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"From the Teddy Boys of the post-war decade to the heroin chic of "Cool Britannia," the many subcultures of Britain's teenagers have often been at the forefront of social change. Youth Culture and the Post-War British Novel is the first book to chart that history through the work of some of the most influential contemporary British writers. In this vivid work of cultural history, Stephen Ross explores: The manic teenage vision of Absolute Beginners The Angry Young Men of Saturday Night and Sunday Morning Skinheads and Burgess's A Clockwork Orange Irony and authenticity in the 1980s - from Amis to Kureishi Heroin chic, disaffection and Trainspotting Examining the cultural contexts of some of the most important and popular post-1945 British novels, the book covers such themes as crises of masculinity, multiculturalism and inter-generational conflict, and in doing so casts new light on British writing today."--Bloomsbury Publishing.
From the Teddy Boys of the post-war decade to the heroin chic of “Cool Britannia,” the many subcultures of Britain's teenagers have often been at the forefront of social change. Youth Culture and the Post-War British Novel is the first book to chart that history through the work of some of the most influential contemporary British writers. In this vivid work of cultural history, Stephen Ross explores: · The manic teenage vision of Absolute Beginners · The Angry Young Men of Saturday Night and Sunday Morning · Skinheads and Burgess's A Clockwork Orange · Irony and authenticity in the 1980s – from Amis to Kureishi · Heroin chic, disaffection and Trainspotting Examining the cultural contexts of some of the most important and popular post-1945 British novels, the book covers such themes as crises of masculinity, multiculturalism and inter-generational conflict, and in doing so casts new light on British writing today.
Contents: - Bill Osgerby: 'The Young Ones'. Youth, Consumption and Representations of the 'Teenager' in Post-War Britain. - Rachel Thomson / Janet Holland: Sexual Relationship, Negotiation and Decision Making. - Mike Storry: Teenagers and Advertising - Peter Bennett: Teen Pop and Teenage Identity in Britain. - Claus-Ulrich Viol: A Crack in the Union Jack? National Identity in British Popular Music. - Merle Tonnies: Problematic Youth Identities in Contemporary British Dramas - Gerd Stratmann: 'Absolute Beginners' and Their Heirs in Contemporary British Novels. - Martin Bruggemeier / Horst W. Drescher: A Subculture and its Characterization in Irvine Welsh's Trainspotting. - Jurgen Neubauer: Critical Media Literacy and the Representation of Youth in Trainspotting. - Merle Tonnies / Claus-Ulrich Viol: Young Britain in Perspective. The Views of Rebecca Ray, shez 360, Chandrasonic, Kathy Lette, and Anne Fine.
British Literature and Culture in Second World Wartime excavates British late modernism's relationship to war in terms of chronophobia: a joint fear of the past and future. As a wartime between, but distinct from, those of the First World War and the Cold War, Second World wartime involves an anxiety that is both repetition and imaginary: both a dread of past violence unleashed anew, and that of a future violence still ungraspable. Identifying a constellation of temporalities and affects under three tropes--time capsules, time zones, and ruins--this volume contends that Second World wartime is a pivotal moment when wartime surpassed the boundaries of a specific state of emergency, becoming first routine and then open-ended. It offers a synoptic, wide-ranging look at writers on the home front, including Henry Green, Elizabeth Bowen, Virginia Woolf, and Rose Macaulay, through a variety of genres, such as life-writing, the novel, and the short story. It also considers an array of cultural and archival material from photographers such as Cecil Beaton, filmmakers such as Charles Crichton, and artists such as John Minton. It shows how figures harnessed or exploited their media's temporal properties to formally register the distinctiveness of this wartime through a complex feedback between anticipation and retrospection, oftentimes fashioning the war as a memory, even while it was taking place. While offering a strong foundation for new readers of the mid-century, the book's overall theoretical focus on chronophobia will be an important intervention for those already working in the field.
