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'If this is the best of all possible worlds, then what must the others be like?' Young Candide is tossed on a hilarious tide of misfortune, experiencing the full horror and injustice of this 'best of all possible worlds' - the Old and the New - before finally accepting that his old philosophy tutor Dr Pangloss has got it all wrong. There are no grounds for his daft theory of Optimism. Yet life goes on. We must cultivate our garden, for there is certainly room for improvement. Candide is the most famous of Voltaire's 'philosophical tales', in which he combined witty improbabilities with the sanest of good sense. First published in 1759, it was an instant bestseller and has come to be regarded as one of the key texts of the Enlightenment. What Candide does for chivalric romance, the other tales in this selection - Micromegas, Zadig, The Ingenu, and The White Bull - do for science fiction, the Oriental tale, the sentimental novel, and the Old Testament. This new edition also includes a verse tale based on Chaucer's The Wife of Bath's Tale, in which we discover that most elusive of secrets: What Pleases the Ladies. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
One of Voltaire's earliest tales, Zadig is set in the exotic East and is told in the comic spirit of Candide; L'Ingenu, written after Candide, is a darker tale in which an American Indian records his impressions of France
No ordinary collection of tales, this anthology was the result of extensive research that led Shah to conclude that there is a certain basic fund of human fictions which recur again and again throughout the world and never seem to lose their compelling attraction. This special paperback version of World Tales concentrates on the essentials, the text of the stories, and omits the illustrations which were part of a previous edition.
Includes Part One of Candide; three stories; selections from The Philosophical Dictionary, The Lisbon Earthquake, and other works; and thirty-five letters.
The Strange Story Book by Mrs. Lang: This collection of classic fairy tales and folktales offers a rich and imaginative exploration of the world of myth and folklore. With its engaging storytelling and vivid imagery, "The Strange Story Book" is a must-read for fans of fantasy and children's literature. Key Aspects of the Book "The Strange Story Book": Fairy Tales: The book is a collection of classic fairy tales and folktales from around the world, showcasing the diversity and richness of the folk tale tradition. Engaging Storytelling: The book is filled with imaginative and engaging stories, transporting readers to magical worlds of wonder and mystery. Vivid Imagery: The book offers vivid and evocative descriptions of the natural world, adding richness and depth to the storytelling. Mrs. Lang was the pen name of Leonora Blanche Lang, a British author and translator who lived from 1851 to 1933. She was a leading figure in the literary and cultural scene of her day, known for her scholarship and her commitment to the study of fairy tales and folklore. "The Strange Story Book" is one of her most famous works.
Candide is a French satire by Voltaire, a philosopher of the Age of Enlightenment. It begins with a young man, Candide, who is living a sheltered life in an Edenic paradise and being indoctrinated with Leibnizian optimism (or simply Optimism) by his mentor, Pangloss. The work describes the abrupt cessation of this lifestyle, followed by Candide's slow, painful disillusionment as he witnesses and experiences great hardships in the world. Voltaire concludes with Candide, if not rejecting optimism outright, advocating a deeply practical precept, "we must cultivate our garden", in lieu of the Leibnizian mantra of Pangloss, "all is for the best in the best of all possible worlds". Candide is characterized by its sarcastic tone, as well as by its erratic, fantastical and fast-moving plot. A picaresque novel it parodies many adventure and romance clichés, the struggles of which are caricatured in a tone that is mordantly matter-of-fact. Still, the events discussed are often based on historical happenings, such as the Seven Years' War and the 1755 Lisbon earthquake. As philosophers of Voltaire's day contended with the problem of evil, so too does Candide in this short novel, albeit more directly and humorously. Voltaire ridicules religion, theologians, governments, armies, philosophies, and philosophers through allegory; most conspicuously, he assaults Leibniz and his optimism. As expected by Voltaire, Candide has enjoyed both great success and great scandal. Immediately after its secretive publication, the book was widely banned because it contained religious blasphemy, political sedition and intellectual hostility hidden under a thin veil of naïveté. However, with its sharp wit and insightful portrayal of the human condition, the novel has since inspired many later authors and artists to mimic and adapt it. Today, Candide is recognized as Voltaire's magnum opus and is often listed as part of the Western canon; it is arguably taught more than any other work of French literature. It was listed as one of The 100 Most Influential Books Ever Written.
This volume argues that by focusing on British and American backgrounds, readers have underestimated the impact of Asia and "the East" on American novelist and short story writer Nathaniel Hawthorne's (1804-1864) writing. The central force in Hawthorne's intellectual development was New England Puritanism. It fascinated even when it sometimes repelled him. It exercised a pull on his imagination which a lifetime of varied experience did not loosen. The author recreates Hawthorne's heritage and examine his readings in material dealing with the East; he examines three of Hawthorne's "early tales" that were all written before 1830; and he looks at Hawthorne's "The Story Teller", the two-volume book of sketches and tales Hawthorne unsuccessfully tried to publish in 1834 and issued piecemeal thereafter in periodicals as annuals. The author also evaluates the role of the Eastern world in Hawthorne's view of Romance and studies some of Hawthorne's "remarkable" heroines -- Beatrice Rapaccini, Hester, Zenobia, and Miriam in particular. The author maintains that the Puritan element in Hawthorne's ancestry has been overstressed and that insufficient attention has been paid to the equally important travel-adventure-exploration aspect of Hawthorne's heritage and craft.