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The first book to capture a complete picture of the most important of Greek gods in one reliable volume for almost seventy years, this masterly and comprehensive study brings a new-millennium examination of the fascinating god Zeus. Broad in scope, the book looks at myth, art, cult, philosophy, drama, theology and European painting amongst much more, and allows us to take seriously what it was to worship and respect the greatest of Greek gods, and to live through the aftershock of the Middle Ages and modern times. Showing the evidence along the way, Zeus is student-friendly and includes: a range of illustrations and maps translated passages from ancient authors a chronology and excellent indexing. Looking at the ancient Greeks their predecessor and their successors – the Romans and beyond – the book is engagingly written and speaks to a modern audience: this is Zeus from our remote ancestors to Wagner, and into the computer age.
Hardcover reprint of the original 1914 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9. All foldouts have been masterfully reprinted in their original form. No adjustments have been made to the original text, giving readers the full antiquarian experience. For quality purposes, all text and images are printed as black and white. This item is printed on demand. Book Information: Cook, Arthur Bernard. Zeus: A Study In Ancient Religion, Volume 2. Indiana: Repressed Publishing LLC, 2012. Original Publishing: Cook, Arthur Bernard. Zeus: A Study In Ancient Religion, Volume 2. Cambridge Eng. The University Press, 1914. Subject: Zeus Greek Deity
Excerpt from Zeus, a Study in Ancient Religion, Vol. 1: Zeus, God of the Bright Sky Chrysostomos in a memorable sentence declared Zeus to be 'the giver of all good things, the Father, the Saviour, the Keeper of mankind.' On the lower levels and slopes of this splendid spiritual ascent the Greeks found themselves at one with the. Beliefs of many surrounding peoples, so that a fusion of the Hellenic Zeus with this or that barbaric counterpart often came about. On the higher ground of philosophy and poetry they joined hands with a later age and pressed on towards our own conceptions of Deity. I have therefore felt bound to take into account not only the numerous adaptations of Levantine syncretism but also sundry points of contact between Hellenism and Christianity. It is obvious that the limits of such an enquiry are to a certain extent arbitrary. I shall expect to be told by some that I have gone too far afield, by others that I have failed to note many side-lights from adjacent regions. Very possibly both criticisms are true. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Religious beliefs and practices, which permeated all aspects of life in antiquity, traveled well-worn routes throughout the Mediterranean: itinerant charismatic practitioners peddled their skills as healers, purifiers, cursers, and initiators; and vessels decorated with illustrations of myths traveled with them. This collection of essays, drawn from the groundbreaking reference work Religion in the Ancient World, offers an expansive, comparative perspective on this complex spiritual world.
In this dazzling commentary on Greek and Roman myth and society, weaving emerges as a metaphor rich with possibility. From rituals symbolizing the cohesion of society to the erotic and marital significance of weaving, this lively book defines the logic of one of the central concepts in Greek and Roman thought.
This handbook offers both students and teachers of ancient Greek religion a comprehensive overview of the current state of scholarship in the subject, from the Archaic to the Hellenistic periods. It not only presents key information, but also explores the ways in which such information is gathered and the different approaches that have shaped the area. In doing so, the volume provides a crucial research and orientation tool for students of the ancient world, and also makes a vital contribution to the key debates surrounding the conceptualization of ancient Greek religion. The handbook's initial chapters lay out the key dimensions of ancient Greek religion, approaches to evidence, and the representations of myths. The following chapters discuss the continuities and differences between religious practices in different cultures, including Egypt, the Near East, the Black Sea, and Bactria and India. The range of contributions emphasizes the diversity of relationships between mortals and the supernatural - in all their manifestations, across, between, and beyond ancient Greek cultures - and draws attention to religious activities as dynamic, highlighting how they changed over time, place, and context.
The title of this volume, Sacred Marriages, consciously plays with the traditional concept of sacred marriage, but the plural form, “sacred marriages,” gives the reader an idea that something more is at stake here than a monomaniacal idea of manifestations deriving from a single prototype. Following the guidelines of one of the contributors, Ruben Zimmermann, the editors tentatively define “sacred marriage” as a “real or symbolic union of two complementary entities, imagined as gendered, in a religious context.” “Sacred marriages” (plural), then, refers to various expressions of this kind of union in different cultures that seek to overcome, to cite Zimmermann again, “the great dualism of human and cosmic existence.” The subtitle indicates that the contributors are primarily interested in different aspects of the divine-human sexual metaphor—that is, the imagining and reenactment of a gendered relationship between the human and divine worlds. This metaphor, which is essentially about relationship rather than sexual acts, can find textual, ritual, mythical, and social expressions in different times and places. Indeed, the sacred marriage ritual itself should be considered not a manifestation of the “sacralized power of sexuality experienced in sexual intercourse” but one way of objectifying the divine-human sexual metaphor.
"There is something of a paradox about our access to ancient Greek religion. We know too much, and too little. The materials that bear on it far outreach an individual's capacity to assimilate: so many casual allusions in so many literary texts over more than a millennium, so many direct or indirect references in so many inscriptions from so many places in the Greek world, such an overwhelming abundance of physical remains. But genuinely revealing evidence does not often cluster coherently enough to create a vivid sense of the religious realities of a particular time and place. Amid a vast archipelago of scattered islets of information, only a few are of a size to be habitable."—from the Preface In On Greek Religion, Robert Parker offers a provocative and wide-ranging entrée into the world of ancient Greek religion, focusing especially on the interpretive challenge of studying a religious system that in many ways remains desperately alien from the vantage point of the twenty-first century. One of the world's leading authorities on ancient Greek religion, Parker raises fundamental methodological questions about the study of this vast subject. Given the abundance of evidence we now have about the nature and practice of religion among the ancient Greeks—including literary, historical, and archaeological sources—how can we best exploit that evidence and agree on the central underlying issues? Is it possible to develop a larger, "unified" theoretical framework that allows for coherent discussions among archaeologists, anthropologists, literary scholars, and historians? In seven thematic chapters, Parker focuses on key themes in Greek religion: the epistemological basis of Greek religion; the relation of ritual to belief; theories of sacrifice; the nature of gods and heroes; the meaning of rituals, festivals, and feasts; and the absence of religious authority. Ranging across the archaic, classical, and Hellenistic periods, he draws on multiple disciplines both within and outside classical studies. He also remains sensitive to varieties of Greek religious experience. Also included are five appendixes in which Parker applies his innovative methodological approach to particular cases, such as the acceptance of new gods and the consultation of oracles. On Greek Religion will stir debate for its bold questioning of disciplinary norms and for offering scholars and students new points of departure for future research.
This volume brings together scholars in religion, archaeology, philology, and history to explore case studies and theoretical models of converging religions. The twenty-four essays offered in this volume, which derive from Hittite, Cilician, Lydian, Phoenician, Greek, and Roman cultural settings, focus on encounters at the boundaries of cultures, landscapes, chronologies, social class and status, the imaginary, and the materially operative. Broad patterns ultimately emerge that reach across these boundaries, and suggest the state of the question on the study of convergence, and the potential fruitfulness for comparative and interdisciplinary studies as models continue to evolve.