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In graphic novel format, retells the story of Yu's vow to end the terrible floods wreaking havoc in villages throughout China and his confrontation with Angry Yellow Emperor, the ruler of the gods.
The Chinese people often told stories that taught the listener about their land. This nature myth shows how ancient people belived the gods controlled nature. In order to restore balance, the Emperor asked Yu to control the floods. The Chinese nature myth is retold in this brilliantly illustrated Chinese Myth. Aligned to Common Core Standards and correlated to state standards. Short Tales is an imprint of Magic Wagon, a division of ABDO.
From one of China’s most acclaimed writers: a unique, intimate look at the Chinese experience over the last several decades. Framed by ten phrases common in the Chinese vernacular, China in Ten Words uses personal stories and astute analysis to reveal as never before the world’s most populous yet oft-misunderstood nation. In "Disparity," for example, Yu Hua illustrates the expanding gaps that separate citizens of the country. In "Copycat," he depicts the escalating trend of piracy and imitation as a creative new form of revolutionary action. And in "Bamboozle," he describes the increasingly brazen practices of trickery, fraud, and chicanery that are, he suggests, becoming a way of life at every level of society. Witty, insightful, and courageous, this is a refreshingly candid vision of the "Chinese miracle" and all of its consequences.
A thought-provoking book on the archaeology of power, knowledge, social memory, and the emergence of classical tradition in early China.
This graphic novel tells the legend of Yu the Great, a Chinese hero from the twenty-first century B.C. Some scholars believe Yu actually existed and that he founded the Xia Dynasty, the first Chinese empire described in historical records. Some later Chinese texts describe Yu as a kind and strong emperor whose engineering projects saved China from frequent floods. But in Chinese legend, as in this book, Yu is descended from the gods and born from a golden dragon. He saves China from floods by using magical soil to plug underwater springs, with the help of a tortoise, an owl, and a dragon.
It is an old, yet relevant, argument that education needs to focus more on real-world issues in students’ lives and communities. Nevertheless, conventional school curricula in many countries create superficial boundaries to separate natural and social worlds. A call for science learning approaches that acknowledge societal standpoints accumulate that human activities are driving environmental and evolutionary change which has lead scholars to investigate how different societies respond to environmental change. Children and Mother Nature is a multilingual volume that represents indigenous knowledges from various ethnic, linguistic, geographical, and national groups of educators and students through storytelling. Authors have identified indigenous stories, fables, and folk tales with a theme of human-nature interaction and facilitated storytelling sessions with groups of students in K–8 grade (5–14 years old) in Turkey, Greece, US, Jamaica, Brazil, Saudi Arabia, and Chinese and Korean language speaking communities in the US. Students have discussed and rewritten/retold the stories collaboratively and illustrated their own stories. All student-told stories are presented in the original language along with an English translation. This volume provides authentic materials for teachers to use in their classrooms and could also be of interest to educational, literary, and environmental researchers to conduct comparative and international studies.
The bestselling Journey to the West comic book by artist Chang Boon Kiat is now back in a brand new fully coloured edition. Journey to the West is one of the greatest classics in Chinese literature. It tells the epic tale of the monk Xuanzang who journeys to the West in search of the Buddhist sutras with his disciples, Sun Wukong, Sandy and Pigsy. Along the way, Xuanzang's life was threatened by the diabolical White Bone Spirit, the menacing Red Child and his fearsome parents and, a host of evil spirits who sought to devour Xuanzang's flesh to attain immortality. Bear witness to the formidable Sun Wukong's (Monkey God) prowess as he takes them on, using his Fiery Eyes, Golden Cudgel, Somersault Cloud, and quick wits! Be prepared for a galloping read that will leave you breathless!
This major source of Chinese mythology (third century BC to second century AD) contains a treasure trove of rare data and colorful fiction about the mythical figures, rituals, medicine, natural history, and ethnic peoples of the ancient world. The Classic of Mountains and Seas explores 204 mythical figures such as the gods Foremost, Fond Care, and Yellow, and goddesses Queen Mother of the West and Girl Lovely, as well as many other figures unknown outside this text. This eclectic Classic also contains crucial information on early medicine (with cures for impotence and infertility), omens to avert catastrophe, and rites of sacrifice, and familiar and unidentified plants and animals. It offers a guided tour of the known world in antiquity, moving outwards from the famous mountains of central China to the lands “beyond the seas.” Translated with an introduction and notes by Anne Birrell.
Yu Qiuyu is one of China's greatest modern essayists. Sometimes a prickly commentator, he is above all a storyteller. In this volume he takes his inspiration from China's geography, both human and physical, and brings the culture of his country to life with human characters and historical narrative. The forests of Hainan, the Three Gorges, classical pagodas, ancient remains under modern Shanghai, even the open skies... all have their stories and cultural connections, traced with erudition and wit by an inquisitive mind. "I sought a path across mountains and rivers, plastering my brief life across a rugged corner of this planet," explains Yu Qiuyu. The Book of Rivers and Mountains is another in a series of meditative essays about Chinese culture and history. In this book he returns to the Chinese mainland in contemplation of its people and the natural landscape that has shaped their way of life. He refers to mountains and rivers as the "facial expressions of the land" and the only true way of understanding the history of the country and its people.
In this book an international group of scholars examines China's acceptance and ultimate rejection of Soviet models and practices in economic, cultural, social, and other realms.