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Known as the bald cowboy in The Magnificent Seven and the sexy, charismatic male lead in The King and I, Yul Brynner was a Hollywood paragon of masculinity. Beyond his distinctive appearance and distinguished acting career was a life of intrigue and concocted tales surrounding his youth. Born Youl Bryner in Russia, he played gypsy guitar and worked as a trapeze clown until a severe injury motivated him to pursue his interest in theater. This biography takes readers through Brynner’s formative years in Russia, France and China and describes his journey from sweeping stages in Parisian theaters to a versatile career in theater, television and film, reaching a stardom that began and ended with the classic Rodgers and Hammerstein musical The King and I. With accounts of his personal and professional successes and failures, the book includes his four marriages, his numerous and notorious affairs with such stars as Judy Garland, Joan Crawford and Ingrid Bergman, and his 1985 death from lung cancer. A filmography details his movies and plays, and appendices outline his work in documentaries, music and soundtracks, radio programs and television.
Nancy, Bess, and George are enrolled in a summer program called Park Pals to learn about birds, trees, and even bugs. But when a rare bird escapes from the park aviary, and one of the boys in the group brags that he'll be the one to find it, the girls rise to the challenge.
Presents a selection of two hundred gourmet recipes representing the best of international cuisine and including a wide range of dishes from appetizers to desserts
Sonorous voice, shaven head, enigmatic good looks - Yul Brynner was among the most distinctive, charismatic performers of his era. He was a circus acrobat, nude model, cabaret performer and television director before opting to pursue a career in acting. His rise to stardom in the '50s was nothing short of meteoric: a Tony Award for his stage role in The King and I, and an Oscar for its screen equivalent, sealed his reputation as one of the most hotly sought stars in the business. The Ten Commandments, Anastasia, The Brothers Karamazov, The Magnificent Seven, Taras Bulba and Westworld are just some of the highlights of a career which spanned three decades and forty films. Brynner acted alongside the biggest names in the business - Charlton Heston, Marlon Brando, Kirk Douglas, Noël Coward, Steve McQueen, Christopher Plummer, Eli Wallach and more. Leading ladies included some of the greats - Deborah Kerr, Ingrid Bergman, Maria Schell, Joanne Woodward, Gina Lollobrigida, Kay Kendall, Romy Schneider and Katharine Hepburn among them.In Ultimate Warrior: The Complete Films of Yul Brynner, Dawn and Jonathon Dabell examine every Brynner film, offering contextual background, cast and crew information and detailed analysis and evaluation for each. Every chapter is accompanied by an extensive image gallery.Turbo Sloth Publications is proud to present the first book to offer a comprehensive examination of Brynner's entire filmography, from the crime potboiler Port of New York (1949) to the 'poliziottesco' Death Rage (1976).
Yul Brynner, the mysterious and exotic Hollywood star, was one of four generations in his family to bear that name. His Swiss-born grandfather, Jules, arrived in Shanghai almost by accident about 1865, but within twenty years had become a leading industrialist in the Far East. His business association with Tsar Nicholas II built Vladivostok and the Trans-Siberian Railway, then triggered the Russo-Japanese War, contributing to the fall of the Romanoffs. Jules' s son Boris regained control of the family's mines, but his experiences in China, Manchuria, and North Korea rivaled the ordeals of Dr. Zhivago. Yul's childhood took him to China and then to France, where, as a teenager, he performed in nightclubs with Russian Gypsies while becoming a trapeze acrobat in the circus. He moved to America before he spoke English and within five years was starring on Broadway. His son, with a colorful life of his own, has written the family's history.--From publisher description.
It is 1862 in Siam when an English widow, Anna Leonowens, and her young son arrive at the Royal Palace in Bangkok, having been summoned by the King to serve as tutor to his many children and wives. The King is largely considered to be a "barbarian" by those in the West, and he seeks Anna's assistance in changing his image, if not his ways. With both keeping a firm grip on their respective traditions and values, Anna and the King grow to understand and respect one another in a truly unique love story.
This book by the former actor and UNHCR Good-will Ambassador, Yul Brynner, is a personal report on the suffering of some of the refugees and their children who, after the end of World War 2, remained in the refugee camps in Europe up until the early 1960s. He recounts their years of frustration and hopelessness and the situation of thousands of children born in the camps. In the second part of the publication, the author gives his impressions of life in Palestinian refugee camps in the Middle East, following an extensive tour made for the UN in early 1960.
The story behind The Magnificent Seven could have been a movie in itself. It had everything--actors' strike, writers' strike, Mexican government interference and a row between the screenwriters that left one removing his name from the credits, all under the lingering gloom of post-McCarthy era Hollywood. A flop on release, it later became a box office hit. This book tells the behind-the-scenes story: how Yul Brynner became the biggest independent producer in Hollywood; why John Sturges was not the first choice after Brynner surrendered the director's chair; why Sturges quit; the truth about the Mirisch Company (producers); the details of the film's botched release and unlikely redemption; the creation of Elmer Bernstein's classic score; and how internecine fighting prevented the making of the television series in 1963. Myths about Steve McQueen, his feud with Brynner and the scene-stealing antics of the cast are debunked. A close examination of the various screenplay drafts and the writers' source material--Akira Kurosawa's Seven Samurai--shows who wrote what. Extensive analysis of Sturges' directorial work is provided.
Based on the incredible true story of one woman’s journey to the exotic world of nineteenth-century Siam, the riveting novel that inspired The King and I. In 1862, recently widowed and with two small children to support, British schoolteacher Anna Leonowens agrees to serve as governess to the children of King Mongkut of Siam (present-day Thailand), unaware that her years in the royal palace will change not only her own life, but also the future of a nation. Her relationship with King Mongkut, famously portrayed by Yul Brynner in the classic film The King and I, is complicated from the start, pitting two headstrong personalities against each other: While the king favors tradition, Anna embraces change. As governess, Anna often finds herself at cross-purposes, marveling at the foreign customs, fascinating people, and striking landscape of the kingdom and its harems, while simultaneously trying to influence her pupils—especially young Prince Chulalongkorn—with her Western ideals and values. Years later, as king, this very influence leads Chulalongkorn to abolish slavery in Siam and introduce democratic reform based on the ideas of freedom and human dignity he first learned from his beloved tutor. This captivating novel brilliantly combines in-depth research—author Margaret Landon drew from Siamese court records and Anna’s own writings—with richly imagined details to create a lush portrait of 1860s Siam. As a Rodgers & Hammerstein Broadway musical and an Academy Award–winning film, the story of Anna and the King of Siam has enchanted millions over the years. It is a gripping tale of cultural differences and shared humanity that invites readers into a vivid and sensory world populated by unforgettable characters.
Robert Mitchum once commented to Arthur Lyons about his movies of the 1940s and 1950s: "Hell, we didn't know what film noir was in those days. We were just making movies. Cary Grant and all the big stars at RKO got all the lights. We lit our sets with cigarette butts." Film noir was made to order for the "B," or low-budget, part of the movie double bill. It was cheaper to produce because it made do with less lighting, smaller casts, limited sets, and compact story lines—about con men, killers, cigarette girls, crooked cops, down-and-out boxers, and calculating, scheming, very deadly women. In Death on the Cheap, Arthur Lyons entertainingly looks at the history of the B movie and how it led to the genre that would come to be called noir, a genre that decades later would be transformed in such "neo-noir" films as Pulp Fiction, Fargo, and L.A. Confidential. The book, loaded with movie stills, also features a witty and informative filmography (including video sources) of B films that have largely been ignored or neglected—“lost" to the general public but now restored to their rightful place in movie history thanks to Death on the Cheap.