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St. Nadie in Winter is a spiritual autobiography that includes Zen poetry, memoir, and raw insight. There are no easy answers to be found, no easy prescriptions in this stunning twenty-first century Buddhist book. Keenan's world-his boyhood Catholicism, his alcoholism, his struggle to maintain honest relationships with his wife and children, his work as a poet and librarian, his Zen practice—offers a road map for any reader grappling with the dark night of the soul.
Embark on a poignant and sometimes comic journey through Zen, poetry, and the transformative, personal practice of writing. In Zen Encounters with Loneliness Terrance Keenan weaves together poetry, memoir, and raw insight to give voice to the lonely “nobody” in everyone. From his memories of early childhood to his struggles with addiction, writer’s block, and human relationship, Keenan delivers a heart-rending portrayal of the human hunger for selfhood and connection. Through his beautifully crafted literary reflections, he finds that Zen does not comfort our dream of being somebody, rather, it reveals connection only when we face who we really are—nobody. Zen Encounters intimately calls us to recognize that the well of emptiness is also a well of potential—to grow, learn, and overcome adversity.
Terrance Keenan employs a unique and fresh approach to historical narrative. His prudent use of a rich collection of family documents elevates the genre to new levels of interest, reflection, and scholarship. The result is a remarkably palpable, highly accessible, and intellectually provocative reconstruction of lives lived in epochs past.Spanning a period of eighty years, the book depicts a nineteenth century New York family grappling with shifting mores, civil war, and vast change in technology, transport, culture, education, and even regional landscape. In firsthand, sometimes intimate, accounts these frontier people, business entrepreneurs—men, women and children—tell who they were, where their travels took them, what went on in their hearts and minds, and how they were affected by historical forces greater than themselves. Carefully edited diaries, letters, and journals show how greed and betrayal,trial and triumph, and star-crossed romance informed the emotional and material fortunes of the Collin/Knapp families. Here are true stories of generational conflict human relations and accomplishment shaped by time, place, custom, and kinship. This revealing, vital work will be a fulsome and entertaining experience for the general reader as well as an invaluable asset to students of American cultural history, frontier life and culture, American diaries and letters as literature, modernization, and historiography.
Amid the world-shattering pain of loss, what helps? “After the death of his beloved partner from cancer, Newland finds himself asking how effective his long years of Buddhist practice have been in helping him come to terms with overwhelming grief. This finely written book offers a lucid meditation on what it means to practice the Dharma when everything falls apart.” —Stephen Batchelor, author of Buddhism without Beliefs and After Buddhism In the tradition of C. S. Lewis’s A Grief Observed, Guy Newland offers this brave record of falling to pieces and then learning to make sense of his pain and grief within his spiritual tradition. Drawing inspiration from all corners of the Buddhist world—from Dogen and the Dalai Lama, to Pema Chödrön and ancient Pali texts—this book reverberates with honesty, kindness, and deep humanity. Newland shows us the power of responding fully and authentically to the death of a loved one. “A sad, beautiful, and necessary book—and a map waiting for many who will need it.” —James Ishmael Ford, author of If You’re Lucky Your Heart Will Break “Guy Newland faces squarely the pain of death and the pain of grief and offers a work of uncommon power, insight, and honesty—and extraordinary compassion.” —Jay L. Garfield, author of Engaging Buddhism
Across our differences, people everywhere wish to be heard, to be known, and to be understood. When these needs are met, individuals have the potential to flourish, and communities can work together in common cause. Yet, in the current argument culture, the power of communication to meet these needs remains largely untapped, and the ability to resolve shared problems is compromised. This book explores the roots of this communication crisis and offers a realistic means to reconnect, to build community, and to make just and wise decisions together.
The Heart of Teaching is a book about teaching and learning in the performing arts. Its focus is on the inner dynamics of teaching: the processes by which teachers can promote—or undermine—creativity itself. It covers the many issues that teachers, directors and choreographers experience, from the frustrations of dealing with silent students and helping young artists ‘unlearn’ their inhibitions, to problems of resistance, judgment and race in the classroom,. Wangh raises questions about what can—and what cannot—be taught, and opens a discussion about the social, psychological and spiritual values that underlie the skills and techniques that teachers impart. Subjects addressed include: Question asking: which kinds of questions encourage creativity and which can subvert the learning process. Feedback: how it can foster both dependence and independence in students. Grading: its meaning and meaninglessness. Power relationships, transference and counter-transference The pivotal role of listening. The Heart of Teaching speaks to experienced teachers and beginning teachers in all disciplines, but is particularly relevant to those in the performing arts, from which most of its examples are drawn. It brings essential insight and honesty to the discussion of how to teach.
The author describes the time he lived deliberately alone as a caretaker of a ranch and the effect of this solitude has had on his life, arguing that spending time alone reduces stress and leads to a simpler existence.
The poet and author’s “beautiful . . . wise and warm” journal of time spent in her New Hampshire home alone with her garden, her books, the seasons, and herself (Eugenia Thornton, Cleveland Plain Dealer). “Loneliness is the poverty of self; solitude is richness of self.” —May Sarton May Sarton’s parrot chatters away as Sarton looks out the window at the rain and contemplates returning to her “real” life—not friends, not even love, but writing. In her bravest and most revealing memoir, Sarton casts her keenly observant eye on both the interior and exterior worlds. She shares insights about everyday life in the quiet New Hampshire village of Nelson, the desire for friends, and need for solitude—both an exhilarating and terrifying state. She likens writing to “cracking open the inner world again,” which sometimes plunges her into depression. She confesses her fears, her disappointments, her unresolved angers. Sarton’s garden is her great, abiding joy, sustaining her through seasons of psychic and emotional pain. Journal of a Solitude is a moving and profound meditation on creativity, oneness with nature, and the courage it takes to be alone. Both uplifting and cathartic, it sweeps us along on Sarton’s pilgrimage inward. This ebook features an extended biography of May Sarton.