Seminar paper from the year 2002 in the subject English Language and Literature Studies - Literature, grade: 2+, Free University of Berlin (Institut für Englisch Philologie), course: Youth Cultures - Presenting Youth in Theory and Fictional Writing, language: English, abstract: The purpose of this paper is to analyse the question to what extent a piece of art, in this case a novel, can serve as a basis for cultural studies. For this reason the representation of youth and youth culture in the novel Absolute Beginners by Colin MacInnes will be analysed. In the second chapter this paper introduces the novel with its main characters and the main themes. The third chapter then focuses on the theories of youth and youth culture from Ogersby. To combine the results drawn from the first two chapters, the fourth chapter deals with the question whether Absolute Beginners main character is represented as a typical teenager of the fifties or whether he is just a construction by the author. All the results of the paper are combined in the conclusion to prove whether the novel serves as a medium for representing youth cultures of the fifties in England or not. This leads to the answer of the question how a piece of art can be taken as a basis for cultural studies.
SPECTATOR BOOKS OF THE YEAR 2015 Britain's empire has gone. Our manufacturing base is a shadow of its former self; the Royal Navy has been reduced to a skeleton. In military, diplomatic and economic terms, we no longer matter as we once did. And yet there is still one area in which we can legitimately claim superpower status: our popular culture. It is extraordinary to think that one British writer, J. K. Rowling, has sold more than 400 million books; that Doctor Who is watched in almost every developed country in the world; that James Bond has been the central character in the longest-running film series in history; that The Lord of the Rings is the second best-selling novel ever written (behind only A Tale of Two Cities); that the Beatles are still the best-selling musical group of all time; and that only Shakespeare and the Bible have sold more books than Agatha Christie. To put it simply, no country on earth, relative to its size, has contributed more to the modern imagination. This is a book about the success and the meaning of Britain's modern popular culture, from Bond and the Beatles to heavy metal and Coronation Street, from the Angry Young Men to Harry Potter, from Damien Hirst toThe X Factor.
First published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.
The concepts of 'youth' and the 'postcolonial' both inhabit a liminal locus where new ways of being in the world are rehearsed and struggle for recognition against the impositions of dominant power structures. Departing from this premise, the present volume focuses on the experience of postcolonial youngsters in contemporary Britain as rendered in fiction, thus envisioning the postcolonial as a site of fruitful and potentially transformative friction between different identitary variables or sociocultural interpellations. In so doing, this volume provides varied evidence of the ability of literature—and of the short story genre, in particular—to represent and swiftly respond to a rapidly changing world as well as to the new socio-cultural realities and conflicts affecting our current global order and the generations to come. Contributors are: Isabel M. Andrés-Cuevas, Isabel Carrera-Suárez, Claire Chambers, Blanka Grzegorczyk, Bettina Jansen, Indrani Karmakar, Carmen Lara-Rallo, Laura María Lojo-Rodríguez, Noemí Pereira-Ares, Gérald Préher, Susanne Reichl, Carla Rodríguez-González, Jorge Sacido-Romero, Karima Thomas and Laura Torres-Zúñiga.
An autobiographical account of a young nurse's involvement in World War I
ONE OF DAVID BOWIE'S TOP 100 MUST READ BOOKS THE INSPIRATION BEHIND THE 2013 DOCUMENTARY FILM TEENAGE WITH A NEW INTRODUCTION FROM THE AUTHOR The acclaimed history of the century and a half of ferment, folly and angst that resulted in the arrival of 'the teenager' in 1945, from award-winning, Sunday Times bestselling author Jon Savage. 'One of Britain's most trusted cultural historians.' THE FACE Ringing with music, from ragtime to swing, Teenage roams London, New York, Paris and Berlin with hooligans and Apaches; explores free love and eternal youth; meets flappers and zootsuiters, the Bright Young People and the Lost Generation. The stories come fast and furious, comic, poignant, painfully moving; Savage fuses popular culture, politics and social history into a stunning chronicle of modern life. 'Compulsive reading . . . a rich, rewarding book that makes an important contribution to cultural history.' NEW YORK TIMES BOOK REVIEW 'The definitive history of youth in revolt.' ROLLING STONE '[Savage] can bring a beguiling blend of gravitas, wit, scholarship, and a slyly appreciative eye for the subversive, to any topic he approaches. Teenage provides a panoramic scope for his talents.' INDEPENDENT 'Savage has produced a book that may well change how people think about teenagers.' GUARDIAN (This book is part of a reissue of Jon Savage's seminal works: 1966, Teenage, and England's Dreaming)