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BEHIND THE SCENES With Yoko's return, Liebe Girls Academy is thrown into disarray. Nene gets closer to Yoko once more, intending to tie up loose ends, but things don't go as planned. While Sumika is consumed by past betrayals, she loses sight of how to support her schwester, Kanoko. Now Kanoko is more alone than ever, and comes forward with a startling request.
The new, hilarious yuri comedy! Hime gets roped into working at a weird café where the waitresses pretend to be students at an all-girl boarding school. She’s strangely taken with her partner Mitsuki, who’s so kind to her in front of the customers. There’s just one problem… Mitsuki really can’t stand her! Hime is a picture-perfect high school princess–she’s admired by all and never trips up! So when she accidentally injures a café manager named Mai, she’s willing to cover some shifts to keep her facade intact. To Hime’s surprise, the café is themed after a private school where the all-female staff always puts on their best act for their loyal customers. However, under the guidance of the most graceful girl there, Hime can’t help but blush and blunder! Beneath all the frills and laughter, Hime feels tension brewing as she finds out more about her new job and her budding feelings…
Putting aside their enmities, Mitsuki and Kanoko combine forces to bring their beloved Hime back to Liebe. Mitsuki has resolved to accept any harsh rejections that Hime may have, and is now prepared to work alongside her. On the day of the shared birthday event for Mitsuki and Hime, the two look picture perfect. However, when the show's over, what Hime shares with Mitsuki is something nobody saw coming...
Hime and Mitsuki finally open up to one another about the deep insecurities they share in their friendship. When closure for the two seems close, Mitsuki leans in to share a kiss with her crush, but Hime is caught by surprise and more confused than ever before. As a result, Hime begins to distance herself from the café, leaving a firey Kanoko and a despondent Mitsuki in her wake. The once sweet sanctuary of Liebe drowns in bitterness… Will sunny days ever return to the salon?
The new, hilarious yuri comedy! Hime gets roped into working at a weird café where the waitresses pretend to be students at an all-girl boarding school. She's strangely taken with her partner Mitsuki, who's so kind to her in front of the customers. There's just one problem... Mitsuki really can't stand her! CAUGHT IN A WHIRLWIND With the Blume competition behind them, the bonds between the schwestern have solidified. Now each member is gearing up for their respective birthday celebrations at Liebe Girls Academy! Business is booming as the café reintroduces staff-recommended teas and the like, but when Nene falls ill, Mai and Sumika take to the kitchen in her stead. Now understaffed, the salon is thrown into a frenzy, and Mitsuki and Hime's relationship might not make it out intact.
REALITY CHECK Liebe Girls Academy is gearing up for their annual Blume competition, where one girl will be elected as the model student who exemplifies the school’s ideals. However, while the café buzzes with excitement, Kanoko slowly recedes into herself, unable to reconcile her deep longing for Hime with the pain of feeling left behind by her. Knowing how difficult mixing work and romance can be, a rambunctious upperclassman named Sumika reaches out to the troubled girl. The reaction Sumika gets, though, poses more problems than solutions.
Yuri Alexandrovich Bezmenov, was a former KGB officer and journalist who worked for the Novosti Press Agency and who ultimately defected from the Soviet Union to Canada. Yuri chose freedom. Writing as Tomas Schuman in Love Letter to America, Yuri describes Soviet genocidal Communism and explains how good it is to be free.
Dostoevsky was hostile to the notion of individual autonomy, and yet, throughout his life and work, he vigorously advocated the freedom and inviolability of the self. This ambivalence has animated his diverse and often self-contradictory legacy: as precursor of psychoanalysis, forefather of existentialism, postmodernist avant la lettre, religious traditionalist, and Romantic mystic. Dostoevsky and the Riddle of the Self charts a unifying path through Dostoevsky's artistic journey to solve the “mystery” of the human being. Starting from the unusual forms of intimacy shown by characters seeking to lose themselves within larger collective selves, Yuri Corrigan approaches the fictional works as a continuous experimental canvas on which Dostoevsky explored the problem of selfhood through recurring symbolic and narrative paradigms. Presenting new readings of such works as The Idiot, Demons, and The Brothers Karamazov, Corrigan tells the story of Dostoevsky’s career-long journey to overcome the pathology of collectivism by discovering a passage into the wounded, embattled, forbidding, revelatory landscape of the psyche. Corrigan’s argument offers a fundamental shift in theories about Dostoevsky's work and will be of great interest to scholars of Russian literature, as well as to readers interested in the prehistory of psychoanalysis and trauma studies and in theories of selfhood and their cultural sources.
On April 12, 1961, Yuri Gagarin became the first person in history to leave the Earth's atmosphere and venture into space. His flight aboard a Russian Vostok rocket lasted only 108 minutes, but at the end of it he had become the most famous man in the world. Back on the ground, his smiling face captured the hearts of millions around the globe. Film stars, politicians and pop stars from Europe to Japan, India to the United States vied with each other to shake his hand. Despite this immense fame, almost nothing is known about Gagarin or the exceptional people behind his dramatic space flight. Starman tells for the first time Gagarin's personal odyssey from peasant to international icon, his subsequent decline as his personal life began to disintegrate under the pressures of fame, and his final disillusionment with the Russian state. President Kennedy's quest to put an American on the Moon was a direct reaction to Gagarin's achievement--yet before that successful moonshot occurred, Gagarin himself was dead, aged just thirty-four, killed in a mysterious air crash. Publicly the Soviet hierarchy mourned; privately their sighs of relief were almost audible, and the KGB report into his death remains secret. Entwined with Gagarin's history is that of the breathtaking and highly secretive Russian space program - its technological daring, its triumphs and disasters. In a gripping account, Jamie Doran and Piers Bizony reveal the astonishing world behind the scenes of the first great space spectacular, and how Gagarin's flight came frighteningly close to destruction.
Brimming with humor and one-of-a-kind characters, this end-of-the-world debut novel will grab hold of Andrew Smith and Rainbow Rowell fans.