Download Free Zakros The Discovery Of A Lost Palace Of Ancient Crete Book in PDF and EPUB Free Download. You can read online Zakros The Discovery Of A Lost Palace Of Ancient Crete and write the review.

Neopalatial Crete - the 'Golden Age' of the Minoan Civilization - possessed palaces, exquisite artefacts, and iconography with pre-eminent females. While lacking in fortifications, ritual symbolism cloaked the island, an elaborate bureaucracy logged transactions, and massive storage areas enabled the redistribution of goods. We cannot read the Linear A script, but the libation formulae suggest an island-wide koine. Within this cultural identity, there is considerable variation in how the Minoan elites organized themselves and others on an intra-site and regional basis. This book explores and celebrates this rich, diverse and dynamic culture through analyses of important sites, as well as Minoan administration, writing, economy and ritual. Key themes include the role of Knossos in wider Minoan culture and politics, the variable modes of centralization and power relations detectable across the island, and the role of ritual and cult in defining and articulating elite control.
This ebook is a selective guide designed to help scholars and students of the ancient world find reliable sources of information by directing them to the best available scholarly materials in whatever form or format they appear from books, chapters, and journal articles to online archives, electronic data sets, and blogs. Written by a leading international authority on the subject, the ebook provides bibliographic information supported by direct recommendations about which sources to consult and editorial commentary to make it clear how the cited sources are interrelated. A reader will discover, for instance, the most reliable introductions and overviews to the topic, and the most important publications on various areas of scholarly interest within this topic. In classics, as in other disciplines, researchers at all levels are drowning in potentially useful scholarly information, and this guide has been created as a tool for cutting through that material to find the exact source you need. This ebook is just one of many articles from Oxford Bibliographies Online: Classics, a continuously updated and growing online resource designed to provide authoritative guidance through the scholarship and other materials relevant to the study of classics. Oxford Bibliographies Online covers most subject disciplines within the social science and humanities, for more information visit www.aboutobo.com.
This book, a guide and companion to the prehistoric archaeology of Greece, is designed for students, travelers, and all general readers interested in archaeology. Greece has perhaps the longest and richest archaeological record in Europe, and this book reviews what is known of Greece from the earliest inhabitants in the Stone Age to the end of the Bronze Age and the collapse of the Minoan and Mycenaean civilizations. The book describes the prehistoric cultures of Greece in chronological order, and illustrates with 98 detailed drawings each culture’s typical artifacts, architecture, burial customs, and art. Written in an informal and accessible style free of scientific jargon, the book can be used in the classroom or as a guide for the traveler, or read simply for pleasure by anyone with a curiosity about the earliest ages of this fascinating region. Although intended for a wide audience, the book has a solid scientific foundation. The authors are professional archaeologists with more than 25 years of experience in the field and with a first-hand knowledge of the methods and results of contemporary research. There is no other book today that covers the same range of periods and subjects, making it essential reading for anyone interested in the early civilizations that shaped the Greek landscape, laid the foundations for Classical Greek civilization, and contributed in many ways to the formation of the modern Greek world. The authors have been careful to address the many questions concerning prehistoric Greece that have been asked them by students and visitors to Greece through the years. The illustrations were created especially for this book, showing familiar artifacts and sites from a new perspective, and selecting others for illustration that rarely, if ever, appear in popular publications.
Shows how a desecrated tomb in the Valley of the Kings holds the key to the true history of the destruction of Atlantis • Reveals that Tomb 55 in the Valley of the Kings was designed not to keep intruders out, but to trap something inside • Provides forensic evidence proving that the mask believed to be the face of Tutankhamun is actually that of his elder brother Smenkhkare In Atlantis and the Ten Plagues of Egypt, Graham Phillips explores the excavation of a mysterious and ritually desecrated tomb in the Valley of the Kings, Tomb 55, which he contends holds the key to the true history of the destruction of Atlantis. Unlike other Egyptian tombs designed to keep intruders out, Tomb 55 was constructed to keep something imprisoned within, specifically Smenkhkare, the older brother of Tutankhamun who was deemed responsible for the ten plagues in Egyptian history, to prevent such tragedies from ever happening again. The forensic findings from this tomb coupled with compelling new evidence from the polar ice caps provide sensational evidence that the parting of the Red Sea, the deaths of the first born, and the other plagues that afflicted Egypt were all actual historical events. Core samples from the polar ice caps indicate that a gigantic volcanic eruption took place in the eastern Mediterranean around the time of Amonhotep’s reign. Other research suggests this to have been the time of the eruption that destroyed the Greek island of Thera, one of the likely locations of Atlantis, and that the subsequent cataclysm may explain the unusual lack of resistance to the new religion installed by Amonhotep’s son, Akhenaten, when he took power several years later.
