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Charles Robert Darwin (1809–1882) has been widely recognized since his own time as one of the most influential writers in the history of Western thought. His books were widely read by specialists and the general public, and his influence had been extended by almost continuous public debate over the past 150 years. New York University Press's new paperback edition makes it possible to review Darwin's public literary output as a whole, plus his scientific journal articles, his private notebooks, and his correspondence. This is complete edition contains all of Darwin's published books, featuring definitive texts recording original pagination with Darwin's indexes retained. The set also features a general introduction and index, and introductions to each volume.
Charles Robert Darwin (1809–1882) has been widely recognized since his own time as one of the most influential writers in the history of Western thought. His books were widely read by specialists and the general public, and his influence had been extended by almost continuous public debate over the past 150 years. New York University Press's new paperback edition makes it possible to review Darwin's public literary output as a whole, plus his scientific journal articles, his private notebooks, and his correspondence. This is complete edition contains all of Darwin's published books, featuring definitive texts recording original pagination with Darwin's indexes retained. The set also features a general introduction and index, and introductions to each volume.
A Zapotec Natural History is an extraordinary book that describe the people of a small town in Mexico and their remarkable knowledge of the natural world in which they live. San Juan Gbëë is a Zapotec Indian community located in the state of Oaxaca, a region of great biological diversity. Eugene S. Hunn is a well-known anthropologist and ethnobiologist who has spent many years working in San Juan Gbëë, studying its residents and their knowledge of the local environment. Here Hunn writes sensitively and respectfully about the rich understanding of local flora and fauna that village inhabitants have acquired and transmitted over many centuries. In this village everyone, young children included, can identify and name hundreds of local plants, animals, and fungi, together with the details of their life cycles, habitat preferences, and functions in the economic, aesthetic, and spiritual lives of the town. Part 1 of this two-part work describes the community, the subsistence farming practices of its residents, the nomenclature and classification of the local biological taxonomy, the use of plants for treating illnesses, and the ritual and decorative roles of flowers. Part 2 is available online, and includes detailed inventories of all plant, animal, and fungal categories recognized by San Juan’s people; a series of indexes; a library of more than 1,200 images illustrating the town’s plants, people, landscapes, and daily activities; and sounds of village life.
In October 1911 the governor of Oaxaca, Mexico, ordered a detachment of approximately 250 soldiers to take control of the town of Juchitán from Jose F. “Che” Gomez and a movement defending the principle of popular sovereignty. The standoff between federal soldiers and the Chegomistas continued until federal reinforcements arrived and violently repressed the movement in the name of democracy. In A Revolution Unfinished Colby Ristow provides the first book-length study of what has come to be known as the Chegomista Rebellion, shedding new light on a conflict previously lost in the shadows of the concurrent Zapatista uprising. The study examines the limits of democracy under Mexico’s first revolutionary regime through a detailed analysis of the confrontation between Mexico’s nineteenth-century tradition of moderate liberalism and locally constructed popular liberalism in the politics of Juchitán, Oaxaca. Couched in the context of local, state, and national politics at the beginning of the revolution, the study draws on an array of local, national, and international archival and newspaper sources to provide a dramatic day-by-day description of the Chegomista Rebellion and the events preceding it. Ristow links the events in Juchitán with historical themes such as popular politics, ethnicity, and revolutionary state formation and strips away the romanticism of previous studies of Juchitán, offering a window into the mechanics of late Porfirian state-society relations and early revolutionary governance.
Since the end of the Mexican Revolution in 1917, the state has engaged in vigorous campaign to forge a unified national identity. Within the context of this effort, Indians are at once both denigrated and romanticized. Often marginalized, they are nonetheless subjects of constant national interest. Contradictory policies highlighting segregation, assimilation, modernization, and cultural preservation have alternately included and excluded Mexico’s indigenous population from the state’s self-conscious efforts to shape its identity. Yet, until now, no single book has combined the various elements of this process to provide a comprehensive look at the Indian in Mexico’s cultural imagination. Indigeneity in the Mexican Cultural Imagination offers a much-needed examination of this fickle relationship as it is seen through literature, ethnography, film and art. The book focuses on representations of indigenous peoples in post-revolutionary literary and intellectual history by examining key cultural texts. Using these analyses as a foundation, Analisa Taylor links her critique to national Indian policy, rights, and recent social movements in Southern Mexico. In addition, she moves beyond her analysis of indigenous peoples in general to take a gendered look at indigenous women ranging from the villainized Malinche to the highly romanticized and sexualized Zapotec women of the Isthmus of Tehuantepec. The contradictory treatment of the Indian in Mexico’s cultural imagination is not unique to that country alone. Rather, the situation there is representative of a phenomenon seen throughout the world. Though this book addresses indigeneity in Mexico specifically, it has far-reaching implications for the study of indigenaety across Latin America and beyond. Much like the late Edward Said’s Orientalism, this book provides a glimpse at the very real effects of literary and intellectual discourse on those living in the margins of society. This book’s interdisciplinary approach makes it an essential foundation for research in the fields of anthropology, history, literary critique, sociology, and cultural studies. While the book is ideal for a scholarly audience, the accessible writing and scope of the analysis make it of interest to lay audiences as well. It is a must-read for anyone seeking a deeper understanding of the politics of indigeneity in Mexico and beyond.
Some field sites have hosted anthropologists for as long as half a century. Chronicling Cultures collects articles from principals of many of the longest and best-known anthropology projects from four continents—the Kung, Harvard Chiapas Project, Gwembe Valley, Tzintzuntzan, and Navajo among others. These projects have brought a new understanding of change and persistence in communities over time. They have forced researchers to develop methods of involving local communities in research, of using data over generations of scholars, and of resolving ethical issues of research versus advocacy. The projects range from individual scholars who return 'home' year after year to large-scale institutionalized projects involving many researchers and numerous studies. This volume will be an important addition to the literature on fieldwork, on the history of ethnology, and on ethnographers' role in their host cultures.
The image of biologically male people dancing while dressed in the traditional, colorful attire of Zapotec, Juchiteca, females stands in sharp contrast to the prevailing view of Mexico as the land of charros, machismo, and unbridled ranchero masculinity. These indigenous people are called los muxes, and they are neither man nor woman, but rather a hybrid third gender. After seeing a video of a muxe vela, or festival, sociologist Alfredo Mirandé was intrigued by the contradiction between Mexico’s patriarchal reputation and its warm acceptance of los muxes. Seeking to get past traditional Mexican masculinity, he presents us with Behind the Mask, which combines historical analysis, ethnographic field research, and interviews conducted with los muxes of Juchitán over a period of seven years. Mirandé observed community events, attended muxe velas, and interviewed both muxes and other Juchitán residents. Prefaced by an overview of the study methods and sample, the book challenges the ideology of a male-dominated Mexican society driven by the cult of machismo, featuring photos alongside four appendixes. Delving into many aspects of their lives and culture, the author discusses how the muxes are perceived by others, how the muxes perceive themselves, and the acceptance of a third gender status among various North American indigenous groups. Mirandé compares traditional Mexicano/Latino conceptions of gender and sexuality to modern or Western object choice configurations. He concludes by proposing a new hybrid model for rethinking these seemingly contradictory and conflicting gender systems.
A provocative travel narrative about one of the world's few matriarchal societies
DIVA study of the political and cultural formation of one of Guatemala's indigenous communities that explores the nationalization of ethnicity, the preservation of Mayan identity, and the formation of a brutally repressive state./div