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This magisterial biography of the strangely private and unknown man is also a superb history of social and literary France in the late 19th century and of the political and intellectual world through which Zola travelled.
Émile Zola (1840-1902) has become one of the most adapted authors of all time, but while much has been made of his adaptation into cinema and theatre, television has largely been overlooked. Yet television, with its serial structures and popular reach, is uniquely suited to the adaptation of a novelist who eagerly reworked his writing for the broadest audiences possible. It is not for nothing that broadcasters such as the BBC return to Zola so often - most recently with The Paradise (2012). In older productions, particularly, sweeping panoramas disappear, to be replaced by the boxy interior shots of studio-produced pieces heavy with dialogue. But television fulfils Zola's intention to provide, in close-up, a dissection of the characters' entrapment as they struggle beneath the weight of their heredity, era and environment. The passage from book to television is also the passage from a single author to a collective one, in a process which challenges many of the simple binaries which have dominated and limited key debates in the history of adaptation. Different identities commission, fund, write, direct and produce programmes which are then shown and re-shown in different contexts, forms, times and media packages. This volume brings translation theory into dialogue with adaptation studies to open new debates. It does so in relation to an author of key import to adaptation studies. Zola and the myriad television adaptations of his work ask us to reconsider the boundaries of authorship, adaptation and the artistic artefact. Kate Griffiths is Professor of French and Translation Studies at Cardiff University.
La Debacle is the penultimate novel in Zola's great Rougon-Macquart cycle. A stirring account of profound friendship between two soldiers from opposite ends of the class divide during the Franco-Prussian War and the Commune of 1870-1.
'in this life, even if you don't ask for much you still end up with bugger all!' In a run-down quarter of Paris, Gervaise Macquart struggles to earn a living and support her family. She earns a pittance washing other people's dirty clothes in the local washhouse, and dreams of having her own laundry. But in order to start her business she must incur debt, and her feckless husband cannot resist the lure of the Assommoir, the local bar that supplies all the working men with cheap spirits and absinthe. As her money troubles grow, so Gervaise's life begins to spiral out of control, and she is trapped in a vicious web of want and neglect. The Assommoir is a pivotal novel in Zola's Rougon-Macquart series. In it he lays bare the terrible poverty of the Parisian underclass, living in overcrowded tenements, addicted to drink, a world of squalor, and casual violence. It contains some of Zola's most powerful and graphic writing, unforgettable portrayals of individuals and their environment, and the fine line between self-respect and ruin.
This is the first full-length stufy of Zola's practice as a novelist. Although Zola's literary achievement has been revalued in the last 25 years, critical attention has been concentrated on the contrast between his work's realistic dimension and its poetic power. Now the balance is redressed by this study of Zola as a crafstman. Most of the ten specially commissioned chapters in this book are concerned with its great saga of Les Rougon-Macquart. In each, Zola's techniques are related to problems on genre and representation and several relate his techniques to those used in contemporary melodrama, journalism and impressionist painting.
Zola and the art of fiction -- Before the Rougon-Macquart -- The fat and the thin: The belly of Paris -- 'A work of truth': L'assommoir -- The man-eater: Nana --The dream machine: The ladies' paradise -- Down the mine: Germinal -- The great mother: Earth -- After the Rougon-Macquart.
A survey of 25 major European novelists from Cervantes to Kundera, highlighting their contributions to the genre.
French realism's immortal siren crawled from the gutter to the heights of society, devouring men and squandering fortunes along the way. Zola's 1880s classic is among the first modern novels.
On the face of it, Evelyn Piper has it all: a loving husband, a devoted daughter, and a secure lifestyle. However, she is also the owner of a cut-glass bowl given to her in anger by a rejected suitor. This bowl seems to act as the connecting thread between all the tragedies that befall Evelyn and her family. With the deft use of symbolism, Fitzgerald creates a short story that encourages the reader to reflect on their own lives, material wealth, and past regrets. An introspective read for fans of the author of ‘The Great Gatsby.’ F. Scott Fitzgerald (1896-1940) is one of the greatest American novelists of the 20th century and the author of the classics ‘Tender is the Night’ and ‘The Great Gatsby’, with the latter having been made into a film starring Leonardo DiCaprio and Carey Mulligan. Skillfully capturing the prosperity of post-World War One America, his writing helped illustrate the 1920s Jazz Age that he and his wife Zelda Fitzgerald were at the centre of.