to a figure that pervades western culture. Rutherford examines the zombie as a powerful metaphor for a constellation of social forces that define contemporary reality. This is an ideal introduction to all that is social about zombies, for students and general readers alike. Extracts from Zombies, were recently published in Australian newspapers, The Age, The Canberra Times and the Sydney Morning Herald. Available now to read online: www.theage.com.au/entertainment/books/dead-right-20130620-2olqr.html
Depictions of the zombie apocalypse continue to reshape our concept of the walking dead (and of ourselves). The undead mirror cultural fears--governmental control, lawlessness, even interpersonal relationships--exposing our weaknesses and demanding a response (or safeguard), even as we imagine ever more horrifying versions of post-apocalyptic life. This critical study traces a shift in narrative focus in portrayals of the zombie apocalypse, as the living move from surviving hypothetical destruction toward reintegration and learning to live with the undead.