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Can Christian identity and national identity be reconciled? For Christians in China, this question is particularly fraught. While Sinicization offers the indigenous church one path forward, it fails to provide a tenable solution for believers unwilling to submit their love of God under love of country. Dr. Jue Wang explores an alternative roadmap for Chinese Christian identity in the writings of Zhang Yijing. The editor of True Light, a Chinese Baptist publication, Zhang was also a Chinese patriot, Confucian, and life-long proponent of science and reason. Utilizing the lens of identity studies, Dr. Wang examines Zhang’s process of reconciling faith and culture in his quest to be both authentically Christian and authentically Chinese. This study offers a fascinating glimpse into the modern history of the Chinese church, while uncovering the significance of an often-overlooked Chinese Christian apologist. Zhang’s example offers encouragement and hope for believers around the world seeking to integrate social, cultural, and national identities under the lordship of Christ.
Can Christian identity and national identity be reconciled? For Christians in China, this question is particularly fraught. While Sinicization offers the indigenous church one path forward, it fails to provide a tenable solution for believers unwilling to submit their love of God under love of country. Dr. Jue Wang explores an alternative roadmap for Chinese Christian identity in the writings of Zhang Yijing. The editor of True Light, a Chinese Baptist publication, Zhang was also a Chinese patriot, Confucian, and life-long proponent of science and reason. Utilizing the lens of identity studies, Dr. Wang examines Zhang's process of reconciling faith and culture in his quest to be both authentically Christian and authentically Chinese. This study offers a fascinating glimpse into the modern history of the Chinese church, while uncovering the significance of an often-overlooked Chinese Christian apologist. Zhang's example offers encouragement and hope for believers around the world seeking to integrate social, cultural, and national identities under the lordship of Christ.
Chinese Theologies introduces the vibrant development of Chinese theology in its many forms across the twentieth and twenty-first centuries. It also challenges prevalent narratives regarding the lack of Chinese theologies and engages questions of the construction of theology in their own traditions/nations.
This work chronicles the history of China for over four hundred years through the spring of 1989.
Arif Dirlik's latest offering is a revisionist perspective on Chinese radicalism in the twentieth century. He argues that the history of anarchism is indispensable to understanding crucial themes in Chinese radicalism. And anarchism is particularly significant now as a source of democratic ideals within the history of the socialist movement in China. Dirlik draws on the most recent scholarship and on materials available only in the last decade to compile the first comprehensive history of his subject available in a Western language. He emphasizes the anarchist contribution to revolutionary discourse and elucidates this theme through detailed analysis of both anarchist polemics and social practice. The changing circumstances of the Chinese revolution provide the immediate context, but throughout his writing the author views Chinese anarchism in relation to anarchism worldwide.
Zhu Xi (1130-1200) has been commonly and justifiably recognized as the most influential philosopher of Neo-Confucianism, a revival of classical Confucianism in face of the challenges coming from Daoism and, more importantly, Buddhism. His place in the Confucian tradition is often and also very plausibly compared to that of Thomas Aquinas, slightly later, in the Christian tradition. This book presents the most comprehensive and updated study of this great philosopher. It situates Zhu Xi’s philosophy in the historical context of not only Confucian philosophy but also Chinese philosophy as a whole. Topics covered within Zhu Xi’s thought are metaphysics, epistemology, ethics, political philosophy, hermeneutics, philosophy of religion, moral psychology, and moral education. This text shows both how Zhu Xi responded to earlier thinkers and how his thoughts resonate in contemporary philosophy, particularly in the analytic tradition. This companion will appeal to students, researchers and educators in the field.
How do we talk meaningfully about the sacred in contexts where conventional religious expression has so often lost its power? Inspired by the influential work of David Jasper, this important volume builds on his thinking to identify sacrality in a world where the old religious and secular debates have exhausted themselves and theology struggles for a new language in their wake. Distinguished writers explore here the idea of the sacred as one that exists, paradoxically, in a space that is both possible and impossible: profoundly theological on the one hand, but also deeply this-worldly and irreligious on the other. This is a sacredness that is simultaneously 'present' and 'absent': one which encompasses - as Jasper himself characterises it - 'the impossible possibility of an absolute vision'. The book teaches us that the sacred assumes a renewed potency when fully engaged with the creativity that happens across religion, literature, philosophy and the arts.
The work covers three major areas: 1) descriptions of Chinese characters and their components, including stroke types, layout patterns, and indications of sound and meaning; 2) basic brush techniques; and 3) the social, cultural, historical, and philosophical underpinnings of Chinese calligraphy---all of which are crucial to understanding and appreciating this art form. --
In the aftermath of the May Fourth movement, a growing expectation of revolution raised important intellectual issues about the position of the individual within a society in turmoil and the shifting boundaries of political and sexual identities. The theme of "revolution plus love," a literary response to the widespread insurrections and upheaval, was first popularized in the late 1920s. In her examination of this popular but understudied literary formula, Liu Jianmei argues that revolution and love are culturally variable entities, their interplay a complex and constantly changing literary practice that is socially and historically determined. Liu looks at the formulary writing of "revolution plus love" from the 1930s to the 1970s as a case study of literary politics. Favored by leftist writers during the early period of revolutionary literature, it continued to influence mainstream Chinese literature up to the 1970s. By drawing a historical picture of the articulation and rearticulation of this theme, Liu shows how changes in revolutionary discourse force unpredictable representations of gender rules and power relations, and how women's bodies reveal the complex interactions between political representation and gender roles. Revolution Plus Love is a nuanced and carefully considered work on gender and modernity in China, unmatched in its broad use of literary resources. It will be of considerable interest to scholars and students of modern Chinese literature, women’s studies, cultural studies, and comparative literature.
This volume ties together the histories of Japan and China for the modern period prior to the 20th century. The chapters look at Chinese and Japanese works which were written in response to events in the other country. None of these works has received any sustained attention in the west. As a result we get a view of how Chinese and Japanese saw each other at a time when there were few personal contacts allowed. Many of these texts were built on fanciful embellishments of stories that migrated from one land to the other. But the unique qualities of the Sino-Japanese cultural bond seem to have conditioned the interaction so that these texts all reveal a fascinatingly well-defined area.