This volume, Overturning Certainties in Near Eastern Archaeology, is a festschrift dedicated to Professor K. Aslıhan Yener in honor of over four decades of exemplary research, teaching, fieldwork, and publication. The thirty-five chapters presented by her colleagues includes a broad, interdisciplinary range of studies in archaeology, archaeometry, art history, and epigraphy of the Ancient Near East, especially reflecting Prof Yener’s interests in metallurgy, small finds, trade, Anatolia, and the site of Tell Atchana/Alalakh. "The richness of this volume inevitably emerges from those contributions on exchange and technology using philology and/or archaeology." - David A. Warburton, Institute for the History of Ancient Civilizations, Northeast Normal University, in: Bibliotheca Orientalis 76,1-2 (2019)
Plato's legend of Atlantis has become notorious among scholars as the absurdest lie in literature. Atlantis Destroyed explores the possibility that the account given by Plato is historically true. Rodney Castleden first considers the location of Atlantis re-examining two suggestions put forward in the early twentieth century; Minoan Crete and Minoan Thera. He outlines the latest research findings on Knossos and Bronze Age Thera, discussing the material culture, trade empire and agricultural system, writing and wall paintings, art, religion and society of the Minoan civilization. Castleden demonstrates the many parallels between Plato's narrative and the Minoan Civilization in the Aegean. Fired by the imagination a new vision of Atlantis has arisen over the last one hundred and fifty years as a lost utopia. Rodney Castleden discusses why this picture arose and xplains how it has become confused with Plato's genuine account.
The Temple University Aegean Symposium was an annual event from 1976 until 1985 sponsored by the Department of Art History at Temple University in Philadelphia, PA. Each year, the symposium focused on a specific theme in Aegean Bronze Age art and archaeology. This book is a collection of the 10 volumes of articles that were published. Aside from incorporating errata, the articles are unchanged from the original publications. A new Preface and page numbering system are included in this compendium.
This volume presents a series of reflections on modes of communication in the Bronze Age Aegean, drawing on papers presented at two round table workshops of the Sheffield Centre for Aegean Archaeology on ‘Technologies of Representation’ and ‘Writing and Non-Writing in the Bronze Age Aegean’. Each was designed to capture current developments in these interrelated research areas and also to help elide boundaries between ‘science-based’ and ‘humanities-based’ approaches, and between those focused on written communication (especially its content) and those interested in broader modes of communication. Contributions are arranged thematically in three groups: the first concerns primarily non-written communication, the second mainly written communication, and the third blurs this somewhat arbitrary distinction. Topics in the first group include use of color in wall-paintings at Late Bronze Age Pylos; a re-interpretation of the ‘Harvester Vase’ from Ayia Triada; re-readings of the sequence of grave stelae at Mycenae, of Aegean representations of warfare, and of how ritual architecture is represented in the Knossos wall-paintings; and the use of painted media to represent depictions in other (lost) media such as cloth. Topics in the second group range from defining Aegean writing itself, through the contexts for literacy and how the Linear B script represented language, to a historical exploration of early attempts at deciphering Linear B. In the third group Linear B texts and archaeological data are used to explore how people were represented diacritically through taste and smell, and how different qualities of time were expressed both textually and materially; the roles of images in Aegean scripts, complemented by a Peircian analysis of early Cretan writing; a consideration of the complementary role of (non-literate) sealing and (literate) writing practices; and concludes with a further exploration of the color palette used at Pylos.