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"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 52 VOLUME NUMBER: Vol. XXXVII, No.33 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 15-50 ARTICLE: 1. Arunachal Pradesh 2. Discovery of Sanskrit in Europe 3. The Naxalites 4. The Palamau National park 5. Brain Drain In India 6. Restructuring of Foreign Trade AUTHOR: 1. M. L. Bose 2. Dr. S. S. Janaki 3. Balraj Mehta 4. Sumanta Banerjee 5. Marie Palit 6. Balraj Mehta KEYWORDS : 1.Endless panorama, social organisation,dark veil 2.Father of indology, taming point, 3.Bold steps needed,'the foreign 4.The split, character assassination, 5.Exciting adventure, delightful experience, Document ID : APE-1972 (J-S) Vol-II-06 Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.
A study of drug use in India especially among youth and women.
In The Dancer’s Voice Rumya Sree Putcha theorizes how the Indian classical dancer performs the complex dynamics of transnational Indian womanhood. Putcha argues that the public persona of the Indian dancer has come to represent India in the global imagination—a representation that supports caste hierarchies and Hindu ethnonationalism, as well as white supremacist model minority narratives. Generations of Indian women have been encouraged to embody the archetype of the dancer, popularized through film cultures from the 1930s to the present. Through analyses of films, immigration and marriage laws, histories of caste and race, advertising campaigns, and her own family’s heirlooms, photographs, and memories, Putcha reveals how women’s citizenship is based on separating their voices from their bodies. In listening closely to and for the dancer’s voice, she offers a new way to understand the intersections of body, voice, performance, caste, race, gender, and nation.
Precious Pearls is compilation from his books KENDRA UNFOLDS (K. U.) and SADHANA OF SERVICE (SOS) which are the guiding principles for Vivekananda Kendra Karyakartas and so we shall study some of the important selections from these two books to understand how he put three ‘H’ into practice and also some of his qualities.
Gurus of Modern Yoga explores the contributions that individual gurus have made to the formation of the practices and discourses of yoga in today's world.
The constant refrain of the book is that globalization, in addition to being an economic phenomenon, is concerned about the restructuring of society and the way we live. It delves into the core of globalization, its drawbacks and how the religions of the world and the Ramakrishna movement can help us learn to live with it and adapt it to our needs. The 33 articles in the book have been authored by monks of the Ramakrishna Order, renowned authors and authorities in various disciplines. They were first published in 1999 in the annual issue of the Vedanta Kesari, the monthly magazine of the Ramakrishna Order.