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"Zambian Music Legends is a marathon journey into the history of Zambian music. This journey surveys the wonderful art from its traditional function in the distant past to the presenet era where 'Zam-ragga' and hip hop have taken root. The book also plays tribute to the often unsung heroes who have devoted their lives and careers to the growth of the music industry. Music is an essential mass media tool that contributes to the socio-cultural development of society. As a result of this the book further attemps to look at the role music has played in shaping the socio-cultural and economic development of the country"--Cover.
Living for the City is a social history of the Central African Copperbelt, considered as a single region encompassing the neighbouring mining regions of Zambia and the Democratic Republic of Congo. The Haut Katanga and Zambian Copperbelt mine towns have been understood as the vanguard of urban 'modernity' in Africa. Observers found in these towns new African communities that were experiencing what they wrongly understood as a transition from rural 'traditional' society – stable, superstitious and agricultural – to an urban existence characterised by industrial work discipline, the money economy and conspicuous consumption, Christianity, and nuclear families headed by male breadwinners supported by domesticated housewives. Miles Larmer challenges this representation of Copperbelt society, presenting an original analysis which integrates the region's social history with the production of knowledge about it, shaped by both changing political and intellectual contexts and by Copperbelt communities themselves. This title is available as Open Access on Cambridge Core.
In over forty portraits, African writers present extraordinary people from their continent: portraits of the women and men whom they admire, people who have changed and enriched life in Africa. The portraits include inventor, founders of universities, resistance fighters, musicians, environmental activists or writers. African Visionaries is a multi-faceted book, seen through African eyes, on the most impactful people of Africa. Some of the writers contributing to the collection are: Helon Habila, Virginia Phiri, Ellen Banda-Aaku, Véronique Tadjo, Tendai Huchu, Solomon Tsehaye, Patrice Nganang and Sami Tchak.
Political campaigning affects numerous realms under the communication umbrella with each channel seeking to influence as many individuals as possible. In higher education, there is a growing scholarly interest in communication issues and subjects, especially on the role of music, in the political arena. Music and Messaging in the African Political Arena provides innovative insights into providing music and songs as an integral part of sending political messages to a broader spectrum of audiences, especially during political campaigns. The content within this publication covers such topics as framing theory, national identity, and ethnic politics, and is designed for politicians, campaign managers, political communication scholars, researchers, and students.
Looks at the life and music career of prominent soul singer Wilson Pickett, chronicling the performer's rise to stardom and his self-destructive fall into alcohol and drug addiction before ending his career on a high note with a Grammy-nominated album.
CRY FROM THE HEART is a collection of short poems covering a wide range of closely linked themes, sharing thoughts on issues of love, HIV/AIDS, loneliness, street children, prostitution, nature's beauty, African culture and religion.
Filled with analytic descriptions, this book traces the development of the myths, legends, and folktales of this continent's peoples.
Este estudio es un replanteamiento de la relación entre canciones y literatura en África oriental. Se examinan, en términos comparativos, las obras literarias y musicales de esta parte del continente con el fin de determinar y describir los caminos a partir de los cuales tales formas de la expresión creativa reflejan y transforman caminos prevalecientes y medios de formación de identidad de las personas cuyas vidas se extienden a través de varias "fronteras" y que desarrollan sentidos "superculturales" de sí mismos. El autor se basa en una extensa investigación de campo, así como en una multitud de entrevistas. La lectura atenta de las canciones y la literatura hace de este libro un estudio convincente para estudiantes de música y literatura africanas, y el análisis de las identidades africanas puede ser realmente para los estudiosos del nacionalismo tanto en África como en el mundo.
At the age of 95, Gray K. Madyenkuku has seen it all. As a boy he was one of the first to receive an education by the missionaries who came to the hot and remote Gwembe Valley in Southern Province of Zambia. He and his family lived through the resettlement of 57 000 BaTonga people after for construction of the Kariba dam, the largest man-made lake at that time and he saw the struggle for Zambia ́s independence. As critical observer of development and a longtime member of local committees and projects, he is also heading a large family. This is the view of a local man of the changes and developments from colonial times to today. Smartphone users can access the original recordings via QR Codes in the book. More photos and information on the author at www.vielfalt-landwirtschaft.jimdo.com
Zambia stands out in Africa as one of the continent's most peaceful countries. In its early years as an independent state, Zambia became a regional bulwark against imperialism and colonial domination and South African apartheid. Today, it stands out as an important example of Africa's recent democratization, experiencing both incredible success as well as some notable setbacks. The country is also one of the most urbanized in Sub-Saharan Africa. As a result of this urban influx, Zambia's diverse ethno-linguistic groups interact regularly. Moreover, many contemporary Zambian households, especially those in cities, are also exposed to the media, technology, and influences of western urbanized cultures, from Internet cafes to hip hop music. The interesting ways that tradition and modernity conflict and combine in contemporary Zambia are prime considerations in this book. This book explores Zambia's culture, with an eye toward its historical experiences and its particular endowments. It focuses on how traditional and modern interact, and sometimes collide, in the country through topics such as religion, gender roles and family, cuisine, the arts, literature, and more. The major groups are examined to give the reader an idea about how many Zambians live.