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Even super boy spies have to learn their awesome spying skills somewhere! First readers can now follow Zac Power as he trains for his missions! Zac is off on Spy Camp to work on his karate. But can he beat a crazy karate robot?
Zac Power is a new Spy Recruit. Zac has two new gadgets to test drive. Will he be able to find the missing drivers?
Even super boy spies have to learn their awesome spying skills somewhere! First readers can now follow Zac Power as he trains for his missions! Zac is off on Spy Camp to work on his karate. But can he beat a crazy karate robot?
Another thrilling Zac Power adventure! An enemy agent is out to steal billions of dollars from the bank computer that orbits the Earth. Will Zac be able to stop the theft without being blasted to space dust?
Contains: Zac Power Spy Camp #1 Zac Blasts Off Zac Power Spy Camp #2 Zac Strikes Out Zac Power Spy Camp #3 Zac Cracks Down Zac Power Spy Camp #4 Zac Climbs High Zac Power Spy Camp #5 Zac Runs Wild Delivered shrinkwrapped with contents listed on a call out card, and free Zac Power branded puzzle on the front.
Zac is a smart, athletic, twelve-year-old who enjoys life, having fun, spending time with his friends, and especially playing baseball. His world turns topsy-turvy one spring break when his dreams begin. The dreams are so real, hes not sure if hes dreaming or actually traveling to these unusual places. After one dream, he wakes up with black-and-blue marks on his arms. Could they possibly be from the pirate he ran into during his dream? Zacs discoveries leave him knowing hes involved in a very serious fight for leadership between the aliens, the Mayans, and the current world as he knows it. Zac finds out hes a descendant of the Mayans, but theres no one to ask about how to deal with his unique capabilities. Hes on his own; he doesnt have a clue how to address the issues and save his family and his world. When his mother gives him a book, handed down through the generations and not opened for more than one hundred years, it may help him through these struggles. Or does it just make the situation more confusing?
Eight years ago, four Florida kids started a teen-centered show called The Rock Star Stories (although some stations still call it by it’s original name, Swept Away TV - The Rock Star Stories), in which they interviewed rock musicians and other personalities. Their TV show - written and filmed by an all-youth, all-volunteer staff - is still running strong. This book is a compilation of their best music interviews, along with funny and poignant anecdotes about their experiences as teen rock journalists.
The work of renowned Ivoirian playwright Koffi Kwahulé has been translated into some 15 languages and is performed regularly throughout Europe, Africa, and the Americas. For the first time, Seven Plays of Koffi Kwahulé: In and Out of Africa makes available to an Anglophone audience some of the best and most representative plays by one of Francophone Africa’s most accomplished living playwrights. Kwahulé’s theater delves into both the horror of civil war in Africa and the diasporic experience of peoples of African origin living in Europe and the “New World.” From the split consciousness of the protagonist and rape victim in Jaz to the careless buffoonery of mercenaries in Brewery, Kwahulé’s characters speak in riffs and refrains that resonate with the improvisational pulse of jazz music. He confronts us with a violent world that represents the damage done to Africa and asks us, through exaggeration and surreal touches, to examine the reality of an ever-expanding network of global migrants. His plays speak to the contemporary state of humanity, suffering from exile, poverty, capitalist greed, collusion, and fear of “the other”—however that “other” gets defined. Judith G. Miller’s introductory essay situates Kwahulé among his postcolonial contemporaries. Short introductory essays to each play, accompanied by production photos, contextualize possible approaches to Kwahulé’s often enigmatic work. Anglophone theater scholars and theater professionals eager to engage with contemporary theater beyond their borders, particularly in terms of what so-called minority theater artists from other countries are creating, will welcome this indispensable collection. Students and scholars of African studies and of global French studies will also find this work intriguing and challenging.