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Detailing the mythology behind the Greek god Zeus, this volume also includes information about the Statue of Zeus at Olympia, one of the Seven Wonders of the Ancient World.?Sculpted in 432 BC by Greek artist Phidias, the Statue of Zeus at Olympia is one of the most recognized Ancient Wonders. Nearly 40 feet (12 meters) tall, the statue occupied half of the width of the temple where it sat. Ancient Greek geographer Strabo once noted in the first century BC that "if Zeus were to stand up, he would unroof the temple."?Made of ivory and gold-plated bronze, the statue sat in an intricate throne of cedar inlaid with ivory, gold, ebony and precious gems. In Zeus??right hand, he held a small statue of the goddess of victory, Nike. In his left hand, there was a scepter with an eagle perched on top.?It is believed that the Roman Emperor Caligula was the cause of the statue?s destruction. According to Roman historian Suetonius, Caligula gave orders that statues of gods that were especially famous, including that of Zeus at Olympia, were to be brought from Greece in order to have their heads removed and a marble head of Caligula put in their place. According to legend, just as workers were moving stones to disassemble the Statue of Zeus, there was a loud moment of laughter, followed by the collapsing of scaffolding and the structure, killing some workers and leaving others to flee for their lives.?Until recently, historians and archaeologists debated the time period in which the statue was built. The recent discovery of Phidias??workshop in the 1950s confirms that the temple was completed around the third quarter of the fifth century BC. Today, archaeologists continue to study the techniques Phidias used to construct the temple and the statue, and admirers of Ancient Greece admire the statue?s place on the Ancient Wonders list.
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This monumental work traces the development and growth of the worship of Zeus as the god of lightning and thunder.
The first book to capture a complete picture of the most important of Greek gods in one reliable volume for almost seventy years, this masterly and comprehensive study brings a new-millennium examination of the fascinating god Zeus. Broad in scope, the book looks at myth, art, cult, philosophy, drama, theology and European painting amongst much more, and allows us to take seriously what it was to worship and respect the greatest of Greek gods, and to live through the aftershock of the Middle Ages and modern times. Showing the evidence along the way, Zeus is student-friendly and includes: a range of illustrations and maps translated passages from ancient authors a chronology and excellent indexing. Looking at the ancient Greeks their predecessor and their successors – the Romans and beyond – the book is engagingly written and speaks to a modern audience: this is Zeus from our remote ancestors to Wagner, and into the computer age.
Excerpt from Zeus, a Study in Ancient Religion, Vol. 1: Zeus, God of the Bright Sky Chrysostomos in a memorable sentence declared Zeus to be 'the giver of all good things, the Father, the Saviour, the Keeper of mankind.' On the lower levels and slopes of this splendid spiritual ascent the Greeks found themselves at one with the. Beliefs of many surrounding peoples, so that a fusion of the Hellenic Zeus with this or that barbaric counterpart often came about. On the higher ground of philosophy and poetry they joined hands with a later age and pressed on towards our own conceptions of Deity. I have therefore felt bound to take into account not only the numerous adaptations of Levantine syncretism but also sundry points of contact between Hellenism and Christianity. It is obvious that the limits of such an enquiry are to a certain extent arbitrary. I shall expect to be told by some that I have gone too far afield, by others that I have failed to note many side-lights from adjacent regions. Very possibly both criticisms are true. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
An Ancient Theory of Religion examines a theory of religion put forward by Euhemerus of Messene (late 4th—early 3rd century BCE) in his lost work Sacred Inscription, and shows not only how and why euhemerism came about but also how it was— and still is—used. By studying the utilization of the theory in different periods—from the Graeco-Roman world to Late Antiquity, and from the Renaissance to the twenty-first century—this book explores the reception of the theory in diverse literary works. In so doing, it also unpacks the different adoptions and misrepresentations of Euhemerus’s work according to the diverse agendas of the authors and scholars who have employed his theory. In the process, certain questions are raised: What did Euhemerus actually claim? How has his theory of the origins of belief in gods been used? How can modern scholarship approach and interpret his take on religion? When referring to ‘euhemerism,’ whose version are we employing? An Ancient Theory of Religion assumes no prior knowledge of euhemerism and will be of interest to scholars working in classical reception, religious studies, and early Christian studies.